Kitobni o'qish: «Molly Brown's Post-Graduate Days»

BOOK I

CHAPTER I. – THE ARRIVAL

“Oh, Judy, almost home! I wonder who will meet us,” cried Molly Brown. “I feel in my bones that you and my family will be as good friends as you and I have always been. You are sure to get on well with the boys.”

Judy responded with a hug, thinking, with a happy twinkle in her large, gray eyes, that, if by any chance the rest of the Brown boys could be as attractive as Molly’s brother, Kent, and should find her as fascinating as Kent had seemed to, when she met him in the spring before the college pageant, she bade fair to have an exciting visit in Kentucky.

Molly Brown and Julia Kean (Judy for short), after four busy years of college life, had just graduated at Wellington, and were on their way to Molly’s home in Kentucky, where Judy was to pay a long visit. As Molly had been looking forward to the time when she could have some of her college chums know her numerous and beloved family, she was very happy at the prospect. Judy, who was ever ready for an adventure, was bubbling over with anticipation.

The girls sat gazing out on the beautiful rolling fields of blue grass and tasseling corn, which Molly knowingly remarked promised an excellent crop. Molly’s blue eyes were misty when she thought of dear old Wellington College, the four years of hard work and play, and the many friends she had made and left, some of them, perhaps, never to see again. Her mind dwelt a long time on Professor Green, the delightful old, young man, who had opened up a new world to her in literature; who had been so very kind to her through the whole college course, often coming to her rescue when in difficulties, and always sympathizing with her when she most needed sympathy; and who had, finally, proved to be her real benefactor, when she discovered that he was the purchaser of those acres of perfectly good orchard that had to be sold to keep Molly at college. On bidding him good-by, she had extended to him an invitation from her mother to make them a visit in Kentucky, and she had already speculated much as to whether the young, old man would accept. Molly never could decide whether to think of him as an old, young man, or a young, old man. Professor Green was in reality about thirty, but, when one is under twenty, over thirty seems very old.

Molly smiled when she thought of her parting scene with him, and made a mental note that that was one of the things she must be sure to confess to mother. The smile was enough to dispel the mist that was in her eyes, and her mind turned to Chatsworth, her dear home. She thought of her mother, her brothers and sisters; the decrepit old cook, Aunt Mary Morton; Shep and Gyp, the dogs; her horse, President, no longer young, having lived through four administrations, but still having more go in him than many a colt, showing his fine racing blood and the “mettle of his pasture.”

“Only two miles more,” breathed Molly jubilantly. “We must get our numerous packages together.”

The girls had planned to have no bundles to carry on the train, nothing but two highly respectable suitcases; but the fates were against anything so unheard of as two females going on a journey with no extras. They had seven boxes of candy presented at parting by various friends. A large basket of fruit was added to their cares, put on the Pullman in New York by the resourceful Jimmy Lufton, with instructions to the porter to give it to the two prettiest girls who got on at Wellington, with through sleeper to Kentucky. There were the inevitable shirtwaists found in Molly’s bottom drawer; books and what not, lent to various girls and returned too late to pack; and some belated laundry that Molly had not had the heart to worry her old friend, Mrs. Murphy, about – collars, jabots, and the muslin sash curtains from her room at college that Molly could not make up her mind to put in her trunk in their dusty state. These things were put in a bulging box and labeled by Judy, quoting the immortal Mr. Venus, “Bones Warious.”

“I wish we could forget it and leave it on the train,” said Molly. “The things in it are all mine, and, now I come to think of it, I believe there is nothing there of any real value except the jabots Nance made me – those that Mrs. Murphy called my ‘jawbones.’ I could not bear to lose them, and we have not time to dig them out. If Kent meets us he is sure to tease me, and you know how badly I take a teasing. He says he is lopsided now from carrying his sisters’ clothes that they have forgotten to pack in their trunks.”

“Let me call the ‘foul, hunch-backed toad’ of a bundle mine,” offered Judy. “Your brother does not know me well enough to tease me.”

“Don’t you believe it! Besides, you can’t fool Kent. He knows me and my bundles too well. Here we are,” added Molly hastily, “and there is Kent to meet us, driving the colts, if you please. It is a good thing you are not Nance Oldham. She will not consent to ride behind any colt younger than ten years old!”

