Kitobni o'qish: «The Bab Ballads»

Captain Reece

 
Of all the ships upon the blue,
No ship contained a better crew
Than that of worthy CAPTAIN REECE,
Commanding of The Mantelpiece.
 
 
He was adored by all his men,
For worthy CAPTAIN REECE, R.N.,
Did all that lay within him to
Promote the comfort of his crew.
 
 
If ever they were dull or sad,
Their captain danced to them like mad,
Or told, to make the time pass by,
Droll legends of his infancy.
 
 
A feather bed had every man,
Warm slippers and hot-water can,
Brown windsor from the captain’s store,
A valet, too, to every four.
 
 
Did they with thirst in summer burn,
Lo, seltzogenes at every turn,
And on all very sultry days
Cream ices handed round on trays.
 
 
Then currant wine and ginger pops
Stood handily on all the “tops;”
And also, with amusement rife,
A “Zoetrope, or Wheel of Life.”
 
 
New volumes came across the sea
From MISTER MUDIE’S libraree;
The Times and Saturday Review
Beguiled the leisure of the crew.
 
 
Kind-hearted CAPTAIN REECE, R.N.,
Was quite devoted to his men;
In point of fact, good CAPTAIN REECE
Beatified The Mantelpiece.
 
 
One summer eve, at half-past ten,
He said (addressing all his men):
“Come, tell me, please, what I can do
To please and gratify my crew.
 
 
“By any reasonable plan
I’ll make you happy if I can;
My own convenience count as nil:
It is my duty, and I will.”
 
 
Then up and answered WILLIAM LEE
(The kindly captain’s coxswain he,
A nervous, shy, low-spoken man),
He cleared his throat and thus began:
 
 
“You have a daughter, CAPTAIN REECE,
Ten female cousins and a niece,
A Ma, if what I’m told is true,
Six sisters, and an aunt or two.
 
 
“Now, somehow, sir, it seems to me,
More friendly-like we all should be,
If you united of ’em to
Unmarried members of the crew.
 
 
“If you’d ameliorate our life,
Let each select from them a wife;
And as for nervous me, old pal,
Give me your own enchanting gal!”
 
 
Good CAPTAIN REECE, that worthy man,
Debated on his coxswain’s plan:
“I quite agree,” he said, “O BILL;
It is my duty, and I will.
 
 
“My daughter, that enchanting gurl,
Has just been promised to an Earl,
And all my other familee
To peers of various degree.
 
 
“But what are dukes and viscounts to
The happiness of all my crew?
The word I gave you I’ll fulfil;
It is my duty, and I will.
 
 
“As you desire it shall befall,
I’ll settle thousands on you all,
And I shall be, despite my hoard,
The only bachelor on board.”
 
 
The boatswain of The Mantelpiece,
He blushed and spoke to CAPTAIN REECE:
“I beg your honour’s leave,” he said;
“If you would wish to go and wed,
 
 
“I have a widowed mother who
Would be the very thing for you—
She long has loved you from afar:
She washes for you, CAPTAIN R.”
 
 
The Captain saw the dame that day—
Addressed her in his playful way—
“And did it want a wedding ring?
It was a tempting ickle sing!
 
 
“Well, well, the chaplain I will seek,
We’ll all be married this day week
At yonder church upon the hill;
It is my duty, and I will!”
 
 
The sisters, cousins, aunts, and niece,
And widowed Ma of CAPTAIN REECE,
Attended there as they were bid;
It was their duty, and they did.
 

The Rival Curates

 
List while the poet trolls
Of MR. CLAYTON HOOPER,
Who had a cure of souls
At Spiffton-extra-Sooper.
 
 
He lived on curds and whey,
And daily sang their praises,
And then he’d go and play
With buttercups and daisies.
 
 
Wild croquêt HOOPER banned,
And all the sports of Mammon,
He warred with cribbage, and
He exorcised backgammon.
 
 
His helmet was a glance
That spoke of holy gladness;
A saintly smile his lance;
His shield a tear of sadness.
 
 
His Vicar smiled to see
This armour on him buckled:
With pardonable glee
He blessed himself and chuckled.
 
 
“In mildness to abound
My curate’s sole design is;
In all the country round
There’s none so mild as mine is!”
 
 
And HOOPER, disinclined
His trumpet to be blowing,
Yet didn’t think you’d find
A milder curate going.
 
