Kitobni o'qish: «The Memoirs of Jacques Casanova de Seingalt, 1725-1798. Volume 20: Milan»

CHAPTER XVIII

I Give up Agatha to Lord Percy—I Set out for Milan—The Actress at Pavia—Countess A * * * B * * *—Disappointment—MarquisTriulzi—Zenobia—The Two Marchionesses Q * * *—The Venetian Barbaro

Far from punishing the Corticelli by making her live with Redegonde, the Count d'Aglie seemed to have encouraged her; and I was not sorry for it, since as long as she did not trouble me any more I did not care how many lovers she had. She had become a great friend of Redegonde's, and did exactly as she pleased, for their duenna was much more easy going than the Pacienza.

Nobody knew of the trick which Lord Percy had played me, and I took care to say nothing about it. However, he did not give up his designs on Agatha, his passion for her was too violent. He hit upon an ingenious method for carrying out his plans. I have already said that Percy was very rich, and spent his money wildly, not caring at what expenditure he gratified his passion. I was the last person to reproach him for his extravagance, and in a country where money is always scarce his guineas opened every door to him.

Four or five days after the ball night, Agatha came to tell me that the manager of the Alexandria Theatre had asked her if she would take the part of second dancer throughout the carnival time.

"He offered me sixty sequins," she added, "and I told him I would let him know by to-morrow. Do you advise me to accept his offer?"

"If you love me, dearest Agatha, you will prove it by refusing all engagements for a year. You know I will let you want for nothing.

"I will get you the best masters, and in that time you can perfect your dancing, and will be able to ask for a first-class appointment, with a salary of five hundred sequins a year."

"Mamma thinks that I should accept the offer, as the dancing on the stage will improve my style, and I can study under a good master all the same. I think myself that dancing in public would do me good."

"There is reason in what you say, but you do not need the sixty sequins. You will dishonour me by accepting such a poor offer, and you will do yourself harm too, as you will not be able to ask for a good salary after taking such a small one."

"But sixty sequins is not so bad for a carnival engagement."

"But you don't want sixty sequins; you can have them without dancing at all. If you love me, I repeat, you will tell the manager that you are going to rest for a year."

"I will do what you please, but it seems to me the best plan would be to ask an exorbitant sum."

"You are right; that is a good idea. Tell him you must be first dancer, and that your salary must be five hundred sequins."

"I will do so, and am only too happy to be able to prove that I love you."

Agatha had plenty of inborn common sense, which only needed development. With that and the beauty which Heaven had given her her future was assured.

She was eventually happy, and she deserved her happiness.

The next day she told me that the manager did not appear at all astonished at her demands.

"He reflected a few minutes," said she, "and told me he must think it over, and would see me again. It would be amusing if he took me at my word, would it not?"

"Yes, but we should then have to enquire whether he is a madman or a beggar on the verge of bankruptcy."

"And if he turns out to be a man of means?"

"In that case you would be obliged to accept."

"That is easily said and easily done, but have I sufficient talent? Where shall I find an actor to dance with me?"

"I will engage to find you one. As to talent, you have enough and to spare; but you will see that it will come to nothing."

All the time I felt a presentiment that she would be engaged, and I was right. The manager came to her the next day, and offered her the agreement for her signature. She was quite alarmed, and sent for me. I called at her house, and finding the manager there asked him what security he could give for the fulfilment of his part of the engagement.

He answered by naming M. Martin, a banker of my acquaintance, who would be his surety. I could make no objection to this, and the agreement was made out in duplicate in good form.

On leaving Agatha I went to M. Raiberti and told him the story. He shared my astonishment that M. Martin should become surety for the manager whom he knew, and whose financial position was by no means good; but the next day the problem was solved, for in spite of the secrecy that had been observed we found out that it was Lord Percy who was behind the manager. I might still bar the Englishman's way by continuing to keep Agatha, in spite of his five hundred sequins, but I was obliged to return to France after Easter to wait on Madame d'Urfe, and afterwards, peace having been concluded, I thought it would be a good opportunity for seeing England. I therefore determined to abandon Agatha, taking care to bind her new lover to provide for her, and I proceeded to make a friend of the nobleman.

