Kitobni o'qish: «John Stuart Mill; His Life and Works», sahifa 3

W. T. THORNTON.

III.
HIS MORAL CHARACTER

To dilate upon Mr. Mill's achievements, and to insist upon the wideness of his influence over the thought of his time and consequently over the actions of his time, seems to me scarcely needful. The facts are sufficiently obvious, and are recognized by all who know any thing about the progress of opinion during the last half century. My own estimate of him, intellectually considered, has been emphatically though briefly given on an occasion of controversy between us, by expressing my regret at 'having to contend against the doctrine of one whose agreement I should value more than that of any other thinker.'

While, however, it is almost superfluous to assert of him that intellectual height so generally admitted there is more occasion for drawing attention to a moral elevation that is less recognized partly because his activities in many directions afforded no occasion for exhibiting it, and partly because some of its most remarkable manifestations in conduct are known only to those whose personal relations with him have called them forth. I feel especially prompted to say something on this point, because, where better things might have been expected, there has been, not only a grudging recognition of intellectual rank, but a marked blindness to those fine traits of character, which, in the valuation of men, must go for more than superiority of intelligence.

It might indeed have been supposed, that even those who never enjoyed the pleasure of personal acquaintance with Mr. Mill would have been impressed with the nobility of his nature as indicated in his opinions and deeds. How entirely his public career has been determined by a pure and strong sympathy for his fellow men, how entirely this sympathy has subordinated all desires for personal advantage, how little even the fear of being injured in reputation or position has deterred him from taking the course which he thought equitable or generous – ought to be manifest to every antagonist, however bitter. A generosity that might almost be called romantic was obviously the feeling prompting sundry of those courses of action which have been commented upon as errors. And nothing like a true conception of him can be formed, unless, along with dissent from them, there goes recognition of the fact that they resulted from the eagerness of a noble nature impatient to rectify injustice and to further human welfare.

It may perhaps be that my own perception of this pervading warmth of feeling has been sharpened by seeing it exemplified, not in the form of expressed opinions only, but in the form of private actions, for Mr. Mill was not one of those, who, to sympathy with their fellow men in the abstract, join indifference to them in the concrete. There came from him generous acts that corresponded with his generous sentiments. I say this, not from second-hand knowledge, but having in mind a remarkable example known only to myself and a few friends. I have hesitated whether to give this example, seeing that it has personal implications. But it affords so clear an insight into Mr. Mill's character, and shows so much more vividly than any description could do how fine were the motives swaying his conduct, that I think the occasion justifies disclosure of it.

Some seven years ago, after bearing as long as was possible the continued losses entailed on me by the publication of the "System of Philosophy," I notified to the subscribers that I should be obliged to cease at the close of the volume then in progress. Shortly after the issue of this announcement I received from Mr. Mill a letter, in which, after expressions of regret, and after naming a plan which he wished to prosecute for re-imbursing me, he went on to say, "In the next place … what I propose is, that you should write the next of your treatises, and that I should guarantee the publisher against loss; i.e., should engage, after such length of time as may be agreed on, to make good any deficiency that may occur, not exceeding a given sum, – that sum being such as the publisher may think sufficient to secure him." Now, though these arrangements were of kinds that I could not bring myself to yield to, they none the less profoundly impressed me with Mr. Mill's nobility of feeling, and his anxiety to further what he regarded as a beneficial end. Such proposals would have been remarkable even had there been entire agreement of opinion, but they were the more remarkable as being made by him under the consciousness that there existed between us certain fundamental differences, openly avowed. I had, both directly and by implication, combated that form of the experiential theory of human knowledge which characterizes Mr. Mill's philosophy: in upholding Realism, I had opposed in decided ways those metaphysical systems to which his own Idealism was closely allied; and we had long carried on a controversy respecting the test of truth, in which I had similarly attacked Mr. Mill's positions in an outspoken manner. That, under such circumstances, he should have volunteered his aid, and urged it upon me, as he did, on the ground that it would not imply any personal obligation, proved in him a very exceptional generosity.