The train stopped just long enough for the girls to jump off, the porter depositing their numerous belongings in a heap on the platform.

“Hello, girls,” exclaimed Kent, hugging Molly, on one side, and shaking hands with Judy, on the other, while a diminutive darkey swung on to the colts’ bits, occasionally leaping into the air as the restive horses tossed their proud heads. “My, it is good to see you! And your train on time, too! That is such a rare occurrence that I have an idea it may be yesterday’s train. You don’t mean to say that this is all of the emergency baggage you are carrying?” grabbing the two highly respectable suitcases and stowing them in the back of the trim, red-wheeled Jersey wagon. The girls giggled, and Kent discovered the conglomerate collection of packages that the porter had hastily dumped by the side of the track.

Molly beat a hasty retreat into the station, declaring that she must speak to Mrs. Woodsmall, the postmistress, thus hoping to avoid the inevitable teasing from her big brother. Judy, with the spirit and somewhat the expression of a Christian martyr, picked up the aforesaid despised, bumpy, bulging bundle, and, with a sweet smile, said: “This is mine, Mr. Brown. Will you please take it? The rest of the things are boxes of candy and parting gifts from various friends.”

Kent took the disreputable looking package, which was not at all improved by its long trip on the Pullman and the many disdainful kicks the girls had given it. Now, in the last hasty handling, the porter had loosened the much knotted string, the paper had burst, and from the yawning gash there had crept a bit of blue ribbon, Molly’s own blue. Judy, with her ever-ready imagination, had been heard to call it “the blue of chivalry and romance, the blue of distant mountains and deep seas.”

Kent took the package, smiling his quizzical smile; the smile that from the beginning had made Judy decide that he was very likable; a smile all from the eyes, with a grave mouth. In fact, the young lady had been so taken with it that she had practiced the expression before her mirror for half an hour and then held it until she could try it on the first person passing by. That person happened to be Edith Williams, who had remarked: “Gracious me, Judy, what is the matter? I feel as though you were some one in a hogshead looking through the bunghole at me.” Judy was delighted. It was exactly the expression she was aiming for, but she was sorry that she had not thought of the apt description herself.

“Now, Miss Judy, I have known for four years from Molly’s letters what a bully good chum you are, and have observed before now how charming and beautiful, but this rôle of Christian martyr is a new one on me. Don’t you know you can’t fool me about a Brown bundle? I could pick one out of the hold of an ocean liner in the dark, just by the lumpy, bumpy feel of it. Besides” – pointing to the bit of blue ribbon spilling through the widening tear – “there are Molly’s honest old eyes peeping out, telling me that this little subterfuge of yours is just an act of true friendship on your part, to keep me from teasing her about her slipshod method of packing. I tell you what I will do, Miss Judy, if you will do something for me. I’ll make a compact with you, and promise to go the whole of this day without teasing Molly.”

“Well, what am I to do?”

“Oh, it’s easy enough. Don’t call me Mr. Brown any more. Kent, from your lips, would sound good to me. You see, there are four male Browns, and every time you say ‘Mr. Brown’ we are liable to fall over one another answering you or doing your bidding.”

“All right; ‘Kent’ it shall be for this day and every day that you don’t tease Molly.”

“I meant just for the one day. The strain of never teasing Molly again would shatter my constitution.”

“Very well, Mr. Brown; just as you choose about that.”

“Oh, well, I give up.”

“All right, Kent.”

Molly emerged from the postoffice, with Mrs. Woodsmall following her. Such a stream of conversation poured from the latter’s lips that Judy felt her head swim.

