Kitobni o'qish: «Verses»

TO J. H. AND E. W. H

 
  Nourished by peaceful suns and gracious dew,
  Your sweet youth budded and your sweet lives grew,
  And all the world seemed rose-beset for you.
 
 
  The rose of beauty was your mutual dower,
  The stainless rose of love, an early flower,
  The stately blooms of ease and wealth and power.
 
 
  And treading thus on pathways flower-bestrewn,
  It well might be, that, cold and careless grown,
  You both had lived for your own joys alone.
 
 
  But, holding all these fair things as in trust.
  Gently you walked, still scattering on the dust
  Of harder roads, which others tread, and must,—
 
 
  Your heritage of brightness, not a ray
  Of noontide sought you out, but straight away
  You caught and halved it with some darker day:
 
 
  And as the sweet saint's loaves were turned, it is said,
  To roses, so your roses turned to bread,
  That hungering souls and weary might be fed.
 
 
  Dear friends, my poor words do but paint you wrong,
  Nor can I utter, in one trivial song,
  The goodness I have honored for so long.
 
 
  Only this leaf, a single petal flung,
  One chord from a full harmony unsung,
  May speak the life-long love that lacks a tongue.
 

PRELUDE

 
  Poems are heavenly things,
  And only souls with wings
  May reach them where they grow,
  May pluck and bear below,
  Feeding the nations thus
  With food all glorious.
 
 
  Verses are not of these;
  They bloom on earthly trees,
  Poised on a low-hung stem,
  And those may gather them
  Who cannot fly to where
  The heavenly gardens are.
 
 
  So I by devious ways
  Have pulled some easy sprays
  From the down-dropping bough
  Which all may reach, and now
  I knot them, bud and leaf,
  Into a rhymed sheaf.
 
 
  Not mine the pinion strong
  To win the nobler song;
  I only cull and bring
  A hedge-row offering
  Of berry, flower, and brake,
  If haply some may take.
 

COMMISSIONED

"Do their errands; enter into the sacrifice with them; be a link yourself in the divine chain, and feel the joy and life of it."—ADELINE D. T. WHITNEY

 
  What can I do for thee, Beloved,
    Whose feet so little while ago
    Trod the same way-side dust with mine,
  And now up paths I do not know
    Speed, without sound or sign?
 
 
  What can I do? The perfect life
    All fresh and fair and beautiful
    Has opened its wide arms to thee;
  Thy cup is over-brimmed and full;
    Nothing remains for me.
 
 
  I used to do so many things,—
    Love thee and chide thee and caress;
    Brush little straws from off thy way,
  Tempering with my poor tenderness
    The heat of thy short day.
 
 
  Not much, but very sweet to give;
    And it is grief of griefs to bear
    That all these ministries are o'er,
  And thou, so happy, Love, elsewhere,
    Never can need me more:—
 
 
  And I can do for thee but this
    (Working on blindly, knowing not
    If I may give thee pleasure so):
  Out of my own dull, burdened lot
    I can arise, and go
 
 
  To sadder lives and darker homes,
    A messenger, dear heart, from thee
    Who wast on earth a comforter,
  And say to those who welcome me,
    I am sent forth by her.
 
 
  Feeling the while how good it is
    To do thy errands thus, and think
    It may be, in the blue, far space,
  Thou watchest from the heaven's brink,—
    A smile upon my face.
 
 
  And when the day's work ends with day,
    And star-eyed evening, stealing in,
    Waves a cool hand to flying noon,
  And restless, surging thoughts begin,
    Like sad bells out of tune,
 
 
  I'll pray: "Dear Lord, to whose great love
    Nor bound nor limit line is set,
    Give to my darling, I implore,
  Some new sweet joy not tasted yet,
    For I can give no more."
 
 
  And with the words my thoughts shall climb
    With following feet the heavenly stair
    Up which thy steps so lately sped,
  And, seeing thee so happy there,
    Come back half comforted.
 

THE CRADLE TOMB IN WESTMINSTER ABBEY

 
  A little, rudely sculptured bed,
    With shadowing folds of marble lace,
  And quilt of marble, primly spread
    And folded round a baby's face.
 
 
  Smoothly the mimic coverlet,
    With royal blazonries bedight,
  Hangs, as by tender fingers set
    And straightened for the last good-night.
 
 
  And traced upon the pillowing stone
    A dent is seen, as if to bless
  The quiet sleep some grieving one
    Had leaned, and left a soft impress.
 
