Kitobni o'qish: «A Change of Air»
"ANTHONY HOPE."
In his speech at the annual banquet of the Royal Academy in 1894, among many other good things, Mr. Andrew Lang said:
"The thrifty plan of giving us sermons, politics, fiction, all in one stodgy sandwich, produces no permanent literature, produces but temporary 'tracts for the times.' Fortunately we have among us many novelists – young ones, luckily – who are true to the primitive and eternal, the Fijian canons of fiction. We have Oriental romance from the author of 'Plain Tales from the Hills.' We have the humor and tenderness – certainly not Fijian, I admit – which produces that masterpiece 'A Window in Thrums'; we have the adventurous fancy that gives us 'A Gentleman of France,' 'The Master of Ballantrae,' 'Micah Clarke,' 'The Raiders,' 'The Prisoner of Zenda.'"
The last of these books was by Anthony Hope Hawkins, whom Mr. Lang thus classed among potential immortals. This romance has made him within the last three months fairly famous. Walter Besant, too, has stamped it with his high approval, and the English and American press have been unusually unanimous in their praise.
Its hero is a rare and striking figure, and thoroughly represents the ideal soldier of our Anglo-Saxon race. He faces great dangers and does brave deeds, quietly and quickly. He suffers and loves deeply, but says little. In his portrayal, the possibilities of "repressed emotion" have been startlingly indicated. He appeals to Americans and English far more than the swaggering and loquacious, though more historic heroes of Dumas and his school ever can.
Much curiosity has been excited regarding "Anthony Hope."
The author's methods of composition and what may have suggested the very original plot are as yet unknown. Besides what we may get from his portrait, we are told that he is "a tall, thin, dark man, with a face that would be ascetic if it were not bubbling with humor." He is a lawyer, as other good romancers have been before him, and has chambers in the Middle Temple, a place made famous in fiction by Thackeray and on the stage by Pinero. His profession and politics are his chief concerns, and literature a diversion in his leisure hours. He is an extremely modest man, and in response to a request from his American publishers for autobiographical matter, gave the barest facts of his life. He expressed absolutely no opinion on literary canons or on his own work. There was, however, a rare sincerity and cordiality in his letters.
Anthony Hope Hawkins was born in 1863, his father being the Rev. E. C. Hawkins of St. Brides, Fleet Street, London. He was educated at Marlborough, and at Balliol College, Oxford, of which he was a scholar. At Oxford, he was a hard worker and obtained first classes in Classical Moderations and in the School of Litteræ Humaniores, commonly known as "Greats." At this university, where he attained the degree of M. A. some eight years ago, he began to show an aptitude for public life, was a striking figure among his contemporaries, and became president of the Union. In 1892 he stood as a Liberal candidate for a seat in Parliament from the southern division of Buckinghamshire, but was defeated by Viscount Curzon.
His first book, "A Man of Mark," was published in 1890, and was followed next year by "Father Stafford," an interesting study of an Anglican priest's struggles between love and sense of obligation to his vow of celibacy. The pictures of his cheerless ascetic life are marked by the sincerity conspicuous in Mr. Hawkins' later books. Some very thoughtful conversations on art and on religion are introduced.
In 1892 appeared "Mr. Witt's Widow, a Frivolous Tale" of a lady who had "harmonious contrasts," such as dark eyes and golden hair. It foreshadows the power in plot-making that characterizes our author's later works.
In the spring of 1893 appeared "Sport Royal," a collection of Mr. Hawkins' short stories, mostly from the St. James' Gazette.
In "Half a Hero," published last year, there are several foreshadowings of "The Prisoner of Zenda." In both stories the scene is imaginary, but given realism by characteristics respectively of New Zealand and of Germany; in both intrigues and heroism are conspicuous, though in the latter the author did not adopt the old device of giving his hero some bad qualities to make him human. "Half a Hero" contains much firm, crisp character-drawing, and a strong love interest, but has the slight taint of the "purpose novel," already noted in Father Stafford; in this case, the discussion being politics, especially the "labor" element.