“Glad to meet you, Miss Kean. I have long wanted to see some of Molly’s correspondents. What beautiful postals you sent her last year from Maine; the summer before from Yellowstone Park; and those Eyetalian ones were grand; one year, even from Californy. You are the most traveled of all her friends, I believe, but Miss Oldham can say more on a postal than any of you, and such a eligible hand, too. Now-a-days all of you young folks write so much alike, since the round style come in, I can hardly tell your writin’ apart. It makes it very hard on a lonesome postmistress whose only way of gitting news is from the mail she handles. And now, since Uncle Sam has started this fool Rural Free Delivery, I don’t git time to more than half sort the mail before here comes Bud Woodsmall and snatches it from under my nose with irrevalent remarks about cur’osity and cats. Gimme the good old days when the neighbors come a-drivin’ up for their mail, and you could pass the time o’ day with them and git what news out of them you ain’t been able to git off of the postals, or make out through the thin ornvelopes, or guess from the postmarks. Anyhow, I gits ahead of Woodsmall lots of times. Jest yistiddy I ‘phoned over to Mrs. Brown that Molly would be in on this two train. To be sure, Woodsmall had the letter in his auto, but he has to go a long way round, and he’s sech a man for stopping and gassin’, and Molly’s ornvelope was some thinner than usual, and I could see mighty plain the time she expected to come. Said I to myself, said I, ’Now, ain’t Mrs. Brown nothing but a mother, and don’t she want the earliest news of her child she can git? And ain’t I the owner of that news, and should I not desiccate it if I can? It so happened that Woodsmall had a blow-out, and didn’t git yistiddy’s mail delivered until to-day. Now, tell me, wasn’t I right to git ahead of him?” She did not pause for a reply, but plunged into the stream of conversation again.

“I don’t care if he is my own husband. He asked my sister first, and I never would have had him if there had been a chance of anything better offering. I wouldn’t have had him at all if I had foresaw that he was going to fly in my face by gitting app’inted to R. F. D., and then fly in the face of Providence by trying to run one of them artemobes.”

Kent stopped the flow of words by saying: “Now, Mrs. Woodsmall, you are giving Miss Kean an entirely wrong idea of you and Bud. She will think you do not love him, and I am sure there is not a man in the county who fares better than your husband, or who shows his keep as well.”

The thin, hard face of the postmistress broke into a pleasant smile, and Judy thought: “After all, Kent and Molly are very much alike in understanding the human heart and in trying to make all around them feel as happy as possible.”

“Well, you see, Kent Brown, it’s this way: I jest natchally love to cook, and Bud he jest natchally loves to eat, and I’ve got the triflingest, no-count stomic that ever was seed. What’s the use of cooking up a lot of victuals for myself, when I can’t eat more’n a mouthful? And so,” she somewhat lamely concluded, “I jest cook ’em up for Bud.”

The colts could not be persuaded to stand still another minute, so they had to call a hasty good-by to the voluble Mrs. Woodsmall. Then the girls gave their attention to holding on their hats and keeping their seats, while the lively pair of young horses pranced and cavorted until Kent gave them their heads and allowed them to race their fill for a mile or more of macadamized road.

Judy was hardly prepared for such a trim turnout as the Jersey wagon, and such wonderful horses, to say nothing of the road. She had yet to learn that Mrs. Brown would have good, well-kept vehicles on her place; that all the Browns would have good horses; and that all Kentuckians insist on good roads. The number of limestone quarries throughout the state make good macadamized roads a comparatively easy matter.

What a beautiful country it was: the fields of blue grass, with herds of grazing cattle, knee deep in June; an occasional clump of trees, reminding one rather of English landscapes; and then the fields of corn, proudly waving their tassels and shaking their pennant-like leaves, as much as to say, “roasting ears for all.”

“News for you, Molly,” said Kent, as soon as he could get the colts down to a conversation permitting trot. “Mildred is to be married in two weeks.”

“Oh, Kent, why didn’t they write me?”

“Mother thought it would be fun to surprise you.”

Judy’s glowing face saddened. “Why, I should not be here at such a time. I know I shall be in the way. I must write to papa to come for me sooner.”

“Now, Miss Judy, ‘the cat is out of the bag.’ You have hit on the real reason why mother would not let any of us write Molly of the approaching nuptials in the family. She was so afraid that you might fear you would be de trop and want to postpone your visit to us, and she has been determined that nothing should happen to keep her from making your acquaintance, and that at the earliest. You see, poor mother has had not only to listen to Molly’s ravings on the subject of Miss Julia Kean for the last four years, but now she has to give ear to Mildred and me, since we met you at Wellington, and she thinks the only way to silence us is to have something to say about you herself.”

Judy laughed, reassured. “You and Molly are exactly alike, and both of you must ‘favor your ma.’ Well, I’ll try not to be in the way, and maybe I can help.”

