Kitobni o'qish: «Rossmoyne»

CHAPTER I

How a Dove-cot was fluttered in Rossmoyne.

The old-fashioned clock is ticking loudly, ponderously, as though determined to betray the flight of fickle time and impress upon the happy, careless ones that the end of all things is at hand. The roses knock their fragrant buds against the window-panes, calling attention to their dainty sweetness. The pigeons coo amorously upon the sills outside, and even thrust their pretty heads into the breakfast-room, demanding plaintively their daily crumbs; but no one heeds.

A deadly silence has fallen upon this room at Moyne, albeit life is fully represented here, and two eyes, in which the light of youth is quenched, are looking anxiously into the two other eyes that have also seen the best and the sweetest of their days.

Hopelessly the golden roses scatter their petals. In vain the white and tawny birds entreat backsheesh. To no purpose does the elderly clock count out its numbers. The urn is hissing angrily, the two cups of tea so carefully prepared are growing cold. So are the crisp little hot cakes, so is the —

No! by the bye, it isn't! Honey can't. What a chance I was near giving the reviewers!

One bird, growing annoyed at the prolonged quiet, flies from the open window to the back of Miss Penelope's chair, and settles there with an indignant flutter and a suppressed but angry note. This small suggestion of a living world destroyes the spell that for the last few minutes has been connecting the brain with a dead one.

Miss Penelope, raising her head, gives words to her thoughts.

"Poor, poor Katherine!" she says, gently smoothing out the letter that lies upon her knee. "How her happiness was wrecked and what a sad ending there has been to everything! Her children coming home to us, fatherless – motherless! Dear child! what a life hers has been! It is quite twenty years ago now, and yet it all seems to me as fresh as yesterday."

"She shouldn't have taken things so easily; she should have asserted herself at the time," says Miss Priscilla, whose voice is always a note sharper than her sister's.

"It requires a great deal of thought and – and a great deal of moral courage to assert one's self when a man has behaved abominably to one, – has, in fact, jilted one!" says Miss Penelope, bringing out the awful word with a little shudder and a shake of her gentle head, that sets two pale lavender ribbons on her cap swaying mildly to and fro.

"Why was she so fatally silent about everything, except the one bare fact of his refusal, at the last moment, to marry her, without assigning any cause for his base desertion? Why didn't she open her whole heart to me? I wasn't afraid of the man!" says Miss Priscilla, with such terrible energy and such a warlike front as might well have daunted "the man," or indeed any man, could he have seen her. "She should have unburdened her poor bruised spirit to me, who – if my mother was not hers, and if I was many years her senior – had at least a sister's love for her."

"A true love," says Miss Penelope, with another sigh.

"Instead of which," regretfully, "she hid all her sorrows in her own bosom, and no doubt wept and pined for the miscreant in secret."

"Poor soul!" says Miss Penelope, profoundly affected by this dismal picture. Tears born of tenderness spring to her eyes. "Do you remember, Priscilla, how she refused to show his letter, wishing, I suppose, even then to spare him?"

"I forget nothing!" with some acerbity. "Often, when saying my prayers, I have wished I could forget him, but I can't, so I have to go on being uncharitable and in sin, – if indeed sin it be to harden one's heart against a bad man."

"Do you remember, too, my dear Priscilla, how she refused to go to church the Sunday after she received his cold-blooded missive telling her he wished his engagement at an end? I often wonder in what language he could have couched such a scandalous desire; but she tore the letter up. Dear! dear! it might have happened to-day, it is all so clear to me."

"Too clear," says Miss Priscilla.

"I recollect, too," says Miss Penelope, leaning her elbows on the table, pushing her untasted tea from her, and warming to the dismal memory, "how she would not come down to dinner on that eventful evening, though we had the red-currant tart she was so fond of, and how I took some up myself and knocked at her door and entreated her to open to me and to eat some of it. There was whipped cream on it; and she was very fond of cream, too."

"And she refused to open the door?" asks Miss Priscilla, with the satisfied air of one who has often heard the thrilling recital before, yet was never tired of it.

"Absolutely! so I laid the plate on a little table outside her door. Some hours afterwards, going up to bed, I saw the plate was gone and her door slightly ajar. Stealing into her room on tiptoe, I saw she was sleeping peacefully, and that she had eaten the red-currant tart. I felt so happy then. Poor dear child! how fond she was of that tart."

"She liked everything that had sugar in it," says Miss Priscilla, mournfully.