 
  It seems no more than yesterday
    Since the sad mother down the stair
  And down the long aisle stole away,
    And left her darling sleeping there.
 
 
  But dust upon the cradle lies,
    And those who prized the baby so,
  And laid her down to rest with sighs,
    Were turned to dust long years ago.
 
 
  Above the peaceful pillowed head
    Three centuries brood, and strangers peep
  And wonder at the carven bed,—
    But not unwept the baby's sleep,
 
 
  For wistful mother-eyes are blurred
    With sudden mists, as lingerers stay,
  And the old dusts are roused and stirred
    By the warm tear-drops of to-day.
 
 
  Soft, furtive hands caress the stone,
    And hearts, o'erleaping place and age,
  Melt into memories, and own
    A thrill of common parentage.
 
 
  Men die, but sorrow never dies;
    The crowding years divide in vain,
  And the wide world is knit with ties
    Of common brotherhood in pain;
 
 
  Of common share in grief and loss,
    And heritage in the immortal bloom
  Of Love, which, flowering round its cross,
    Made beautiful a baby's tomb.
 

"OF SUCH AS I HAVE."

 
  Love me for what I am, Love. Not for sake
  Of some imagined thing which I might be,
  Some brightness or some goodness not in me,
  Born of your hope, as dawn to eyes that wake
  Imagined morns before the morning break.
  If I, to please you (whom I fain would please),
  Reset myself like new key to old tune,
  Chained thought, remodelled action, very soon
  My hand would slip from yours, and by degrees
  The loving, faulty friend, so close to-day,
  Would vanish, and another take her place,—
  A stranger with a stranger's scrutinies,
  A new regard, an unfamiliar face.
  Love me for what I am, then, if you may;
  But, if you cannot,—love me either way.
 

A PORTRAIT

 
  All sweet and various things do lend themselves
    And blend and intermix in her rare soul,
  As chorded notes, which were untuneful else,
    Clasp each the other in a perfect whole.
 
 
  Within her spirit, dawn, all dewy-pearled,
    Seems held and folded in by golden noons,
  While past the sunshine gleams a further world
    Of deep star-spaces and mysterious moons.
 
 
  Like widths of blowing ocean wet with spray,
    Like breath of early blooms at morning caught,
  Like cool airs on the cheek of heated day,
    Come the fair emanations of her thought.
 
 
  Her movement, like the curving of a vine,
    Seems an unerring accident of grace,
  And like a flower's the subtle change and shine
    And meaning of her brightly tranquil face.
 
 
  And like a tree, unconscious of her shade,
    She spreads her helpful branches everywhere
  For wandering bird or bee, nor is afraid
    Too many guests shall crowd to harbor there.
 
 
  For she is kinder than all others are,
    And weak things, sad things, gather where she dwells,
  To reach and taste her strength and drink of her,
    As thirsty creatures of clear water-wells.
 
 
  Why vex with words where words are poor and vain?
    In one brief sentence lies the riddle's key,
  Which those who love her read and read again,
    Finding each time new meanings: SHE IS SHE!
 

WHEN?

 
  If I were told that I must die to-morrow,
             That the next sun
  Which sinks should bear me past all fear and sorrow
             For any one,
  All the fight fought, all the short journey through:
             What should I do?
 
 
  I do not think that I should shrink or falter,
             But just go on,
  Doing my work, nor change, nor seek to alter
             Aught that is gone;
  But rise and move and love and smile and pray
             For one more day.
 
 
  And, lying down at night for a last sleeping,
             Say in that ear
  Which hearkens ever: "Lord, within Thy keeping
             How should I fear?
  And when to-morrow brings Thee nearer still.
             Do Thou Thy will."
 
 
  I might not sleep for awe; but peaceful, tender,
             My soul would lie
  All the night long; and when the morning splendor
             Flashed o'er the sky,
  I think that I could smile—could calmly say,
             "It is His day."
 
 
  But, if instead a hand from the blue yonder
             Held out a scroll,
  On which my life was, writ, and I with wonder
             Beheld unroll
  To a long century's end its mystic clew,
             What should I do?
 
 
  What COULD I do, O blessed Guide and Master,
             Other than this:
  Still to go on as now, not slower, faster,
             Nor fear to miss
  The road, although so very long it be,
             While led by Thee?
 
 
  Step after step, feeling Thee close beside me,
             Although unseen,
  Through thorns, through flowers, whether the tempest hide Thee,
              Or heavens serene,
  Assured Thy faithfulness cannot betray,
             Thy love decay.
 
