Kitobni o'qish: «Under the Trees and Elsewhere»

Shrift:

Chapter I
An April Day

My study has been a dull place of late; even the open fire, which still lingers on the hearth, has failed to exorcise a certain gray and weary spirit which has somehow taken possession of the premises. As I was thinking this morning about the best way of ejecting this unwelcome inmate, it suddenly occurred to me that for some time past my study has been simply a workshop; the fire has been lighted early and burned late, the windows have been closed to keep out all disturbing sounds, and the pile of manuscript on the table has steadily grown higher and higher. "After all," I said to myself, "it is I that ought to be ejected." Acting on this conclusion, and without waiting for the service of process of formal dislodgment, I have let the fire go out, opened the windows, locked the door, and put myself into the hands of my old friend, Nature, for refreshment and society. I find that I have come a little prematurely, although my welcome has been even warmer than it would have been later.

"This is what I like," my old friend seemed to say. "You have not waited until I have set my house in order and embellished my grounds. You have come because you love me even more than my surroundings. I have a good many friends who know me only from May to October: the rest of the year they give me cold glances of surprised recognition, or they pass me by without so much as a look. Their ardent devotion in summer fills me with a deep disdain; their admiration for great masses of colour, for high, striking effects, and for the general lavishness and prodigality of my passing mood, betrays their lack of discernment, their defect of taste, and their slight acquaintance with myself. I should much prefer that they would leave my woods and fields untrodden, and not disturb my mountain solitudes with their ignorant and vulgar raptures. The people who really know me and love me seek me oftener at other seasons, when I am more at leisure, and can bid them to a more intimate companionship. They come to understand my finer moods and deeper secrets of beauty; the elusive loveliness which I leave behind me to lure on my true friends through the late autumn, they find and follow with the eye and heart of love; the rare and splendid aspects in which I often discover my presence in midwinter they enjoy all the more because I have withdrawn myself from the gaze of the crowd; and the first faint touches of colour and soft breathings of life, which announce my return in the early spring, they greet with the deep joy of true lovers. Those only who discern the beauty of branches from which I have stripped the leaves to uncover their exquisite outline and symmetry, who can look over bare fields and into the faded copse and find there the elusive beauty which hides in soft tones and low colours, are my true friends; all others are either pretenders or distant acquaintances."

I was not at all surprised to hear my old friend express sentiments so utterly at variance with those held by many people who lay claim to her friendship; in fact, they are sentiments which I find every year becoming more and more my own convictions. In every gallery of paintings you will find the untrained about the pictures on which the artist has lavished the highest colours from his palette; those whose taste for art has had direction and culture will look for very different effects in the works which attract them. It is among the rich and varied low colours of this season, in wood and field, that a true lover of nature detects some of her rarest touches of loveliness; the low western sun, falling athwart the bare boughs and striking a kind of subdued bloom into the brown hill-tops and across the furze and heather, sometimes reveals a hidden charm in the landscape which one seeks in vain when skies are softer and the green roof has been stretched over the woodland ways. In fact, one can hardly lay claim to any intimacy with Nature until he loves her best when she discards her royalty, and, like Cinderella, clad only in the cast-off garments of sunnier days, she crouches before the ashes of the faded year. The test of friendship is its fidelity when every charm of fortune and environment has been swept away, and the bare, undraped character alone remains; if love still holds steadfast, and the joy of companionship survives in such an hour, the fellowship becomes a beautiful prophecy of immortality. To all professions of love Nature applies this infallible test with a kind of divine impartiality. With the first note of the bluebird, under the brief flush of an April sky, her alluring invitation goes forth to the world; day by day she deepens the blue of her summer skies and fills them with those buoyant clouds that float like dreams across the vision of the waking day; night after night she touches the stars with a softer radiance, and breathes upon her roses so that they are eager for the dawn, that they may lay their hearts open to her gaze; the forests take on more and more the lavish mood of the summer, until they have buried their great trunks in perpetual shade. The splendid pageant moves on, gathering its votaries as it passes from one marvellous change to another; and yet the Mistress of the Revels is nowhere visible. The crowds press from point to point, peering into the depths of the woods and watching stealthily where the torrent breaks from its dungeon in the hills, and leaps, mad with joy, in the new-found liberty of light and motion; but not a flutter of her garment betrays to the keenest eye the Presence which is the soul of all this visible, moving scene.