"It was only natural. 'Sweets to the sweet,'" says Miss Penelope, letting one little white jewelled hand fall slowly, sadly upon the other.

There is a lengthened pause.

Presently, stooping slightly towards her sister, Miss Penelope says in a mysterious whisper, —

"I wonder, my dear Priscilla, why she married James Beresford a month afterwards."

"Who can read the human heart? Perhaps it was pride drove her into that marriage, – a desire to show George Desmond how lightly she treated his desertion of her. And James was a handsome young fellow, whereas George was – "

"Ugly," says Miss Penelope, with quite an amazing amount of vicious satisfaction for her.

"Strikingly so," says Miss Priscilla, acquiescing most agreeably. "But then the Desmond estates mean half the county; and we used to think he was the soul of honor."

"It was our father's expressed desire upon his deathbed that Katherine should marry him."

"Yes, yes; a desire to be held sacred. And Katherine gave her promise to our dying parent. Nothing," says Miss Priscilla, in a solemn tone, "should induce any one to break such an oath. I have often said so to the dear child. But she appeared not only willing, but anxious, to marry George Desmond. His was the traitorous mind."

"I daresay he has had his own punishment," says Miss Penelope, mildly.

"I hope so," says Miss Priscilla, sternly. Then, with a return to sadness, "Twenty years ago it is, and now she has been a twelvemonth dead and in her quiet grave."

"Oh, don't, my dear Priscilla," says Miss Penelope, in a broken voice, burying her face in her pocket-handkerchief.

"Ah! well, well, we had better look to the future; the past has no charms for us," says Miss Priscilla, with a ghastly attempt at cheerfulness. "Let me see," referring through a pair of gold-rimmed spectacles to the letter in her hand: "That the dear children have landed we know, and – h'm – yes, this very – yes, plainly, very respectable person, the captain, writes to say they will be with us to-morrow."

"To-morrow! and that was written yesterday," says Miss Penelope, putting down her handkerchief and starting once more into life. "Why, at that rate, my dear Priscilla, they will be here to-day!"

"Bless me! you don't mean it!" exclaims Miss Priscilla, again applying her glasses to the letter. "Monday, and this is Tuesday: yes, sure enough you are right. What a head you have, my dear Penelope!"

"Oh, not at all," says Miss Penelope, flushing with pleasure at this tribute to her intellect.

"To-day, – in a few hours. Now, what is to be done about the beds?"

"But surely they are aired?"

"Aired? – yes. They have been aired every day regularly for the past two months, ever since I first heard the children were likely to come to us. But still I am uncertain about them. I know they will want hot jars; and then the rooms, they will want flowers and many things – and – "

"Can't I help you?" demands Miss Penelope, eagerly.

"My dear girl, not at all," says Miss Priscilla, with a calmly superior air, arising from the fact that she is quite eighteen months her senior. "You can assist me with your valuable counsel, but I would not have you disturb yourself for worlds. You must be cool and collected, and hold yourself in readiness to receive them when they come. They will be shy, no doubt, coming here all the way from Palestine, and it must be your part to make them feel quite at home."

This to Miss Penelope, who is afraid of strangers in any guise, appears such a fearful mission that she pales, and says, tremblingly, —

"But you too will be present at our first meeting? I must indeed beg you to be present, my dear Priscilla."

"Of course, of course," says Miss Priscilla, encouragingly. Then, doubtfully, "I hope the boy won't take a dislike to us."

"I wonder how we shall get on with children," says Miss Penelope. She is evidently growing extremely nervous. "It seems so strange they should be coming here to the old house."

"Monica cannot be a child now. She must be at least eighteen," says Miss Priscilla, thoughtfully. "It was in 1863 that – "

"1864, I think," interrupts Miss Penelope.

"1863," persists Miss Priscilla.

"You may be right, my dear," says Miss Penelope, mildly but firmly, "you often are, – but I know it was in '64 that – "

"What?" asks Miss Priscilla, sharply.

"The Desmond jilted our Katherine."

"You are wrong, Penelope, utterly wrong. It was in '63."

"I am nearly always wrong," says Miss Penelope, meekly, yet with a latent sense of suppressed power. "But I cannot forget that in the year George Desmond behaved so shamefully to our sweet Katherine, Madam O'Connor's cow had two calves, and that," triumphantly, "was in '64."

"You are right – quite right," says Miss Priscilla, vanquished, but not cast down. "So it was. What a memory you have, my dear Penelope!"

"Nothing when compared with yours," says Miss Penelope, smiling.