 
  I may not know, my God; no hand revealeth
             Thy counsels wise;
  Along the path a deepening shadow stealeth,
             No voice replies
  To all my questioning thought, the time to tell,
             And it is well.
 
 
  Let me keep on, abiding and unfearing
               Thy will always,
  Through a long century's ripening fruition,
               Or a short day's.
  Thou canst not come too soon; and I can wait
             If thou come late.
 

ON THE SHORE

 
    The punctual tide draws up the bay,
    With ripple of wave and hiss of spray,
  And the great red flower of the light-house tower
    Blooms on the headland far away.
 
 
    Petal by petal its fiery rose
    Out of the darkness buds and grows;
  A dazzling shape on the dim, far cape,
    A beckoning shape as it comes and goes.
 
 
    A moment of bloom, and then it dies
    On the windy cliff 'twixt the sea and skies.
  The fog laughs low to see it go,
    And the white waves watch it with cruel eyes.
 
 
    Then suddenly out of the mist-cloud dun,
    As touched and wooed by unseen sun,
  Again into sight bursts the rose of light
    And opens its petals one by one.
 
 
    Ah, the storm may be wild and the sea be strong,
    And man is weak and the darkness long,
  But while blossoms the flower on the light-house tower
    There still is place for a smile and a song.
 

AMONG THE LILIES

 
    She stood among the lilies
      In sunset's brightest ray,
    Among the tall June lilies,
      As stately fair as they;
  And I, a boyish lover then,
  Looked once, and, lingering, looked again,
     And life began that day.
 
 
    She sat among the lilies,
      My sweet, all lily-pale;
    The summer lilies listened,
      I whispered low my tale.
  O golden anthers, breathing balm,
  O hush of peace, O twilight calm,
      Did you or I prevail?
 
 
    She lies among the lily-snows,
      Beneath the wintry sky;
    All round her and about her
      The buried lilies lie.
  They will awake at touch of Spring,
  And she, my fair and flower-like thing,
      In spring-time—by and by.
 

NOVEMBER

 
      Dry leaves upon the wall,
  Which flap like rustling wings and seek escape,
  A single frosted cluster on the grape
      Still hangs—and that is all.
 
 
      It hangs forgotten quite,—
  Forgotten in the purple vintage-day,
  Left for the sharp and cruel frosts to slay,
      The daggers of the night.
 
 
      It knew the thrill of spring;
  It had its blossom-time, its perfumed noons;
  Its pale-green spheres were rounded to soft runes
      Of summer's whispering.
 
 
      Through balmy morns of May;
  Through fragrances of June and bright July,
  And August, hot and still, it hung on high
      And purpled day by day.
 
 
      Of fair and mantling shapes,
  No braver, fairer cluster on the tree;
  And what then is this thing has come to thee
      Among the other grapes,
 
 
      Thou lonely tenant of the leafless vine,
  Granted the right to grow thy mates beside,
  To ripen thy sweet juices, but denied
      Thy place among the wine?
 
 
      Ah! we are dull and blind.
  The riddle is too hard for us to guess
  The why of joy or of unhappiness,
      Chosen or left behind.
 
 
      But everywhere a host
  Of lonely lives shall read their type in thine:
  Grapes which may never swell the tale of wine,
      Left out to meet the frost.
 

EMBALMED

 
  This is the street and the dwelling,
    Let me count the houses o'er;
  Yes,—one, two, three from the corner,
    And the house that I love makes four.
 
 
  That is the very window
    Where I used to see her head
  Bent over book or needle,
    With ivy garlanded.
 
 
  And the very loop of the curtain,
    And the very curve of the vine,
  Were full of the grace and the meaning
    Which was hers by some right divine.
 
 
  I began to be glad at the corner,
    And all the way to the door
  My heart outran my footsteps,
    And frolicked and danced before,
 
 
  In haste for the words of welcome,
    The voice, the repose and grace,
  And the smile, like a benediction,
    Of that beautiful, vanished face.
 
 
  Now I pass the door, and I pause not,
    And I look the other way;
  But ever, a waft of fragrance,
    Too subtle to name or stay,
 
 
  Comes the thought of the gracious presence
    Which made that past time sweet,
  And still to those who remember,
    Embalms the house and the street,
 
 
  Like the breath from some vase, now empty
    Of a flowery shape unseen,
  Which follows the path of its lover,
    To tell where a rose has been.
 