And now there is a subtle change in the air; premonitions of death begin to thrust themselves in the midst of the revelry; there is a brief hush, a sudden glow of splendour, and lo! the pageant is seemingly at an end. The crowd linger a little, gather a few faded leaves, and depart; a few—a very few—wait. Now that the throngs have vanished and the revelry is over, they are conscious of a deep, pervading quietude; these are days when something touches them with a sense of near and sacred fellowship; Nature has cast aside her gifts, and given herself. For there is a something behind the glory of summer, and they only have entered into real communion with Nature who have learned to separate her from all her miracles of power and beauty; who have come to understand that she lives apart from the singing of birds, the blossoming of flowers, and the waving of branches heavy with leaves.

The Greeks saw some things clearly without seeing them deeply; they interpreted through a beautiful mythology all the external phenomena of Nature. The people of the farther East, on the other hand, saw more obscurely, but far more deeply; they looked less at the visible things which Nature held out to them, and more into the mysteries of her hidden processes, her silent but universal mutations; the subtle vanishings and reappearings of her presence; they seemed to hear the mighty loom on which the seasons are woven, to feel through some primitive but forgotten kinship the throes of the birth-hour, the vigils of suffering, and the agonies of death. Was there not in such an attitude toward Nature a hint of the only real fellowship with her?

Chapter II
Under the Apple Boughs

For weeks past I have been conscious of some mystery in the air; there have been fleeting signs of secret communication between earth and sky, as if the hidden powers were in friendly league and some great concerted movement were on foot. There have been soft lights playing upon the tender grass on the lawn, and caressing those delicate hues through which each individual tree and shrub searches for its summer foliage; the mornings have slipped so quietly in through the eastern gates, and the afternoons have vanished so softly across the western hills, that one could not but suspect a plot to avert attention and lull watchful eyes into negligence while all things were made ready for the moment of revelation. At times a subdued light has filled the broad arch of heaven, and, later, a fringe of rain has moved gently across the low hills and fallow fields, rippling like a wave from that upper sea which hangs invisible in golden weather, but becomes portentous and vast as the nether seas when the clouds gather and the celestial watercourses are unlocked. One day I thought I saw signs of a falling out between the conspirators, and I set myself to watch for some disclosure which might escape from one side or the other in the frankness of anger. The earth was sullen and overcast, the sky dark and forbidding, the clouds rolled together and grew black, and the shadows deepened upon the grass. At last there was a vivid flash of lightning, a crash of thunder, and the sudden roar of rain. "Now," I said to myself, "I shall learn what all this secrecy has been about." But I was doomed to disappointment; after a few minutes of angry expostulation the sky suddenly uncovered itself, the clouds piled themselves against the horizon and disclosed their silver linings, and over the whole earth there spread a broad smile, as if the hypocritical performance had been part of the original deception. I am confident now that it was, for that brief drenching of trees and sward was almost the last noticeable preparation before the curtain rose. The next day there was a deep, unbroken quiet across our piece of world, as if a fragment of eternity had been quietly slipped into the place of one of our brief, noisy days. The trees stood motionless, as if awaiting some signal, and I listened in vain for that inarticulate and half-heard murmur of coming life which, day and night, had filled my thoughts these past weeks, and set the march of the hours to a sublime rhythm.

The next morning a faint perfume stole into my room. I rose hastily, ran to the window, and lo! the secret was out: the apple trees were in bloom! Three days later, and the miracle so long in preparation was accomplished; the slowly rising tide of life had broken into a foam of blossoms and buried the world in a billowy sea. There will come days of greater splendour than this, days of deeper foliage, of waving grain and ripening fruit, but no later day will eclipse this vision of paradise which lies outspread from my window; life touches to-day the zenith of its earliest and freshest bloom; to-morrow the blossoms will begin to sift down from the snowy branches, and the great movement of summer will advance again; but for one brief day the year pauses and waits, reluctant to break the spell of this perfect hour, to mar by the stir of a single leaf the stainless loveliness of this revelation of nature's unwasted youth.