 
A friend arrived one day
At Spiffton-extra-Sooper,
And in this shameful way
He spoke to Mr. HOOPER:
 
 
“You think your famous name
For mildness can’t be shaken,
That none can blot your fame—
But, HOOPER, you’re mistaken!
 
 
“Your mind is not as blank
As that of HOPLEY PORTER,
Who holds a curate’s rank
At Assesmilk-cum-Worter.
 
 
“He plays the airy flute,
And looks depressed and blighted,
Doves round about him ‘toot,’
And lambkins dance delighted.
 
 
“He labours more than you
At worsted work, and frames it;
In old maids’ albums, too,
Sticks seaweed—yes, and names it!”
 
 
The tempter said his say,
Which pierced him like a needle—
He summoned straight away
His sexton and his beadle.
 
 
(These men were men who could
Hold liberal opinions:
On Sundays they were good—
On week-days they were minions.)
 
 
“To HOPLEY PORTER go,
Your fare I will afford you—
 Deal him a deadly blow,
And blessings shall reward you.
 
 
“But stay—I do not like
Undue assassination,
And so before you strike,
Make this communication:
 
 
“I’ll give him this one chance—
If he’ll more gaily bear him,
Play croquêt, smoke, and dance,
I willingly will spare him.”
 
 
They went, those minions true,
To Assesmilk-cum-Worter,
And told their errand to
The REVEREND HOPLEY PORTER.
 
 
“What?” said that reverend gent,
“Dance through my hours of leisure?
Smoke?—bathe myself with scent?—
Play croquêt?  Oh, with pleasure!
 
 
“Wear all my hair in curl?
Stand at my door and wink—so—
At every passing girl?
My brothers, I should think so!
 
 
“For years I’ve longed for some
Excuse for this revulsion:
Now that excuse has come—
I do it on compulsion!!!”
 
 
He smoked and winked away—
This REVEREND HOPLEY PORTER—
The deuce there was to pay
At Assesmilk-cum-Worter.
 
 
And HOOPER holds his ground,
In mildness daily growing—
They think him, all around,
The mildest curate going.
 

Only A Dancing Girl

 
Only a dancing girl,
With an unromantic style,
With borrowed colour and curl,
With fixed mechanical smile,
With many a hackneyed wile,
With ungrammatical lips,
And corns that mar her trips.
 
 
Hung from the “flies” in air,
She acts a palpable lie,
She’s as little a fairy there
As unpoetical I!
I hear you asking, Why—
Why in the world I sing
This tawdry, tinselled thing?
 
 
No airy fairy she,
As she hangs in arsenic green
From a highly impossible tree
In a highly impossible scene
(Herself not over-clean).
For fays don’t suffer, I’m told,
From bunions, coughs, or cold.
 
 
And stately dames that bring
Their daughters there to see,
Pronounce the “dancing thing”
No better than she should be,
With her skirt at her shameful knee,
And her painted, tainted phiz:
Ah, matron, which of us is?
 
 
(And, in sooth, it oft occurs
That while these matrons sigh,
Their dresses are lower than hers,
And sometimes half as high;
And their hair is hair they buy,
And they use their glasses, too,
In a way she’d blush to do.)
 
 
But change her gold and green
For a coarse merino gown,
And see her upon the scene
Of her home, when coaxing down
Her drunken father’s frown,
In his squalid cheerless den:
She’s a fairy truly, then!
 

General John

 
The bravest names for fire and flames
And all that mortal durst,
Were GENERAL JOHN and PRIVATE JAMES,
Of the Sixty-seventy-first.
 
 
GENERAL JOHN was a soldier tried,
A chief of warlike dons;
A haughty stride and a withering pride
Were MAJOR-GENERAL JOHN’S.
 
 
A sneer would play on his martial phiz,
Superior birth to show;
“Pish!” was a favourite word of his,
And he often said “Ho! ho!”
 
 
FULL-PRIVATE JAMES described might be,
As a man of a mournful mind;
No characteristic trait had he
Of any distinctive kind.
 
 
From the ranks, one day, cried PRIVATE JAMES,
“Oh! MAJOR-GENERAL JOHN,
I’ve doubts of our respective names,
My mournful mind upon.
 
 
“A glimmering thought occurs to me
(Its source I can’t unearth),
But I’ve a kind of a notion we
Were cruelly changed at birth.
 
 
“I’ve a strange idea that each other’s names
We’ve each of us here got on.
Such things have been,” said PRIVATE JAMES.
“They have!” sneered GENERAL JOHN.
 