Quite recently I have seen afresh illustrated this fine trait, – this ability to bear with unruffled temper, and without any diminution of kindly feeling, the publicly-expressed antagonism of a friend. The last evening I spent at his house was in the company of another invited guest, who, originally agreeing with him entirely on certain disputed questions, had some fortnight previously displayed his change of view, – nay, had publicly criticised some of Mr. Mill's positions in a very undisguised manner. Evidently, along with his own unswerving allegiance to truth, there was in Mr. Mill an unusual power of appreciating in others a like conscientiousness, and so of suppressing any feeling of irritation produced by difference, – suppressing it, not in appearance only, but in reality, and that, too, under the most trying circumstances.

I should say indeed, that Mr. Mill's general characteristic, emotionally considered, was an unusual predominance of the higher sentiments, – a predominance which tended, perhaps, both in theory and practice, to subordinate the lower nature unduly. That rapid advance of age which has been conspicuous for some years past, and which doubtless prepared the way for his somewhat premature death, may, I think, be regarded as the outcome of a theory of life which made learning and working the occupations too exclusively considered. But when we ask to what ends he acted out this theory, and in so doing too little regarded his bodily welfare, we see that even here the excess, if such we call it, was a noble one. Extreme desire to further human welfare was that to which he sacrificed himself.

HERBERT SPENCER.

IV.
HIS BOTANICAL STUDIES

If we would have a just idea of any man's character, we should view it from as many points, and under as many aspects, as we can. The side-lights thrown by the lesser occupations of a life are often very strong, and bring out its less obvious parts into startling prominence. Much especially is to be learned of character by taking into consideration the employment of times of leisure or relaxation; the occupation of such hours being due almost solely to the natural bent of the individual, without the interfering action of necessity or expediency. Most men, perhaps especially eminent men, have a "hobby", – some absorbing object, the pursuit of which forms the most natural avocation of their mind, and to which they turn with the certainty of at least satisfaction, if not of exquisite pleasure. The man who follows any branch of natural science in this way is almost always especially happy in its prosecution; and his mental powers are refreshed and invigorated for the more serious and engrossing if less congenial occupation of his life. Mr. Mill's hobby was practical field botany; surely in all ways one very well suited to him.

Of the tens of thousands who are acquainted with the philosophical writings of Mr. Mill, there are probably few beyond the circle of his personal friends who are aware that he was also an author in a modest way on botanical subjects, and a keen searcher after wild plants. His short communications on botany were chiefly if not entirely published in a monthly magazine called "The Phytologist," edited, from its commencement in 1841, by the late George Luxford, till his death, in 1854, and afterwards conducted by Mr. A. Irvine of Chelsea, an intimate friend of Mr. Mill's, till its discontinuance in 1863. In the early numbers of this periodical especially will be found frequent notes and short papers on the facts of plant distribution brought to light by Mr. Mill during his botanical rambles. His excursions were chiefly in the county of Surrey, and especially in the neighborhood of Guildford and the beautiful vale of the Sittingbourne, where he had the satisfaction of being the first to notice several plants of interest, as Polygonum dumetorum, Isatis tinctoria, and Impatiens fulva, an American species of balsam, affording a very remarkable example of complete naturalization in the Wey and other streams connected with the lower course of the Thames. Mr. Mill says he first observed this interloper in 1822 at Albury, a date which probably marks about the commencement of his botanical investigations, if not that of the first notice of the plant in this country. Mr. Mill's copious MS lists of observations in Surrey were subsequently forwarded to the late Mr. Salmon of Godalming, and have been since published with the large collection of facts made by that botanist in the "Flora of Surrey," printed under the auspices of the Holmesdale (Reigate) Natural History Club. Mr. Mill also contributed to the same scientific magazine some short notes on Hampshire botany, and is believed to have helped in the compilation of Mr. G.G. Mill's "Catalogue of the Plants of Great Marlow, Bucks."