I do not care to look through these great masses of bloom; it is enough simply to live in an hour which brings such an overflow of beauty from the ancient fountains; but Nature herself lures one to deeper thoughts, and, through the vision which spreads like a mirage over the landscape, hints at some hidden loveliness at the root of this riotous blossoming, some diviner vision for the eye of the spirit alone. "Look," she seems to say, as I stand and gaze with unappeased hunger of soul, "this is my holiday. In the coming weeks I have a whole race to feed, and over the length of the world men are imploring my help. They do their little share of work, and while they wait, waking and sleeping, anxiously watching winds and clouds, I vitalise their toil and turn all my forces to their bidding. The labour of the year is at hand and on its threshold I take this holiday. To-day I give you a glimpse of paradise; a garden in which all manner of loveliness blooms simply from the overflow of life, without thought, or care, or toil. This was my life before men came with their cries of hunger and nakedness; this shall be my life again when they have passed beyond. This which lies before you like a dream is a glimpse of life as it is in me, and shall be in you; immortal, inexhaustible fulness of power and beauty, overflowing in frolic loveliness. This shall be to you a day out of eternity, a moment out of the immortal youth to which all true life comes at last, and in which it abides."

I cannot say that I heard these words, and yet they were as real to me as if they had been audible; in all fellowship with Nature silence is deeper and more real than speech. As I stood meditating on these deep things that lie at the bottom of this sea of bloom, I understood why men in all ages have connected the flowering of the apple with their dreams of paradise; I saw at a glance the immortal symbolism of these blossoming fields and hillsides. I did not need to lift my eyes to look upon that garden of Hesperides, lying like a dream of heaven under the golden western skies, whence Heracles brought back the fruit of Juno; I asked no aid of Milton's imagination to see the mighty hero in

 
  . . . the gardens fair
  Of Hesperus and his daughters three,
  That sing about the golden tree;
 

and as I gazed, the vision of that other and nobler hero came before me, whose purity is more to us than his prowess, and who waits in Avilion, the "Isle of Apples," for the call that shall summon him back from Paradise.

 
        I am going a long way
  With these thou seest—if indeed I go
  (For all my mind is clouded with a doubt)—
  To the island-valley of Avilion;
  Where falls not hail, or rain, or any snow,
  Nor even wind blows loudly; but it lies
  Deep-meadow'd, happy, fair with orchard lawns
  And bowery hollows crown'd with summer sea,
  Where I will heal me of my grievous wound.
 

Chapter III
Along the Road

I

Since I turned the key on my study I have almost forgotten the familiar titles on which my eye rested whenever I took a survey of my book-shelves. Those friends stanch and true, with whom I have held such royal fellowship when skies were chill and winds were cold, will not forget me, nor shall I become unfaithful to them. I have gone abroad that I may return later with renewed zest and deeper insight to my old companionships. Books and nature are never inimical; they mutually speak for and interpret each other; and only he who stands where their double light falls sees things in true perspective and in right relations.

The road along whose winding course I have been making a delightful pilgrimage to-day has the double charm of natural beauty and of human association; it is old, as age is reckoned in this new world; it has grown hard under the tread of sleeping generations, and the great figures of history have passed over it in their journeys between the two great cities which mark its limits. In the earlier days it was the king's highway, and along its up-hill and down-dale course the battalions of royal troops marched and counter-marched to the call of bugles that have gone silent these hundred years and more. It is a road of varied fortunes, like many of those who have passed over it; it is sometimes rich in all manner of priceless possessions, and again it is barren, poverty-stricken, and desolate. It climbs long hills, sometimes in a roundabout, hesitating, half-hearted way, and sometimes with an abrupt and breathless ascent; at the summit it seems to pause a moment as if to invite the traveller to survey the splendid domain which it commands. On one side, in such a restful moment, one sees the wide circle of waters, stretching far off to a horizon which rests on clusters of islands and marks the limits of the world; in the foreground, and sweeping around the other points of the compass, a landscape rich in foliage, full of gentle undulations, and dotted here and there with fallow fields, spreads itself like another sea that has been hushed into sudden immutability, and then sown, every wave and swell of it, with the seeds of exhaustless fertility.