I was curious to see how he would win Agatha's good graces, for she did not love him, and physically he was not attractive.

In less than a week we had become intimate. We supped together every night either at his house or mine, and Agatha and her mother were always of the party. I concluded that his attentions would soon touch Agatha's heart, and that finding herself so beloved she would end by loving. This was enough to make me determine not to put any obstacles in their way, and I resolved to leave Turin earlier than I had intended. In consequence I spoke as follows to Lord Percy, while we were breakfasting together:

"My lord, you know that I love Agatha, and that she loves me, nevertheless I am your friend, and since you adore her I will do my best to hasten your bliss. I will leave you in possession of this treasure, but you must promise that when you abandon her you will give her two thousand guineas."

"My dear sir," said he, "I will give them her now if you like."

"No, my lord, I do not wish her to know anything about our agreement while you are living happily together."

"Then I will give you a bond binding myself to pay her the two thousand guineas when we separate."

"I don't want that, the word of an Englishman is enough; but since we cannot command the fates, and may die without having time to put our affairs in order, I wish you to take such steps as may seem convenient to you, whereby that sum would go to her after your death."

"I give you my word on it."

"That is enough; but I have one other condition to make."

"Say on."

"It is that you promise to say nothing to Agatha before my departure."

"I swear I will not."

"Very good; and on my part I promise to prepare her for the change:"

The same day the Englishman, whose love grew hotter and hotter, madeAgatha and her mother rich presents, which under any other circumstancesI should not have allowed them to accept.

I lost no time in preparing Agatha and her mother for the impending change. They seemed affected, but I knew they would soon get reconciled to the situation. Far from giving me any cause for complaint, Agatha was more affectionate than ever. She listened attentively to my advice as to her conduct towards her new lover and the world in general, and promised to follow it. It was to this advice that she owed her happiness, for Percy made her fortune. However, she did not leave the theatre for some years, when we shall hear more of her.

I was not the man to take presents from my equals, and Percy no doubt being aware of that succeeded in making me a handsome present in a very singular way. I told him that I thought of paying a visit to England and requested him to give me a letter of introduction to the duchess, his mother, whereon he drew out a portrait of her set with magnificent diamonds, and gave it to me, saying,—

"This is the best letter I can give you. I will write and tell her that you will call and give her the portrait, unless, indeed, she likes to leave it in your hands."

"I hope my lady will think me worthy of such an honour."

There are certain ideas, it seems to me, which enter no head but anEnglishman's.

I was invited by Count A– B– to Milan, and the countess wrote me a charming letter, begging me to get her two pieces of sarcenet, of which she enclosed the patterns.

After taking leave of all my friends and acquaintances I got a letter of credit on the banker, Greppi, and started for the capital of Lombardy.

My separation from Agatha cost me many tears, but not so many as those shed by her. Her mother wept also, for she loved me, and was grateful for all my kindness to her daughter. She said again and again that she could never have borne any rival but her own daughter, while the latter sobbed out that she wished she had not to part from me.

I did not like Passano, so I sent him to his family at Genoa, giving him the wherewithal to live till I came for him. As to my man, I dismissed him for good reasons and took another, as I was obliged to have somebody; but since I lost my Spaniard I have never felt confidence in any of my servants.

I travelled with a Chevalier de Rossignan, whose acquaintance I had made, and we went by Casal to see the opera-bouffe there.

Rossignan was a fine man, a good soldier, fond of wine and women, and, though he was not learned, he knew the whole of Dante's Divine Comedy by heart. This was his hobby-horse, and he was always quoting it, making the passage square with his momentary feelings. This made him insufferable in society, but he was an amusing companion for anyone who knew the sublime poet, and could appreciate his numerous and rare beauties. Nevertheless he made me privately give in my assent to the proverb, Beware of the man of one book. Otherwise he was intelligent, statesmanlike, and good-natured. He made himself known at Berlin by his services as ambassador to the King of Sardinia.