GINEVRA DEGLI AMIERI

A STORY OF OLD FLORENCE

 
  So it is come! The doctor's glossy smile
  Deceives me not. I saw him shake his head,
  Whispering, and heard poor Giulia sob without,
  As, slowly creaking, he went down the stair.
  Were they afraid that I should be afraid?
  I, who had died once and been laid in tomb?
  They need not.
 
 
                  Little one, look not so pale.
  I am not raving. Ah! you never heard
  The story. Climb up there upon the bed:
  Sit close, and listen. After this one day
  I shall not tell you stories any more.
 
 
  How old are you, my rose? What! almost twelve?
  Almost a woman? Scarcely more than that
  Was your fair mother when she bore her bud;
  And scarcely more was I when, long years since,
  I left my father's house, a bride in May.
  You know the house, beside St. Andrea's church,
  Gloomy and rich, which stands, and seems to frown
  On the Mercato, humming at its base;
  And hold on high, out of the common reach,
  The lilies and carved shields above its door;
  And, higher yet, to catch and woo the sun,
  A little loggia set against the sky?
  That was my play-place ever as a child;
  And with me used to play a kinsman's son,
  Antonio Rondinelli. Ah, dear days!
  Two happy things we were, with none to chide
  Or hint that life was anything but play.
 
 
  Sudden the play-time ended. All at once
  "You must be wed," they told me. "What is wed?"
  I asked; but with the word I bent my brow,
  Let them put on the garland, smiled to see
  The glancing jewels tied about my neck;
  And so, half-pleased, half-puzzled, was led forth
  By my grave husband, older than my sire.
 
 
  O the long years that followed! It would seem
  That the sun never shone in all those years,
  Or only with a sudden, troubled glint
  Flashed on Antonio's curls, as he went by
  Doffing his cap, with eyes of wistful love
  Raised to my face,—my conscious, woful face.
  Were we so much to blame? Our lives had twined
  Together, none forbidding, for so long.
  They let our childish fingers drop the seed,
  Unhindered, which should ripen to tall grain;
  They let the firm, small roots tangle and grow,
  Then rent them, careless that it hurt the plant.
  I loved Antonio, and he loved me.
 
 
  Life was all shadow, but it was not sin!
  I loved Antonio, but I kept me pure,
  Not for my husband's sake, but for the sake
  Of him, my first-born child, my little child,
  Mine for a few short weeks, whose touch, whose look
  Thrilled all my soul and thrills it to this day.
  I loved; but, hear me swear, I kept me pure!
  (Remember that, Madonna, when I come
  Before thy throne to-morrow. Be not stern,
  Or gaze upon me with reproachful look,
  Making my little angel hide his face
  And weep, while all the others turn glad eyes
  Rejoicing on their mothers.)
 
 
                                 It was hard
  To sit in darkness while the rest had light,
  To move to discords when the rest had song,
  To be so young and never to have lived.
  I bore, as women bear, until one day
  Soul said to flesh, "This I endure no more,"
  And with the word uprose, tore clay apart,
  And what was blank before grew blanker still.
 
 
  It was a fever, so the leeches said.
  I had been dead so long, I did not know
  The difference, or heed. Oil on my breast,
  The garments of the grave about me wrapped,
  They bore me forth, and laid me in the tomb.
  The rich and beautiful and dreadful tomb,
  Where all the buried Amteris lie,
  Beneath the Duomo's black and towering shade.
 
 
  Open the curtain, child. Yes, it is night.
  It was night then, when I awoke to feel
  That deadly chill, and see by ghostly gleams
  Of moonlight, creeping through the grated door,
  The coffins of my fathers all about.
  Strange, hollow clamors rang and echoed back,
  As, struggling out of mine, I dropped and fell.
  With frantic strength I beat upon the grate.
  It yielded to my touch. Some careless hand
  Had left the bolt half-slipped. My father swore
  Afterward, with a curse, he would make sure
  Next time. NEXT TIME. That hurts me even now!
 
 
  Dead or alive I issued, scarce sure which.
  High overhead Giotto's tower soared;
  Behind, the Duomo rose all white and black;
  Then pealed a sudden jargoning of bells,
  And down the darkling street I wildly fled,
  Led by a little, cold, and wandering moon,
  Which seemed as lonely and as lost as I.
  I had no aim, save to reach warmth and light
  And human touch; but still my witless steps
  Led to my husband's door, and there I stopped,
  By instinct, knocked, and called.
 