 
“My GENERAL JOHN, I swear upon
My oath I think ’tis so—”
“Pish!” proudly sneered his GENERAL JOHN,
And he also said “Ho! ho!”
 
 
“My GENERAL JOHN! my GENERAL JOHN!
My GENERAL JOHN!” quoth he,
“This aristocratical sneer upon
Your face I blush to see!
 
 
“No truly great or generous cove
Deserving of them names,
Would sneer at a fixed idea that’s drove
In the mind of a PRIVATE JAMES!”
 
 
Said GENERAL JOHN, “Upon your claims
No need your breath to waste;
If this is a joke, FULL-PRIVATE JAMES,
It’s a joke of doubtful taste.
 
 
“But, being a man of doubtless worth,
If you feel certain quite
That we were probably changed at birth,
I’ll venture to say you’re right.”
 
 
So GENERAL JOHN as PRIVATE JAMES
Fell in, parade upon;
And PRIVATE JAMES, by change of names,
Was MAJOR-GENERAL JOHN.
 

To A Little Maid—By A Policeman

 
Come with me, little maid,
Nay, shrink not, thus afraid—
I’ll harm thee not!
Fly not, my love, from me—
I have a home for thee—
A fairy grot,
Where mortal eye
Can rarely pry,
There shall thy dwelling be!
 
 
List to me, while I tell
The pleasures of that cell,
Oh, little maid!
What though its couch be rude,
Homely the only food
Within its shade?
No thought of care
Can enter there,
No vulgar swain intrude!
 
 
Come with me, little maid,
Come to the rocky shade
I love to sing;
Live with us, maiden rare—
Come, for we “want” thee there,
Thou elfin thing,
To work thy spell,
In some cool cell
In stately Pentonville!
 

John And Freddy

 
JOHN courted lovely MARY ANN,
So likewise did his brother, FREDDY.
FRED was a very soft young man,
While JOHN, though quick, was most unsteady.
 
 
FRED was a graceful kind of youth,
But JOHN was very much the strongest.
“Oh, dance away,” said she, “in truth,
I’ll marry him who dances longest.”
 
 
JOHN tries the maiden’s taste to strike
With gay, grotesque, outrageous dresses,
And dances comically, like
CLODOCHE AND Co., at the Princess’s.
 
 
But FREDDY tries another style,
He knows some graceful steps and does ’em—
A breathing Poem—Woman’s smile—
A man all poesy and buzzem.
 
 
Now FREDDY’S operatic pas—
Now JOHNNY’S hornpipe seems entrapping:
Now FREDDY’S graceful entrechats—
Now JOHNNY’S skilful “cellar-flapping.”
 
 
For many hours—for many days—
For many weeks performed each brother,
For each was active in his ways,
And neither would give in to t’other.
 
 
After a month of this, they say
(The maid was getting bored and moody)
A wandering curate passed that way
And talked a lot of goody-goody.
 
 
“Oh my,” said he, with solemn frown,
“I tremble for each dancing frater,
Like unregenerated clown
And harlequin at some the-ayter.”
 
 
He showed that men, in dancing, do
Both impiously and absurdly,
And proved his proposition true,
With Firstly, Secondly, and Thirdly.
 
 
For months both JOHN and FREDDY danced,
The curate’s protests little heeding;
For months the curate’s words enhanced
The sinfulness of their proceeding.
 
 
At length they bowed to Nature’s rule—
Their steps grew feeble and unsteady,
Till FREDDY fainted on a stool,
And JOHNNY on the top of FREDDY.
 
 
“Decide!” quoth they, “let him be named,
Who henceforth as his wife may rank you.”
“I’ve changed my views,” the maiden said,
“I only marry curates, thank you!”
 
 
Says FREDDY, “Here is goings on!
To bust myself with rage I’m ready.”
“I’ll be a curate!” whispers JOHN—
“And I,” exclaimed poetic FREDDY.
 
 
But while they read for it, these chaps,
The curate booked the maiden bonny—
And when she’s buried him, perhaps,
She’ll marry FREDERICK or JOHNNY.
 

Sir Guy The Crusader

 
Sir GUY was a doughty crusader,
A muscular knight,
Ever ready to fight,
A very determined invader,
And DICKEY DE LION’S delight.
 
 
LENORE was a Saracen maiden,
Brunette, statuesque,
The reverse of grotesque,
Her pa was a bagman from Aden,
Her mother she played in burlesque.
 