There was nothing interesting in the opera at Casal, so I went to Pavia, where, though utterly unknown, I was immediately welcomed by the Marchioness Corti, who received all strangers of any importance. In 1786 I made the acquaintance of her son, an admirable man, who honoured me with his friendship, and died quite young in Flanders with the rank of major-general. I wept bitterly for his loss, but tears, after all, are but an idle tribute to those who cause them to flow. His good qualities had endeared him to all his acquaintances, and if he had lived longer he would undoubtedly have risen to high command in the army.

I only stopped two days at Pavia, but it was decreed that I should get myself talked of, even in that short time.

At the second ballet at the opera an actress dressed in a tippet held out her cap to the bones as if to beg an alms, while she was dancing a pas de deux. I was in the Marchioness of Corti's box, and when the girl held out her cap to me I was moved by feelings of ostentation and benevolence to draw forth my purse and drop it in. It contained about twenty ducats. The girl took it, thanked me with a smile, and the pit applauded loudly. I asked the Marquis Belcredi, who was near me, if she had a lover.

"She has a penniless French officer, I believe," he replied; "there he is, in the pit."

I went back to my inn, and was supping with M. Basili, a Modenese colonel, when the ballet girl, her mother, and her younger sister came to thank me for my providential gift. "We are so poor," said the girl.

I had almost done supper, and I asked them all to sup with me after the performance the next day. This offer was quite a disinterested one, and it was accepted.

I was delighted to have made a woman happy at so little expense and without any ulterior objects, and I was giving orders to the landlord for the supper, when Clairmont, my man, told me that a French officer wanted to speak to me. I had him in, and asked what I could do for him.

"There are three courses before you, Mr. Venetian," said he, "and you can take which you like. Either countermand this supper, invite me to come to it, or come and measure swords with me now."

Clairmont, who was attending to the fire, did not give me time to reply, but seized a burning brand and rushed on the officer, who thought it best to escape. Luckily for him the door of my room was open. He made such a noise in running downstairs that the waiter came out and caught hold of him, thinking he had stolen something; but Clairmont, who was pursuing him with his firebrand, had him released.

This adventure became town talk directly. My servant, proud of his exploit and sure of my approval, came to tell me that I need not be afraid of going out, as the officer was only a braggart. He did not even draw his sword on the waiter who had caught hold of him, though the man only had a knife in his belt.

"At all events," he added, "I will go out with you."

I told him that he had done well this time, but that for the future he must not interfere in my affairs.

"Sir," he replied, "your affairs of this kind are mine too, I shall take care not to go beyond my duty."

With this speech, which I thought very sensible, though I did not tell him so, he took one of my pistols and saw to the priming, smiling at me significantly.

All good French servants are of the same stamp as Clairmont; they are devoted and intelligent, but they all think themselves cleverer than their masters, which indeed is often the case, and when they are sure of it they become the masters of their masters, tyrannize over them, and give them marks of contempt which the foolish gentlemen endeavour to conceal. But when the master knows how to make himself respected, the Clairmonts are excellent.

The landlord of my inn sent a report of the affair to the police, and theFrench officer was banished from the town the same day. At dinner ColonelBasili asked to hear the story, and said that no one but a French officerwould think of attacking a man in his own room in such a foolish manner.I differed from him.

"The French are brave," I replied, "but generally they are perfectly polite and have wonderful tact. Wretchedness and love, joined to a false spirit of courage, makes a fool of a man all the world over."

At supper the ballet-girl thanked me for ridding her of the poor devil, who (as she said) was always threatening to kill her, and wearied her besides. Though she was not beautiful, there was something captivating about this girl. She was graceful, well-mannered, and intelligent, her mouth was well-shaped, and her eyes large and expressive. I think I should have found her a good bargain, but as I wanted to get away from Pavia, and piqued myself on having been good-natured without ulterior motive, I bade her farewell after supper, with many thanks for her kindness in coming. My politeness seemed rather to confuse her, but she went away reiterating her gratitude.

Next day I dined at the celebrated Chartreuse, and in the evening I reached Milan, and got out at Count A– B–'s, who had not expected me till the following day.