The mere recording of isolated facts of this kind of course affords no scope for any style in composition. It may, however, be thought worth while to reproduce here the concluding paragraph of a short article on "Spring Flowers in the South of Europe," as a sample of Mr. Mill's popular manner, as well as for its own sake as a fine description of a matchless scene. He is describing the little mountain range of Albano, beloved of painters, and, after comparing its vernal flora with that in England, goes on: —

'If we would ascend the highest member of the mountain group, the Monte Cavo, we must make the circuit of the north flank of the mountains of Marino, on the edge of the Albano Lake, and Rocca di Tassa, a picturesque village in the hollow mountain side, from which we climb through woods, abounding in Galanthus nivalis and Corydalis cava, to that summit which was the arx of Jupiter Latialis, and to which the thirty Latian cities ascended in solemn procession to offer their annual sacrifice. The place is now occupied by a convent, under the wall of which I gathered Orinthogalum nutans; and from its neighborhood I enjoyed a panoramic view, surely the most glorious, in its combination of natural beauty and grandeur of historical recollections, to be found anywhere on earth. The eye ranged from Terracina on one side to Veii on the other, and beyond Veii to the hills of Sutrium and Nepete, once covered by the Cimmian forests, then deemed an impenetrable barrier between the interior of Etruria and Rome. Below my feet the Alban mountain, with all its forest-covered folds, and in one of them the dark-blue Lake of Nemi; that of Albano, I think, was invisible. To the north, in the dim distance, the Eternal City, to the west the eternal sea, for eastern boundary, the long line of Sabine mountains from Soracte past Tibur and away towards Proeneste. The range then passed behind the Alban group, but re-appeared to the south-east as the mountain crescent of Cora and Pometia, enclosing between its horns the Pontine marshes, which lay spread out below as far as the sea line, extending east and west from Terracina in the bay of Fondi, the Volscian Anxur, to the angle of the coast where rises suddenly, between the marshes and the sea, the mountain promontory of Circeii, celebrated alike in history and in fable. Within the space visible from this one point, the destinies of the human race were decided. It took the Romans nearly five hundred years to vanquish and incorporate the warlike tribes who inhabited that narrow tract, but, this being accomplished, two hundred more sufficed them to complete the conquest of the world.

During the frequent and latterly prolonged residence at Avignon, Mr. Mill, carrying on his botanical propensities, had become very well acquainted with the vegetation of the district, and at the time of his death had collected a mass of notes and observations on the subject. It is believed to have been his intention to have printed these as the foundation of a flora of Avignon.

In the slight contributions to the literature of botany made by Mr. Mill, there is nothing which gives any inkling of the great intellectual powers of their writer. Though always clear and accurate, they are merely such notes as any working botanical collector is able to supply in abundance. Mainly content with the pursuit as an outdoor occupation, with such an amount of home work as was necessary to determine the names and affinities of the species, Mr. Mill never penetrated deeply into the philosophy of botany, so as to take rank among those who have, like Herbert Spencer, advanced that science by original work either of experiment or generalization, or have entered into the battle-field where the great biological questions of the day are being fought over. The writer of this notice well remembers meeting, a few years since, the (at that time) parliamentary logician, with his trousers turned up out of the mud, and armed with the tin insignia of his craft, busily occupied in the search after a marsh-loving rarity in a typical spongy wood on the clay to the north of London.

But however followed, the investigation of nature cannot fail to influence the mind in the direction of a more just appreciation of the necessity of system in arrangement, and of the principles which must regulate all attempts to express notions of system in a classification. Traces of this are not difficult to find in Mr. Mill's writings. It may be safely stated, that the chapters on classification in the "Logic" would not have taken the form they have, had not the writer been a naturalist as well as a logician. The views expressed so clearly in these chapters are chiefly founded on the actual needs experienced by the systematic botanist; and the argument is largely sustained by references to botanical systems and arrangements. Most botanists agree with Mr. Mill in his objections to Dr. Whewell's views of a natural classification by resemblance to "types," instead of in accordance with well-selected characters; and indeed the whole of these chapters are well deserving the careful study of naturalists, notwithstanding that the wonderfully rapid progress in recent years of new ideas, lying at the very root of all the natural sciences, may be thought by some to give the whole argument, in spite of its logical excellence, a somewhat antiquated flavor. How fully Mr. Mill recognized the great importance of the study of biological classifications, and the influence such a study must have had on himself, may be judged from the following quotation: —