“Of course you can,” said Molly, squeezing her. “You always help where there is any planning or arranging or beautifying to be done. But, Kent, tell me, why is Milly in such a rush?”

“Why, Molly, I am surprised at you, laying it on Mildred. It happens to be old ‘Silence and Fun’ who is so precipitate.”

“Who is ‘Silence and Fun’?” asked Judy.

“Oh, he is Milly’s fiancé, but the Brown boys call him that ridiculous name. He has a fine name of his own, Crittenden Rutledge. But, Kent, please tell me, why this haste?”

“Well, you see Crit has been ordered out to Iowa by his steel construction company, on a bridge-building debauch, and he thought Milly might just as well go on with him and hold the nails while he wields the hammer. Here we are, so put your hat on straight, and look your prettiest, Miss Judy. I should hate for mother to think that we had been misleading her.”

CHAPTER II. – MY OLD KENTUCKY HOME

They turned into an avenue through a gate opened from the wagon by means of a rope pulled by the driver.

“How is that for a gate, Molly? I began my holiday by getting the thing in order. It works beautifully now, but the least bit of rough handling gets it off its trolley.”

“It is fine, Kent. But tell me, are you to have your holiday now?”

“Yes; you see I can help with the harvesting this week, and next week the wedding bells have to be rung. And I thought any spare time I have I could take Miss Judy off your hands.”

“I am afraid that your holiday will be a very busy one,” laughed Judy; “but maybe I can help ring the wedding bells, and, if I can’t do much toward harvesting, I can at least carry water to the thirsty laborers.”

Kent Brown was in an architect’s office in Louisville, working very hard to master his profession, for which he had a fondness amounting to a passion. Mrs. Brown had secretly hoped that one of her boys would want to become a farmer, but they one and all looked upon Chatsworth as a beloved home, but not a place to make a living. Their earnest endeavor, however, was to keep up the place, and often their hard-earned and harder-saved earnings went toward much needed repairs or farm machinery. Mrs. Brown had to confess that a little ready money earned irrespective of the farm was very acceptable; and, since her four boys were on their feet and beginning to walk alone, and stretch out willing, helpful hands to her, she found life much easier.

Not that money or the lack of money had much to do with Mrs. Brown’s happiness. She was a woman of strong character and deep feelings, with a love for her children that her sister, Mrs. Clay, said was like that of a lioness for her cubs. But that remark was called forth when Mrs. Clay, Sister Sarah, one morning found Mrs. Brown making two pairs of new stockings out of four pairs of old ones, after a pattern clipped from the woman’s page of a newspaper. With her accustomed bluntness, she had said: “Well, Mildred Carmichael, if you had only three and a half children, instead of seven, you would not have to be guilty of such absurd makeshifts.”

Mrs. Brown had risen up in her wrath and given her such a talk that, although ten years had elapsed since that memorable morning, Sister Sarah still avoided the subject of stockings with Sister Mildred.

Mrs. Brown was a great reader, and loved old books and old poetry. One of Molly’s earliest remembrances was lying on the otter-skin rug in front of the great open fire, with brothers and sisters curled up by her or seated close to the big brass fender, while mother read Dickens aloud, or the Idyls of the King, or something else equally delightful. One by one the younger children would drop to sleep; and then Mammy would come and do what she called “walk ’em to baid,” muttering to herself, “I hope to Gawd that these chilluns won’t be a dreamin’ all night about that stuff Miss Mildred done packed in they haids.”

Just now, however, Molly’s memories were merged in anticipations, and she watched eagerly for the first signs of welcome.

As they approached the house, the colts neighed, and were greeted by answering whinnies from two mares grazing in a paddock. The mares ran to the white-washed picket fence and stretched their necks as far over as they could, gazing fondly on their handsome offspring, trotting gaily by, tossing their manes and tails.

“The mothers are all coming out to meet their babies, and there is mine!” cried Molly.

It was mother. Oh, that beloved face; that familiar, spirited walk and bearing of the head; those wide, clear, far-seeing gray eyes, and that fine patrician nose, with the mouth ever ready to laugh in spite of a certain sadness that lurked there! She folded Molly in her arms, but did not forget to keep a hand free to clasp Judy’s, and, before Molly was half through her hug, the older woman drew the young visitor to her, and kissed her fondly. Then, with an arm around each girl, she said: “I am truly glad to know my Molly’s friend, and gratified, indeed, to have her with us.”