The countess, of whom my fancy had made a perfect woman, disappointed me dreadfully. It is always so when passion gives reins to the imagination. The Countess was certainly pretty, though too small, and I might still have loved her, in spite of my disappointment, but at our meeting she greeted me with a gravity that was not to my taste, and which gave me a dislike to her.

After the usual compliments, I gave her the two pieces of sarcenet she had commissioned me to get. She thanked me, telling me that her confessor would reimburse me for my expenditure. The count then took me to my room, and left me there till supper. It was nicely furnished, but I felt ill at ease, and resolved to leave in a day or two if the countess remained immovable. Twenty-four hours was as much as I cared to give her.

We made a party of four at supper; the count talking all the time to draw me out, and to hide his wife's sulkiness. I answered in the same gay strain, speaking to his wife, however, in the hope of rousing her. It was all lost labour. The little woman only replied by faint smiles which vanished almost as they came, and by monosyllabic answers of the briefest description, without taking her eyes off the dishes which she thought tasteless; and it was to the priest, who was the fourth person present, that she addressed her complaints, almost speaking affably to him.

Although I liked the count very well, I could not help pronouncing his wife decidedly ungracious. I was looking at her to see if I could find any justification for her ill humour on her features, but as soon as she saw me she turned away in a very marked manner, and began to speak about nothing to the priest. This conduct offended me, and I laughed heartily at her contempt, or her designs on me, for as she had not fascinated me at all I was safe from her tyranny.

After supper the sarcenet was brought in; it was to be used for a dress with hoops, made after the extravagant fashion then prevailing.

The count was grieved to see her fall so short of the praises he had lavished on her, and came to my room with me, begging me to forgive her Spanish ways, and saying that she would be very pleasant when she knew me better.

The count was poor, his house was small, his furniture shabby, and his footman's livery threadbare; instead of plate he had china, and one of the countess's maids was chief cook. He had no carriages nor horses, not even a saddle horse of any kind. Clairmont gave me all this information, and added that he had to sleep in a little kitchen, and was to share his bed with the man who had waited at table.

I had only one room, and having three heavy trunks found myself very uncomfortable, and I decided on seeking some other lodging more agreeable to my tastes.

The count came early in the morning to ask what I usually took for breakfast.

"My dear count," I replied, "I have enough fine Turin chocolate to go all round. Does the countess like it?"

"Very much, but she won't take it unless it is made by her woman."

"Here are six pounds: make her accept it, and tell her that if I hear anything about payment I shall take it back."

"I am sure she will accept it, and thank you too. Shall I have your carriage housed?"

"I shall be extremely obliged to you, and I shall be glad if you would get me a hired carriage, and a guide for whom you can answer."

"It shall be done."

The count was going out when the priest, who had supped with us the night before, came in to make his bow. He was a man of forty-one of the tribe of domestic chaplains who are so common in Italy—who, in return for keeping the accounts of the house, live with its master and mistress. In the morning this priest said mass in a neighbouring church, for the rest of the day he either occupied himself with the cares of the house, or was the lady's obedient servant.

As soon as We were alone he begged me to say that he had paid me the three hundred Milanese crowns for the sarcenet, if the countess asked me about it.

"Dear, dear, abbe!" said I, laughing, "this sort of thing is not exactly proper in a man of your sacred profession. How can you advise me to tell a lie? No, sir; if the countess asks me any such impertinent question, I shall tell her the truth."

"I am sure she will ask you, and if you answer like that I shall suffer for it."

"Well, sir, if you are in the wrong you deserve to suffer."

"But as it happens, I should be blamed for nothing."

"Well, go and tell her it's a present; and if she won't have that, tell her I am in no hurry to be paid."

"I see, sir, that you don't know the lady or the way in which this house is managed. I will speak to her husband."

In a quarter of an hour the count told me that he owed me a lot of money, which he hoped to pay back in the course of Lent, and that I must add the sarcenet to the account. I embraced him and said that he would have to keep the account himself, as I never noted down any of the moneys that I was only too happy to lend to my friends.

"If your wife asks me whether I have received the money, be sure I will answer in the affirmative."

He went out shedding grateful tears, while I felt indebted to him for having given me the opportunity of doing him a service; for I was very fond of him.