Anthony Hope inherited refinement through a father in an exalted calling; he used his college advantages to the utmost, and now his interests are in living public affairs, and in his chosen calling as a lawyer, he has good opportunities to study life, and seems already to have well mastered the best elements of Anglo-Saxon character. From his work, he appears to have read widely and with a sympathetic eye for the merits of markedly diverse writers, which he seems to make his own. His style has the terseness and suggestiveness characteristic of Kipling, but without his harshness, and at times he shows a sense of beauty almost worthy of our own Hawthorne, and withal the military dash and snap of Lever. It would be strange if the foundation for the remarkably life-like colonists of "Half a Hero," and the German officers of "The Prisoner of Zenda," had had not been laid by travel and the observation of their more or less remote prototypes.
"A Change of Air," while containing much of its humor and snap, furnishes a marked contrast to "The Prisoner of Zenda," and is in a more serious vein, having a strong and tragic undercurrent, and not without an element of peril. Confining its occurrences pretty severely to the possible and generally probable, it nevertheless is highly original. Dale Bannister, the wild young poet, who commences by thoroughly scandalizing Market Denborough, is a most picturesque and uncommon character. The effect of his early principles on his later life is deftly indicated. The story moves on steadily, and while it teaches a lesson of moderation and charity, it does so entirely by the acts and thoughts of the characters without any sermonizing on the part of the author. Some good authorities that have seen this book place it even above "The Prisoner of Zenda," which we probably shall see on the stage next year, as the author has a friend busily engaged on its dramatization.
R. H.
July, 1894.
CHAPTER I.
A Mission to the Heathen
When the Great King, that mirror of a majesty whereof modern times have robbed the world, recoiled aghast from the threatened indignity of having to wait, he laid his finger with a true touch on a characteristic incident of the lot of common men, from which it was seemly that the state of God's Vicegerents should be free. It was a small matter, no doubt, a thing of manners merely, and etiquette; yet manners and etiquette are first the shadowed expression of facts and then the survival of them; the reverence once paid to power, and now accorded, in a strange mixture of chivalry and calculation, to mere place whence power has fled. The day of vicegerents is gone, and the day of officers has come; and it is not unknown that officers should have to wait, or even – such is the insolence, no longer of office, but of those who give it – should altogether go without. Yet, although everybody has now to wait, everybody has not to wait the same length of time. For example, a genius needs not wait so long for what he wants as a fool – unless, as chances now and then, he be both a genius and a fool, when probably his waiting will be utterly without end.
In a small flat in Chelsea, very high toward heaven, there sat one evening in the summer, two young men and a genius; and the younger of the young men, whose name was Arthur Angell, said discontentedly to the genius:
"The brute only sent me ten and sixpence. What did you get for yours?"
The genius blushed and murmured apologetically:
"That agent chap I've sold myself to got twenty pounds for it."
The second young man, who was not so young, being, in fact, well turned of thirty, and growing bald, took his pipe out of his mouth, and, pointing the stem first at the genius, then at Arthur Angell, and lastly, like a knife, at his own breast, said:
"Pounds – shillings – and pence. He sent me nothing at all."
A pause followed, and the genius began:
"Look here, you fellows – " But Philip Hume went on: "Ten and sixpence is a good sum of money, a comfortable sum of money, and, my dear Arthur, I should say the full value of your poem. As to Dale's poem, who knows the value of Dale's poem? By what rod shall you measure – " He broke off with a laugh at Dale's gesture of protest.
"I'm making the deuce of a lot of money," said Dale in an awestruck tone. "It's rolling in. I don't know what to do with it."
"Littlehill will swallow it," said Philip.
"You don't mean that he sticks to that idea?" exclaimed Arthur. "You don't, do you, Dale?"
"I do," answered Dale. "I'm not going permanently. I'm not going to forsake our old ways or our old life. I'm not going to turn into a rich man."
"I hope not, by Jove!" cried Arthur.
"But I want to see the country – I've not seen it for years. And I want to see country people, and – and – "
"It'll end in our losing you," prophesied Arthur gloomily.
"Nonsense!" said Dale, flushing a little. "It'll end in nothing of the sort. I've only taken the house for a year."
"A gentleman's residence," said Philip; "five sitting rooms, twelve bedrooms, offices, stabling, and three acres of grounds."
Arthur groaned.
"It sounds a villa all over," he said.
"Not at all," said Dale sharply; "it's a country house."
"Is there any difference?" asked Arthur scornfully.
"All the difference," said Philip; "as you would know if you moved in anything approaching respectable circles."