“It means a great deal to me, too, Mrs. Brown, to see Molly’s mother and home.” Judy feared that it would be forward to say what she had in her mind, and that was “such a beautiful mother and home.”

The house was of white-washed brick, with a sloping gray shingled roof and green shutters, and a general air of roominess and comfort. A long, deep gallery or porch ran across the front, which Architect Kent explained to Judy was not quite in keeping with the style of architecture, but had been added by a comfort-loving Brown to the delectation of all who came after him. The lines of the old house were so good that the addition of a mere porch could not ruin it, and certainly added to its charm and comfort. To the left, in the rear, well off from the house, were the barn-yard and stables, chicken houses, smokehouse, and servants’ quarters; to the right, a tan-bark walk led to the garden. Down that path came Mildred, by her side a young man who seemed to be so amused by her lively chatter that he could hardly contain himself.

“Molly, Molly, I’m so glad to see you, and so is Crit, although he has no words to tell you how glad he is. And, Miss Kean, Judy! It is splendid for you to come just now. I am certain that Kent could not keep the news, and you know by this time that Crit and I are to be married the last of next week. Mr. Rutledge, let me introduce you to Miss Kean.”

Although Crittenden had never uttered a word, he seemed to be able to let Molly understand that he, too, was glad to see her, as he was vigorously hugging her and two-stepping with her over the short, well-kept grass. But, at Mildred’s call, he suddenly stopped, made a low and courtly bow to his partner, and turned to Judy, clasping her hand in a warm and friendly grasp, and giving her such a smile as she had never before beheld. In it he made her feel that she was welcome to Kentucky; that he intended to like her and have her like him; and had his heart not been already engaged, he would lay it at her feet. Never a word did he utter. He was tall, rather soldierly in bearing, with the most beaming countenance Judy had ever seen, and such perfect teeth she almost had her doubts about them.

“Where is Sue, mother?” said Molly. “And Aunt Mary and Ca’line? Of course the other boys are not home so early.”

“Sue has gone over to Aunt Sarah Clay’s. She sent for her in a great hurry. Sue was loath to go, fearing she could not get back before you arrived, but you know your Aunt Clay and how autocratic she is. Sue seems to be in great favor just now. Here is Aunt Mary, however.”

Molly ran to meet the decrepit old darkey, embracing her with almost as much fervor as she had her mother. Aunt Mary Morton was surely of the old school: very short and fat, dressed in a starched purple calico, with a white “neckercher” and a voluminous gingham apron, her head tied up in a gorgeous bandanna handkerchief.

“Oh, my chile, I’m glad to see you. I hope you done learned ‘nuf to stay at home a while. Yo’ ma’s so lonesome ‘thout you, with Mr. Ernest ‘way out West surveyin’ the landscape.” (Ernest, the oldest of the Brown boys, was employed by the government on the geological survey.) “Mr. Paul so took up wif sassiety in Lou’ville he can’t hardly walk straight, and jes’ come home long ‘nuf to snatch a moufful – but I done tuck ’ticular notice he do manage to eat at home in spite er all his gran’ frien’s. And now, Miss Milly gwine to step off; an’ ‘mos’ fo’ we git time to cook up any mo’ victuals, Miss Sue’ll be walkin’ off. Praise be, she ain’t a-goin’ fur. How she eber made up her min’ to gib her promise to a man what lib up sech a muddy lane, beats me; an’ Miss Sue, the mos’ ‘ticular of all yo’ ma’s chilluns ‘bout her shoes an’ skirts an’ comp’ny! Now Mr. John ain’t been a full-fleshed doctor mo’n two weeks befo’ he so took up wif a young lady’s tongue what stayin’ over to Miss Sarah Clay’s, and so anxious ‘bout feelin’ her pulse, dat yo’ ma an’ I don’ neber see nothin’ of him. He jes’ come home from dat doctor’s office in town long ‘nuf to shave and mess up a lot er crivats an’ peck a little eatin’s, an’ off he goes. My ‘pinion is, dat’s what Miss Sarah done sent for Miss Sue in sech a hurry ‘bout, but you’ ma say fer me to hesh up, no sich a thing, she jes’ wan’ to talk ‘bout a suit’ble weddin’ presen’ for little Miss Milly.”