From such points of eminence as these the road sometimes runs with hurried descent, as if longing for solitude, into the heart of the woodlands, and there winds slowly and solemnly under the overshadowing branches; there are no fences here, and the sharp lines of separation between road-bed and forest were long ago erased in that quiet usurpation of man's work, which Nature never fails to make the moment she is left to herself. The ancient spell of the woods is unbroken in this leafy solitude, and no traveller in whom imagination survives can hope to escape it. The deep breathings of primeval life are almost audible, and one feels in a quick and subtle perception the long past which unites him with the earliest generations and the most remote ages.

Passing out from this brief worship under the arches of the most venerable roof in Christendom, the road takes on a frolic mood and courts the open meadows and the flooding sunshine; green, sweet, and strewn with wild flowers, the open fields call one from either side, and arrest one's feet at every turn with solicitations to freedom and joyousness. The white clouds in the blue sky and the long sweep of these radiant meadows conspire together to persuade one that time has strayed back to its happy childhood again, and that nothing remains of the old activities but play in these immortal fields. Here the carpet is spread over which one runs with childish heedlessness, courting the disaster which brings him back to the breast of the old mother, and makes him feel once more the warmth and sweetness out of which all strength and beauty spring. A little brook crosses the road under a rattling bridge, and wanders on across the fields, limpid and rippling, running its little strain of music through the silence of the meadows. Its voice is the only sound which breaks the stillness, and that itself seems part of the solitude. By day the clouds marshal their shadows on it, and when night comes the heavens sow it with stars, until it flows like a dissolving belt of sky through the fragrant darkness. Sometimes, as I have come this way after nightfall, I have heard its call across the invisible fields, and in the sound I have heard I know not what of deep and joyous mystery; the long-past and the far-off future whispering together, under cover of the night, of those things which the stars remember from their youth, and to which they look forward in some remote cycle of their Shining.

Past old and well-worked farms, into which the toil and thrift of generations have gone, the old road leads me, and brings my thoughts back from elemental forces and primeval ages to these later centuries in which human life has overlaid these hills and vales with rich memories. Wherever man goes Nature makes room for him, as if prepared for his coming, and ready to put her mighty shoulder to the wheel of his prosperity. The old fences, often decayed and fallen, are not spurned; the movement of universal life does not flow past them and leave them to rot in their ugliness; year by year time stains them into harmony with the rocks, and every summer a wave out of the great sea of life flings itself over them, and leaves behind some slight and seemly garniture of moss and vine. The old farm-houses have grown into the landscape, and the hurrying road widens its course, and sometimes makes a long detour, that it may unite these outlying folk with the great world. There stands the old school-house, sacred to every traveller who has learned that childhood is both a memory and a prophecy of heaven. One pauses here, and hears, in the unbroken stillness, the rush of feet that have never grown weary with travel, and the clamour of voices through which immortal youth still shouts to the kindred hills and skies. Into those windows Nature throws all manner of invitations, and through them she gets only glances of recognition and longing. There are the fields, the woods, and the hills in one perpetual rivalry of charm; the bird sings in the bough over the window, and on still afternoons the brook calls and calls again. Here one feels anew the eternal friendship between childhood and Nature, and remembers that they only can abide in that fellowship who carry into riper years the self-forgetfulness, the sweet unconsciousness, the open mind and heart of a child.

Yosh cheklamasi:
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Litresda chiqarilgan sana:
16 noyabr 2018
Hajm:
170 Sahifa 1 tasvir
Mualliflik huquqi egasi:
Public Domain
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