In the morning, the countess being invisible, I watched my man spreading out my suits over the chairs, amongst them being some handsome women's cloaks, and a rich red dress deeply trimmed with fur, which had been originally intended for the luckless Corticelli. I should no doubt have given it to Agatha, if I had continued to live with her, and I should have made a mistake, as such a dress was only fit for a lady of rank.

At one o'clock I received another visit from the count, who told me that the countess was going to introduce me to their best friend. This was the Marquis Triuizi, a man of about, my own age, tall, well made, squinting slightly, and with all the manner of a nobleman. He told me that besides coming to have the honour of my acquaintance, he also came to enjoy the fire, "for," said he, "there's only one fireplace in the house and that's in your room."

As all the chairs were covered, the marquis drew the countess on to his knee and made her sit there like a baby; but she blushed, and escaped from his grasp. The marquis laughed heartily at her confusion, and she said,—

"Is it possible that a man of your years has not yet learnt to respect a woman?"

"Really, countess," said he, "I thought it would be very disrespectful to continue sitting while you were standing."

While Clairmont was taking the clothes off the chairs, the marquis noticed the mantles and the beautiful dress, and asked me if I were expecting a lady.

"No," said I, "but I hope to find someone at Milan who will be worthy of such presents." I added, "I know the Prince Triulzi, at Venice; I suppose he is of your family?"

"He says he is, and it may be so; but I am certainly not a member of his family."

This let me know that I should do well to say no more about the prince.

"You must stay to dinner, marquis," said Count A– B–; "and as you only like dishes prepared by your own cook you had better send for them."

The marquis agreed, and we made good cheer. The table was covered with fair linen and handsome plate, the wine was good and plentiful, and the servants quick and well dressed. I could now understand the marquis's position in the house. It was his wit and mirth which kept the conversation going, and the countess came in for a share of his pleasantries, while she scolded him for his familiarity.

I could see, however, that the marquis did not want to humiliate her; on the contrary, he was fond of her, and only wished to bring down her exaggerated pride. When he saw her on the point of bursting into tears of rage and shame, he quieted her down by saying that no one in Milan respected her charms and her high birth more than he.

After dinner the tailor who was to measure the countess for a domino for the ball was announced. On the marquis's praising the colours and the beauty of the materials, she told him that I had brought her the sarcenet from Turin, and this reminded her to ask me whether I had been paid.

"Your husband settled with me," said I, "but you have given me a lesson I can never forget."

"What lesson?" said the marquis.

"I had hoped that the countess would have deigned to receive this poor present at my hands."

"And she wouldn't take it? It's absurd, on my life."

"There is nothing to laugh at," said the countess, "but you laugh at everything."

While the man was measuring her, she complained of feeling cold, as she was in her stays, and her beautiful breast was exposed. Thereupon, the marquis put his hands on it, as if he were quite accustomed to use such familiarities. But the Spaniard, no doubt ashamed because of my presence, got into a rage, and abused him in the most awful manner, while he laughed pleasantly, as if he could calm the storm when he pleased. This was enough to inform me of the position in which they stood to one another, and of the part I ought to take.

We remained together till the evening, when the countess and the marquis went to the opera, and the count came with me to my room, till my carriage was ready to take us there too. The opera had begun when we got in, and the first person I noticed on the stage was my dear Therese Palesi, whom I had left at Florence. It was a pleasant surprise to me, and I foresaw that we should renew our sweet interviews while I remained at Milan I was discreet enough to say nothing to the count about his wife's charms, or the way their house was managed. I saw that the place was taken, and the odd humours of the lady prevented my falling in love with her. After the second act we went to the assembly rooms, where five or six banks at faro were being held; I staked and lost a hundred ducats as if to pay for my welcome, and then rose from the table.

At supper the countess seemed to unbend a little, she condoled with me on my loss, and I said that I was glad of it as it made her speak so.

Just as I rang my bell the next morning, Clairmont told me that a woman wanted to speak to me.

"Is she young?"

"Both young and pretty, sir."

"That will do nicely, shew her in."