"Although the scientific arrangements of organic nature afford as yet the only complete example of the true principles of rational classification, whether as to the formation of groups or of series, those principles are applicable to all cases in which mankind are called upon to bring the various parts of any extensive subject into mental co-ordination. They are as much to the point when objects are to be classed for purposes of art or business as for those of science. The proper arrangement, for example, of a code of laws, depends on the same scientific conditions as the classifications in natural history; nor could there be a better preparatory discipline for that important function than the study of the principles of a natural arrangement, not only in the abstract, but in their actual application to the class of phenomena for which they were first elaborated, and which are still the best school for learning their use. Of this, the great authority on codification, Bentham, was perfectly aware; and his early 'Fragment on Government,' the admirable introduction to a series of writings unequalled in their department, contains clear and just views (as far as they go) on the meaning of a natural arrangement, such as could scarcely have occurred to any one who lived anterior to the age of Linnaeus and Bernard de Jussieu" (System of Logic, ed. 6, ii., p. 288).

HENRY TRIMEN.

V.
HIS PLACE AS A CRITIC

Mr. Mill's achievements as an economist, logician, psychologist, and politician are known more or less vaguely to all educated men; but his capacity and his actual work as a critic are comparatively little regarded. In the three volumes of his collected miscellaneous writings, very few of the papers are general reviews either of books or of men; and even these volumes derive their character from the essays they contain on the severer subjects with which Mr. Mill's name has been more peculiarly associated. Nobody buys his "Dissertations and Discussions" for the sake of his theory of poetry, or his essays on Armand Carrel and Alfred de Vigny, noble though these are in many ways. His essay on Coleridge is very celebrated; but it deals, not with Coleridge's place as a poet, but with his place as a thinker – with Coleridge as the antagonistic power to Bentham in forming the opinions of the generation now passing away. Still at such a time as this it is interesting to make some endeavor to estimate the value of what Mr. Mill has done in the way of criticism. It is at least worth while to examine whether one who has shown himself capable of grappling effectively with the driest and most abstruse problems that vex the human intellect was versatile enough to study poetry with an understanding heart, and to be alive to the distinctive powers of individual poets.

It was in his earlier life, when his enthusiasm for knowledge was fresh, and his active mind, "all as hungry as the sea," was reaching out eagerly and strenuously to all sorts of food for thought, – literary, philosophical, and political, – that Mr. Mill set himself, among other things, to study and theorize upon poetry and the arts generally. He could hardly have failed to know the most recent efflorescence of English poetry, living as he did in circles where the varied merits of the new poets were largely and keenly discussed. He had lived also for some time in France, and was widely read in French poetry. He had never passed through the ordinary course of Greek and Latin at school and college, but he had been taught by his father to read these languages, and had been accustomed from the first to regard their literature as literature, and to read their poetry as poetry. These were probably the main elements of his knowledge of poetry. But it was not his way to dream or otherwise luxuriate over his favorite poets for pure enjoyment. Mr. Mill was not a cultivator of art for art's sake. His was too fervid and militant a soul to lose itself in serene love and culture of the calmly beautiful. He read poetry for the most part with earnest, critical eye, striving to account for it, to connect it with the tendencies of the age, or he read to find sympathy with his own aspirations after heroic energy. He read De Vigny and other French poets of his generation, with an eye to their relations to the convulsed and struggling state of France, and because they were compelled by their surroundings to take life au sérieux, and to pursue, with all the resources of their art, something different from beauty in the abstract. Luxurious passive enjoyment or torpid half-enjoyment must have been a comparatively rare condition of his finely-strung, excitable, and fervid system. I believe that his moral earnestness was too imperious to permit much of this. He was capable indeed of the most passionate admiration of beauty, but even that feeling seems to have been interpenetrated by a certain militant apostolic fervor; his love was as the love of a religious soldier for a patron saint who extends her aid and countenance to him in his wars. I do not mean to say that his mind was in a perpetual glow: I mean only that this surrender to impassioned transports was more characteristic of the man than serene openness to influx of enjoyment. His "Thoughts on Poetry and its Varieties," while clear and strenuous as most of his thoughts were, are neither scientifically precise, nor do they contain any notable new idea not previously expressed by Coleridge, except perhaps the idea, that emotions are the main links of association in the poetic mind: still his working out of the definition of poetry, his distinction between novels and poems, and between poetry and eloquence, is interesting as throwing light upon his own poetic susceptibilities. He holds that poetry is the delineation of the deeper and more secret workings of human emotion. It is curious to find one who is sometimes assailed as the advocate of a grovelling philosophy complaining that the chivalrous spirit has almost disappeared from books of education, that the youth of both sexes of the educated classes are growing up unromantic. "Catechisms," he says, "will be found a poor substitute for the old romances, whether of chivalry or faery, which, if they did not give a true picture of actual life, did not give a false one, since they did not profess to give any, but (what was much better) filled the youthful imagination with pictures of heroic men, and of what are at least as much wanted, – heroic women."