 
A coryphée, pretty and loyal,
In amber and red
The ballet she led;
Her mother performed at the Royal,
LENORE at the Saracen’s Head.
 
 
Of face and of figure majestic,
She dazzled the cits—
Ecstaticised pits;—
Her troubles were only domestic,
But drove her half out of her wits.
 
 
Her father incessantly lashed her,
On water and bread
She was grudgingly fed;
Whenever her father he thrashed her
Her mother sat down on her head.
 
 
GUY saw her, and loved her, with reason,
For beauty so bright
Sent him mad with delight;
He purchased a stall for the season,
And sat in it every night.
 
 
His views were exceedingly proper,
He wanted to wed,
So he called at her shed
And saw her progenitor whop her—
Her mother sit down on her head.
 
 
“So pretty,” said he, “and so trusting!
You brute of a dad,
You unprincipled cad,
Your conduct is really disgusting,
Come, come, now admit it’s too bad!
 
 
“You’re a turbaned old Turk, and malignant—
Your daughter LENORE
I intensely adore,
And I cannot help feeling indignant,
A fact that I hinted before;
 
 
“To see a fond father employing
A deuce of a knout
For to bang her about,
To a sensitive lover’s annoying.”
Said the bagman, “Crusader, get out.”
 
 
Says GUY, “Shall a warrior laden
With a big spiky knob,
Sit in peace on his cob
While a beautiful Saracen maiden
Is whipped by a Saracen snob?
 
 
“To London I’ll go from my charmer.”
Which he did, with his loot
(Seven hats and a flute),
And was nabbed for his Sydenham armour
At MR. BEN-SAMUEL’S suit.
 
 
SIR GUY he was lodged in the Compter,
Her pa, in a rage,
Died (don’t know his age),
His daughter, she married the prompter,
Grew bulky and quitted the stage.
 

Haunted

 
Haunted?  Ay, in a social way
By a body of ghosts in dread array;
But no conventional spectres they—
Appalling, grim, and tricky:
I quail at mine as I’d never quail
At a fine traditional spectre pale,
With a turnip head and a ghostly wail,
And a splash of blood on the dickey!
 
 
Mine are horrible, social ghosts,—
Speeches and women and guests and hosts,
Weddings and morning calls and toasts,
In every bad variety:
Ghosts who hover about the grave
Of all that’s manly, free, and brave:
You’ll find their names on the architrave
Of that charnel-house, Society.
 
 
Black Monday—black as its school-room ink—
With its dismal boys that snivel and think
Of its nauseous messes to eat and drink,
And its frozen tank to wash in.
That was the first that brought me grief,
And made me weep, till I sought relief
In an emblematical handkerchief,
To choke such baby bosh in.
 
 
First and worst in the grim array-
Ghosts of ghosts that have gone their way,
Which I wouldn’t revive for a single day
For all the wealth of PLUTUS—
Are the horrible ghosts that school-days scared:
If the classical ghost that BRUTUS dared
Was the ghost of his “Caesar” unprepared,
I’m sure I pity BRUTUS.
 
 
I pass to critical seventeen;
The ghost of that terrible wedding scene,
When an elderly Colonel stole my Queen,
And woke my dream of heaven.
No schoolgirl decked in her nurse-room curls
Was my gushing innocent Queen of Pearls;
If she wasn’t a girl of a thousand girls,
She was one of forty-seven!
 
 
I see the ghost of my first cigar,
Of the thence-arising family jar—
Of my maiden brief (I was at the Bar,
And I called the Judge “Your wushup!”)
Of reckless days and reckless nights,
With wrenched-off knockers, extinguished lights,
Unholy songs and tipsy fights,
Which I strove in vain to hush up.
 
 
Ghosts of fraudulent joint-stock banks,
Ghosts of “copy, declined with thanks,”
Of novels returned in endless ranks,
And thousands more, I suffer.
The only line to fitly grace
My humble tomb, when I’ve run my race,
Is, “Reader, this is the resting-place
Of an unsuccessful duffer.”
 
 
I’ve fought them all, these ghosts of mine,
But the weapons I’ve used are sighs and brine,
And now that I’m nearly forty-nine,
Old age is my chiefest bogy;
For my hair is thinning away at the crown,
And the silver fights with the worn-out brown;
And a general verdict sets me down
As an irreclaimable fogy.