"I'm glad I don't," said Arthur. "What will respectable circles say to 'The Clarion,' eh, Dale?"
"Who cares what they say?" laughed Dale. "They seem to buy it."
Arthur looked at him with revengeful eye, and suddenly inquired.
"What about Nellie?"
"That's just the delightful part of it," answered Dale eagerly. "Nellie's been seedy ever so long, you know. She was ordered perfect rest and country air. But it didn't run to it."
"It never ran to anything here," said Philip in a tone of dispassionate acquiescence in facts, "till you became famous."
"Now I can help!" pursued Dale. "She and Mrs. Hodge are coming to pay me a long visit. Of course, Phil's going to be there permanently. You'll come too, Arthur?"
At first Arthur Angell said he would not go near a villa; he could not breath in a villa; or sleep quiet o' nights in a villa; but presently he relented.
"I can't stand it for long, though," he said. "Still, I'm glad you're going to have Nellie there. She'd have missed you awfully. When do you go?"
"Actually, to-morrow. I'm not used to it yet."
Arthur shook his head again, as he put on his hat.
"Well, good-night," said he. "I hope it's all right."
Dale waited till the door was closed behind his guest, and then laughed good-humoredly.
"I like old Arthur," he said. "He's so keen and in earnest about it. But it's all bosh. What difference can it make whether I live in London or the country? And it's only for a little while."
"He begins to include you in the well-to-do classes, and suspects you accordingly," replied Philip.
There was a knock at the door, and a pretty girl came in.
"Oh, I ran up," she said, "to ask whether this hat would do for Denshire. I don't want to disgrace you, Dale;" and she held up a hat she carried in her hand.
"It would do for Paradise," said Dale. "Besides, there isn't going to be any difference at all in Denshire. We are going to be and do and dress just as we are and do and dress here. Aren't we, Phil?"
"That is the scheme," said Philip.
"We shall care for no one's opinion," pursued Dale, warming to his subject. "We shall be absolutely independent. We shall show them that their way of living is not the only way of living. We – "
"In fact, Nellie," interrupted Philip, "we shall open their eyes considerably. So we flatter ourselves."
"It's not that at all," protested Dale.
"You can't help it, Dale," said Nellie, smiling brightly at him. "Of course they will open their eyes at the great Mr. Bannister. We all open our eyes at him, don't we, Mr. Hume? Well, then, the hat will do – as a week-day hat, I mean?"
"A week-day hat?" repeated Philip. "Dear old phrase! It recalls one's happy church-going youth. Have you also provided a Sunday hat?"
"Of course, Mr. Hume."
"And, Dale, have you a Sunday coat?"
Dale laughed.
"It's a pretty excuse for pretty things, Phil," he said. "Let Nellie have her Sunday hat. I doubt if they'll let me into the church."
Philip stretched out his hand and took up a glass of whisky and water which stood near him.
"I drink to the success of the expedition!" said he.
"To the success of our mission!" cried Dale gayly, raising his glass. "We will spread the light!"
"Here's to Dale Bannister, apostle in partibus!" and Philip drank the toast.
CHAPTER II.
The New Man at Littlehill
Market Denborough is not a large town. Perhaps it is none the worse for that, and, if it be, there is compensation to be found in its picturesqueness, its antiquity, and its dignity; for there has been a town where it stands from time immemorial; it makes a great figure in county histories and local guidebooks; it is an ancient corporation, an assize town, and quarter-sessions borough. It does not grow, for country towns, dependent solely on the support of the rural districts surrounding, are not given to growing much nowadays. Moreover, the Delanes do not readily allow new houses to be built, and if a man lives in Market Denborough, he must be a roofless vagrant or a tenant of Mr. Delane. It is not the place to make a fortune; but, on the other hand, unusual recklessness is necessary to the losing of one there. If the triumphs of life are on a small scale, the struggle for existence is not very fierce, and a wise man might do worse than barter the uncertain chances and precarious joys of a larger stage, to play a modest, easy, quiet part on the little boards of Market Denborough.