 
                                      A window oped.
  A voice—t'was his—demanded: "Who is there?"
  "Tis I, Ginevra." Then I heard the tone
  Change into horror, and he prayed aloud
  And called upon the saints, the while I urged,
  "O, let me in, Francesco; let me in!
  I am so cold, so frightened, let me in!"
  Then, with a crash, the window was shut fast;
  And, though I cried and beat upon the door
  And wailed aloud, no other answer came.
 
 
  Weeping, I turned away, and feebly strove
  Down the hard distance towards my father's house.
  "They will have pity and will let me in,"
  I thought. "They loved me and will let me in."
  Cowards! At the high window overhead
  They stood and trembled, while I plead and prayed:
  "I am your child, Ginevra. Let me in!
  I am not dead. In mercy, let me in!"
  "The holy saints forbid!" declared my sire.
  My mother sobbed and vowed whole pounds of wax
  To St. Eustachio, would he but remove
  This fearful presence from her door. Then sharp
  Came click of lock, and a long tube was thrust
  From out the window, and my brother cried,
  "Spirit or devil, go! or else I fire!"
 
 
  Where should I go? Back to the ghastly tomb
  And the cold coffined ones? Up the long street,
  Wringing my hands and sobbing low, I went.
  My feet were bare and bleeding from the stones;
  My hands were bleeding too; my hair hung loose
  Over my shroud. So wild and strange a shape
  Saw never Florence since. The people call
  That street through which I walked and wrung my hands
  "Street of the Dead One," even to this day.
  The sleeping houses stood in midnight black,
  And not a soul was in the streets but I.
 
 
  At last I saw a flickering point of light
  High overhead, in a dim window set.
  I had lain down to die; but at the sight
  I rose, crawled on, and with expiring strength
  Knocked, sank again, and knew not even then
  It was Antonio's door by which I lay.
 
 
  A window opened, and a voice called out:
  "Qui e?" "I am Ginevra." And I thought,
  "Now he will fall to trembling, like the rest,
  And bid me hence." But, lo! a moment more
  The bolts were drawn, and arms whose very touch
  Was life, lifted and clasped and bore me in.
  "O ghost or angel of my buried love,
  I know not, care not which, be welcome here!
  Welcome, thrice welcome, to this heart of mine!"
  I heard him say, and then I heard no more.
 
 
  It was high noontide when I woke again,
  To hear fierce voices wrangling by my bed,—
  My father's and my husband's; for, with dawn,
  Gathering up valor, they had sought the tomb,
  Had found me gone, and tracked my bleeding feet
  Over the pavement to Antonio's door.
  Dead, they cared nothing: living, I was, theirs.
  Hot raged the quarrel; then came Justice in,
  And to the court we swept—I in my shroud—
  To try the cause.
 
 
             This was the verdict given:
  "A woman who has been to burial borne,
  Made fast and left and locked in with the dead;
  Who at her husband's door has stood and plead
  For entrance, and has heard her prayer denied;
  Who from her father's house is urged and chased,
  Must be adjudged as dead in law and fact.
 
 
  The Court pronounces the defendant—dead!
  She can resume her former ties at will,
  Or may renounce them, if such be her will.
  She is no more a daughter, or a spouse,
  Unless she choose, and is set free to form
  New ties, if so she choose."
 
 
                           O, blessed words!
  That very day we knelt before the priest,
  My love and I, were wed, and life began.
 
 
  Child of my child, child of Antonio's child,
  Bend down and let me kiss your wondering face.
  'Tis a strange tale to tell a rose like you.
  But time is brief, and, had I told you not,
  Haply the story would have met your ears
  From them, the Amieri, my own blood,
  Now turned to gall, whose foul and bitter lips
  Will wag with lies when once my lips are dumb.
  (Pardon me, Virgin. I was gentle once,
  And thou hast seen my wrongs. Thou wilt forgive.)
  Now go, my dearest. When they wake thee up,
  To tell thee I am dead, be not too sad.
  I, who have died once, do not fear to die.
 
 
  Sweet was that waking, sweeter will be this.
  Close to Heaven's gate my own Antonio sits
  Waiting, and, spite of all the Frati say,
  I know I shall not stand long at that gate,
  Or knock and be refused an entrance there,
  For he will start up when lie hears my voice,
  The saints will smile, and he will open quick.
  Only a night to part me from that joy.
  Jesu Maria! let the dawning come.