“Oh, Aunt Mary, isn’t it exciting to have a wedding in the family? You always said Milly would be the first to get married, if Sue was the first to get born,” said Molly, giving the old woman another hug for luck. “Now I want you to shake hands with my dear friend, Miss Judy Kean.”

Aunt Mary made a bobbing curtsey to Judy, then gave her a friendly handshake, looking keenly in her face the while. Then she nodded her head, until the ends of the bright bandanna, tied in a bow on top of her head, quivered, and said: “I don’ know but what that there Kent was right.”

“Aunt Mary, I am truly glad to meet you. If you could hear the blessings that are showered on your head when Molly gets a box from home, and could see how hard it is for all of those hungry girls to be polite when the time comes for snakey noodles, you would know how honored I feel that I am the first to make your acquaintance.”

“Well, honey, what makes all of you go ‘way from yo’ homes to sech outlandish places as collidges where the eatin’s is so scurse? Can’t you learn what little you don’ know right by yo’ own fi’side?”

“Maybe we could, Aunt Mary, but you see I haven’t any real fireside of my own.”

“What! did yo’ folks git burned out?”

“Oh, no; but you see my father is an engineer, and mamma travels with him, and stays wherever he stays; and, when I am not at school or college, I knock around with them. Of course, I’d like to have a home like Chatsworth, but it is lots of fun to go to new places all the time and meet all kinds of people.”

“Well, they ain’t but two kin’s, quality an’ po’ white trash, an’ I’ll be boun’ you don’t neber take up wid any ob dat kin’, so you an’ yo’ ma ‘n’ pa mought jes’ as well stay in one place.”

While the girls were up in Molly’s room, which Judy was to share, getting ready for a belated dinner, they heard the sound of a piano, cracked but sweet, like the notes of an old spinnet, then a male voice, wonderful in its power and intensity, and at the same time so sweet and full of feeling that Judy, ever emotional where art was concerned, felt her eyes filling.

 
“Shed no tear, oh, shed no tear!
The flower will bloom another year.
Weep no more! Oh, weep no more!
Young buds sleep in the root’s white core.
Dry your eyes, oh, dry your eyes!
For I was taught in Paradise
To ease my breast of melodies,
Shed no tear.
 
 
“Overhead – look overhead
’Mong the blossoms white and red.
Look up, look up! I flutter now
On this flush pomegranate bough.
See me! ’tis this silvery bill
Ever cures the good man’s ill.
Shed no tear, oh, shed no tear!
The flower will bloom another year.
Adieu, adieu – I fly. Adieu,
I vanish in the heaven’s blue,
Adieu, adieu!”
 

“Oh, Molly, Molly, who is that?” cried Judy, weeping copiously, in spite of the repeated request of the singer to “shed no tear.”

“Why, that is Crit. Isn’t his voice wonderful?”

“Do you really mean it is Mr. Rutledge? I thought he was dumb, and have been feeling so sorry for Mildred.”

“Dumb, indeed! He has the most beautiful voice in Kentucky, and can make such an eloquent speech when roused that we have been afraid he would go into politics. But, so far as passing the time of day is concerned, and the little chit-chat that fills up life, he is indeed as dumb as a fish. When he was a little boy he stammered and got into the habit of expressing his feelings in silence, and he can still do it. He had a teacher who cured him of stammering, but nothing will ever cure him of silence, unless he has something important to say, and then nothing can stop him. Mother tells of a man who stammered in talking but not in singing. One day he was passing a friend’s house, and saw that the roof was in a blaze, the inmates perfectly unconscious of the conflagration. He rushed in, tried to speak, could only stutter, and then in desperation burst into song. To the tune of ‘The Campbells Are Coming,’ he sang, ‘Your house is on fire, tra-la, tra-la!’ Kent declares that Crit proposed to Milly in song, but Milly herself is dumb about how that came about.”

“Well, anyhow, I have never heard such scintillating silence as his, and I think that Milly ought to be a very proud and happy girl.”