It must not, however, be supposed that the lion and the lamb have quite sunk their differences and lain down together at Market Denborough. There, as elsewhere, the millennium tarries, and there are not wanting fierce feuds, personal, municipal, nay, even, within the wide limits of Mr. Delane's tolerance, political. If it were not so, the Mayor would not have been happy, for the Mayor loved a fight; and Alderman Johnstone, who was a Radical, would have felt his days wasted; and the two gentlemen would not have been, as they continually were, at loggerheads concerning paving contracts and kindred subjects. There was no want of interests in life, if a man were ready to take his own part and keep a sharp eye on the doings of his neighbor. Besides, the really great events of existence happened at Market Denborough much as they do in London; people were born, and married, and died; and while that rotation is unchecked, who can be seriously at a loss for matter of thought or topic of conversation?
As Mr. James Roberts, member of the Royal College of Surgeons, a thin young man, with restless eyes and tight-shut lips, walked down High Street one hot, sunny afternoon, it never entered his head that there was not enough to think about in Market Denborough. Wife and child, rent, rates and taxes, patients and prescriptions, the relation between those old enemies, incomings and outgoings, here was food enough for any man's meditations. Enough? Ay, enough and to spare of such distasteful, insipid, narrow, soul-destroying stuff. Mr., or, to give him the brevet rank all the town gave him. Dr. Roberts, hated these sordid, imperious interests that gathered round him and hemmed him in, shutting out all else – all dreams of ambition, all dear, long-harbored schemes, all burning enthusiasms, even all chance of seeking deeper knowledge and more commanding skill. Sadly and impatiently the doctor shook his head, trying to put his visions on one side, and nail his mind down to its work. His first task was to turn three hundred pounds a year into six hundred pounds. It was hard it should be so, and he chafed against necessity, forgetting, as perhaps he pardonably might, that the need was the price he paid for wife and child. Yes, it was hard; but so it was. If only more people would be – no, but if only more people who were ill would call in Dr. Roberts! Then he could keep two horses, and not have to "pad the hoof," as he phrased it to himself, about sweltering streets or dusty lanes all the long afternoon, because his one pony was tired out with carrying him in the morning to Dirkham, a village five miles off, where he was medical officer at a salary of forty pounds by the year. That was forty, and Ethel had a hundred, and the profits from his paying patients (even if you allowed for the medicine consumed by those who did not pay) were about a hundred and fifty. But then the bills – Oh, well, he must go on. The second horse must wait, and that other dream of his, having an assistant, that must wait, too. If he had an assistant, he would have some leisure for research, for reading, for studying the political and social questions where his real and engrossing interest lay. He could then take his part in the mighty work of rousing —
Here his meditations were interrupted. He had reached, in his progress down the street, a large plate-glass-windowed shop, the shop of a chemist, and of no less a man than Mr. James Hedger, Mayor of Market Denborough. The member of the lower branch of their common art was a richer man than he who belonged to the higher, and when Mr. Hedger was playfully charged with giving the young Doctor his medicines cheap, he never denied the accusation. Anyhow, the two were good friends, and the Mayor, who was surveying his dominions from his doorstep, broke in on Dr. Roberts' train of thought with a cheerful greeting.
"Have you heard the news?" he asked.
"No; I've no time for the news. I always look to you for it, Mr. Mayor."
"It mostly comes round to me, being a center, like," said the Mayor. "It's natural."
"Well, what is it this time?" asked the Doctor, calling up a show of interest. He did not care much for Denborough news.
"Littlehill's let," replied the Mayor.
Littlehill, the subject of Philip Hume's half-ironical description, was a good house, standing on rising ground about half a mile outside the town. It belonged, of course, to Mr. Delane, and had stood empty for more than a year. A tenant at Littlehill meant an increase of custom for the tradespeople, and perchance for the doctors. Hence the importance of the Mayor's piece of news.
"Indeed?" said Roberts. "Who's taken it?"
"Not much good – a young man, a bachelor," said the Mayor, shaking his head. Bachelors do not require, or anyhow do not take, many chemist's drugs. "Still, I hear he's well off, and p'r'aps he'll have people to stop with him."
"What's his name?"
"Some name like Bannister. He's from London."
"What's he coming here for?" asked Roberts, who, if he had been a well-to-do bachelor, would not have settled at Market Denborough.
"Why shouldn't he?" retorted the Mayor, who had never lived, or thought of living, anywhere else.
"Well, I shouldn't have thought he'd have found much to do. He wouldn't come in the summer for the hunting."
"Hunting? Not he! He's a literary gentleman – writes poetry and what not."
"Poetry? Why, it's not Dale Bannister, is it?"