If Mr. Mill did not love poetry with a purely disinterested love, but with an eye to its moral causes and effects, neither did he study character from mere delight in observing the varieties of mankind. Armand Carrel the Republican journalist, Alfred de Vigny the Royalist poet, Coleridge the Conservative, and Bentham the Reformer, are taken up and expounded, not as striking individuals, but as types of influences and tendencies. This habit of keeping in view mind in the abstract, or men in the aggregate, may have been in a large measure a result of his education by his father; but I am inclined to think that he was of too ardent and pre-occupied a disposition, perhaps too much disposed to take favorable views of individuals, to be very sensitive to differences of character. It should not, however, be forgotten that in one memorable case he showed remarkable discrimination. Soon after Mr. Tennyson published his second issue of poems, Mr. Mill reviewed them in "The Westminster Review" for July, 1835, and, with his usual earnestness and generosity, applied all his powers to making a just estimate of the new aspirant. To have reprinted this among his miscellaneous writings might have seemed rather boastful, as claiming credit for the first full recognition of a great poet: still it is a very remarkable review; and one would hope it will not be omitted if there is to be any further collection of his casual productions. I shall quote two passages which seem obvious enough now, but which required true insight, as well as courageous generosity, to write them in 1835 —

"Of all the capacities of a poet, that which seems to have arisen earliest in Mr. Tennyson, and in which he most excels, is that of scene-painting in the higher sense of the term; not the mere power of producing that rather vapid species of composition usually termed descriptive poetry, – for there is not in these volumes one passage of pure description, – but the power of creating scenery in keeping with some state of human feeling, so fitted to it as to be the embodied symbol of it, and to summon up the state of feeling itself with a force not to be surpassed by any thing but reality."

"The poems which we have quoted from Mr. Tennyson prove incontestably that he possesses in an eminent degree the natural endowment of a poet, – the poetic temperament. And it appears clearly, not only from a comparison of the two volumes, but of different poems in the same volume, that with him the other element of poetic excellence, intellectual culture, is advancing both steadily and rapidly; that he is not destined, like so many others, to be remembered for what he might have done rather than for what he did; that he will not remain a poet of mere temperament, but is ripening into a true artist… We predict, that, as Mr. Tennyson advances in general spiritual culture, these higher aims will become more and more predominant in his writings; that he will strive more and more diligently, and, even without striving, will be more and more impelled by the natural tendencies of an expanding character, towards what has been described as the highest object of poetry, – 'to incorporate the everlasting reason of man in forms visible to his sense, and suitable to it.'"

This last sentence might easily be construed into a prediction of "In Memoriam" and "The Idyls of the King."

If it is asked why Mr. Mill, with all his width of knowledge and sympathy, has achieved so little of a reputation as a miscellaneous writer, part of the reason no doubt is, that he sternly repressed his desultory tendencies, and devoted his powers to special branches of knowledge, attaining in them a distinction that obscured his other writings. Another reason is, that, although his style is extremely clear, he was for popular purposes dangerously familiar with terms belonging more or less to the schools. He employed these in literary generalizations, without remembering that they were not equally familiar to his readers; and thus general readers, like Tom Moore, or the author of the recent notice in "The Times," who read more for amusement than instruction, were disposed to consider Mr. Mill's style "vastly unreadable."