I saw a simply dressed girl, who reminded me of Leah. She was tall and beautiful, but had not as high pretensions as the Jewess; as she only wanted to know whether she could do my washing for me. I was quite taken with her. Clairmont had just brought me my chocolate, and I asked her to sit down on the bed; but she answered modestly that she did not want to trouble me, and would come again when I was up.

"Do you live at any distance?"

"I live on the ground floor of this house."

"All by yourself?"

"No sir, I have my father and mother."

"And what is your name?"

"Zenobia."

"Your name is as pretty as you are. Will you give me your hand to kiss?"

"I can't," she replied, with a smile, "my hand is another's."

"You are engaged, are you?"

"Yes, to a tailor, and we are going to be married before the end of the carnival:"

"Is he rich or handsome?"

"Neither the one nor the other."

"Then why are you going to marry him?"

"Because I want to have a house of my own:"

"I like you, and will stand your friend. Go and fetch your tailor. I will give him some work to do."

As soon as she went out I got up and told Clairmont to put my linen on a table. I had scarcely finished dressing when she came back with her tailor. It was a striking contrast, for he was a little shrivelled-up man, whose appearance made one laugh.

"Well, master tailor," said I, "so you are going to marry this charming girl?"

"Yes, sir, the banns have been published already."

"You are a lucky fellow indeed to have so much happiness in store. When are you going to marry her?"

"In ten or twelve days."

"Why not to-morrow?"

"Your worship is in a great hurry."

"I think I should be, indeed," said I, laughing, "if I were in your place. I want you to make me a domino for the ball to-morrow."

"Certainly, sir; but your excellency must find me the stuff, for nobody in Milan would give me credit for it, and I couldn't afford to lay out so much money in advance."

"When you are married you will have money and credit too. In the meanwhile here are ten sequins for you."

He went away in high glee at such a windfall.

I gave Zenobia some lace to do up, and asked her if she was afraid of having a jealous husband.

"He is neither jealous nor amorous," she replied. "He is only marrying me because I earn more than he does."

"With your charms I should have thought you might have made a better match."

"I have waited long enough; I have got tired of maidenhood. Besides, he is sharp if he is not handsome, and perhaps a keen head is better than a handsome face."

"You are sharp enough yourself, anyhow. But why does he put off the wedding?"

"Because he hasn't got any money, and wants to have a fine wedding for his relations to come to. I should like it myself."

"I think you are right; but I can't see why you should not let an honest man kiss your hand."

"That was only a piece of slyness to let you know I was to be married. I have no silly prejudices myself."

"Ah, that's better! Tell your future husband that if he likes me to be the patron of the wedding I will pay for everything."

"Really?"

"Yes, really. I will give him twenty-five sequins on the condition that he spends it all on the wedding."

"Twenty-five sequins! That will make people talk; but what care we? I will give you an answer to-morrow."

"And a kiss now?"

"With all my heart."

Zenobia went away in great delight, and I went out to call on my banker and dear Therese.

When the door was opened the pretty maid recognized me, and taking me by the hand led me to her mistress, who was just going to get up. Her emotion at seeing me was so great that she could not utter a word, but only claps me to her breast.

Our natural transports over, Therese told me that she had got tired of her husband, and that for the last six months they had not been living together. She had made him an allowance to get rid of him, and he lived on it at Rome.

"And where is Cesarino?"

"In this town. You can see him whenever you like."

"Are you happy?"

"Quite. People say that I have a lover, but it is not true; and you can see me at any time with perfect liberty."

We spent two pleasant hours in telling each other of our experiences since our last meeting, and then, finding her as fresh and fair as in the season of our early loves, I asked her if she had vowed to be faithful to her husband.

"At Florence," she replied, "I was still in love with him; but now, if I am still pleasing in your eyes, we can renew our connection, and live together till we die."

"I will soon shew you, darling, that I love you as well as ever."

She answered only by giving herself up to my embrace.

After action and contemplation I left her as amorous as she had been eighteen years before, but my passion found too many new objects to remain constant long.

Countess A– B– began to be more polite. "I know where you have been," said she, with a pleased air; "but if you love that person, you will not go and see her again, or else her lover will leave her."