"Ay, that's the name."
"Dale Bannister coming to Littlehill! That is an honor for the town!"
"An honor? What do you mean, sir?"
"Why, he's a famous man, Mr. Mayor. All London's talking of him."
"I never heard his name in my life before," said the Mayor.
"Oh, he's a genius. His poems are all the rage. You'll have to read them now."
"He's having a lot done up there," remarked the Mayor. "Johnstone's got the job. Mr. Bannister don't know as much about Johnstone as some of us."
"How should he?" said Roberts, smiling.
"Johnstone's buildin' 'im a room. It'll tumble down."
"Oh, come, Mr. Mayor, you're prejudiced."
"No man can say that of me, sir. But I knows – I know Johnstone, Doctor. That's where it is!"
"Well, I hope Johnstone's room won't fall on him. We can't spare Dale Bannister. Good-day, Mr. Mayor."
"Where are you goin'?"
"To Tom Steadman's."
"Is he bad again?" inquired the Mayor, with interest.
"Yes. He broke out last week, with the usual result."
"Broke out? Yes! He had two gallons of beer and a bottle o' gin off the 'Blue Lion' in one day, the landlord told me."
"They ought to go to prison for serving him."
"Well, well, a man drinks or he don't," said the Mayor tolerantly; "and if he does, he'll get it some'ow. Good-day, sir."
The Doctor completed his rounds, including the soothing of Tom Steadman's distempered imagination, and made his way home in quite a flutter of excitement. Hidden away in his study, underneath heavy medical works and voluminous medical journals, where the eye of patients could not reach, nor the devastations of them that tidy disturb, lay the two or three little volumes which held Dale Bannister's poems. The Doctor would not have admitted that the poems were purposely concealed, but he certainly did not display them ostentatiously, and he undoubtedly told his wife, with much decision, that he was sure they would not prove to her taste. Yet he himself almost worshiped them; all the untamed revolt, the recklessness of thought, the scorn of respectability, the scant regard to what the world called propriety, which he had nourished in his own heart in his youth, finding no expression for them, and from which the binding chains of fate seemed now forever to restrain his spirit, were in those three slim volumes. First came "The Clarion and other Poems," a very small book, published by a very small firm – published for the author, though the Doctor did not know this, and circulated at the expense of the same; then "Sluggards," from a larger firm, the source of some few guineas to Dale Bannister, of hundreds more if he had not sold his copyright; and lastly, "The Hypocrite's Heaven," quite a lengthy production, blazoning the name of the leading house of all the trade, and bearing in its train a wealth of gold, and praise, and fame for the author: yes, and of rebuke, remonstrance, blame, and hands uplifted in horror at so much vice united to so much genius. Praise and rebuke alike brought new bricks to build the pyramid of glory; and on the top of it, an object of abhorrence and of worship, stood the young poet, prodigally scattering songs, which, as one critic of position said of them, should never have been written, but being written, could never die. Certainly the coming of such a man to settle there was an event for Market Denborough; it was a glorious chance for the poet's silent, secret disciple. He would see the man; he might speak with him; if fortune willed, his name might yet be known, for no merit of his, but as that of Dale Bannister's friend.
Women have very often, and the best of women most often, a provoking sedateness of mind. Mrs. Roberts had never read the poems. True, but she had, of course, read about them, and about their author, and about their certain immortality; yet she was distinctly more interested in the tidings of Tom Steadman, a wretched dipsomaniac, than in the unparalleled news about Dale Bannister. In her heart she thought the Doctor a cleverer, as she had no doubt he was a better, man than the poet, and the nearest approach she made to grasping the real significance of the situation was when she remarked:
"It will be nice for him to find one man, at all events, who can appreciate him."
The Doctor smiled; he was pleased – who would not be? – that his wife should think first of the pleasure Dale Bannister would find in his society. It was absurd, but it was charming of her, and as she sat on the edge of his chair, he put his arm round his waist and said:
"I beat him in one thing, anyhow."
"What's that, Jim?"
"My wife. He has no wife like mine."
"Has he a wife at all?" asked Mrs. Roberts, with increased interest. A wife was another matter.
"I believe not, but if he had – "
"Don't be silly. Did you leave Tom quiet?"
"Hang Tom! he deserves it. And give me my tea."
Then came the baby, and with it an end, for the time, of Dale Bannister.