At this moment the door opens and an old man enters the room. He is clad in the garb of a servant, though such wonderful habiliments as those in which he has arrayed himself would be difficult to purchase nowadays: whether there are more wrinkles in his forehead or in his trousers is a nice question that could not readily be decided at a moment's notice.

He is quite ten years older than either of his mistresses; and, indeed, both he and his garments belong to a by-gone generation. His knees are bent, so is his back; his face is like a Ribston pippin, his coat is a marvel both in cut and in texture, but his linen is irreproachable, and what hair nature has still left him is most carefully brushed. There is, too, in his small gray Irish eyes a mischievous twinkle, and a fund of honest good humor that goes far to defy the ravages of time. In spite of his seventy years and his quaint attire, he still at times can hold his own with many a younger man.

"Well, Timothy," says Miss Priscilla, looking up as he approaches the table, "we have had news of Miss Katherine's – I mean Mrs. Beresford's – children."

"Rest her sowl!" says Timothy, in a reverential tone, alluding to that part of the late Mrs. Beresford.

"It seems they have landed and will be with us to-day."

"The day, miss?" growing brisk at this unexpected announcement.

"Yes, they have reached England in safety, and are now in Dublin. What a long, long journey it has been for them," with another dreamy glance at the letter, "all the way from Palestine!"

"An' so it has, miss, poor little crathurs!" says Timothy, who knows as much about the whereabouts of Palestine as he does about the man in the moon.

"You mustn't think they are very young, Timothy," says Miss Penelope, hastily. "Miss Priscilla and I have been talking it over, and we believe Miss Beresford must be now seventeen, Master Terence sixteen, and Miss Kate fourteen."

"And so of course they must be, miss. Thrue for ye, ma'am. Dear, dear, though only to think now; it seems only the other day the dear young lady was married to Mister Beresford. But you aren't eating a bit, miss," anxiously; "you haven't tasted a morsel, ma'am. What can I get ye now?"

"Nothing, Timothy. The fact is – "

"There's an iligant ham downstairs, ma'am," says the old man, now really concerned for the mistresses, who still always appear to him as "the young ladies: " "let me bring it up to you."

"No, thank you, Timothy: we are just a little upset by this sudden news. We cannot help wondering how the old house will be with children in it, after all these years of calm and quiet."

"Sure an' a grand change it will be for us all, miss; 'twill indeed, ma'am," says Timothy, cheerfully, though his mind misgives him. "There's nothing like children, when all's told: sure's there's music in every sound of their footsteps."

"I hope they will be good," says Miss Penelope, with a doubtful sigh.

"Faix, what else would they be, miss?" says the old man, with assumed reproach. "'Tis well I mind of poor Miss Katherine herself, – the soft tongue she had in her head, an' never a cross word out of her, save to Nelly Doolin – an' she was the divil herself, savin' your presence, miss, and enough to provoke all the saints – glory be – "

"I trust they will be happy here," goes on Miss Penelope, still wistful.

"An' why not, miss? Sure the counthry is the finest place at all for the young; and where's a finer counthry than ould Ireland?"

"Much can't be said for it of late, Timothy," says Miss Priscilla, sadly: "all it can boast of now is rebellion, sedition, and bloodshed."

"Sure every one must have a kick up sometimes, miss," says Timothy, with youthful lightness; "an', afther all, isn't the ould place only doin' what she can for herself, more power to her?"

"Ryan," says Miss Priscilla, sternly, addressing her butler by his surname, – a thing that is never done except in dire cases, – and fixing upon him an icy glance beneath which he quails, "I regret you should so far forget yourself as to utter such treasonable sentiments in our presence. You ought to be ashamed of yourself."

"So I am miss. I humbly ask yer pardon, ma'am," says Mr. Ryan, promptly. "But all the different opinions one hears addles the brain. 'Twas only last night the Murphys had a meeting, and they do say, miss," lowering his voice confidentially, "that the Squire down there," pointing apparently through the breakfast-room wall, "is in a bad way with the League boys."

"The Desmond?"

"Yes, miss. He's been evictin' again, ma'am, an' there's queer talk about him. But," with a relapse into former thought, "if he's a bad landlord, what can he expect?"

"No, no, Timothy. He is not a bad landlord," says Miss Priscilla, hastily, though this allowance of grace to her enemy causes her a bitter pang. "He has been most patient for years. That I know."

"Well, maybe so, miss," says Ryan, deferentially, but with a reservation in his manner that speaks volumes. "It isn't for the likes of me ma'am, to contradict the likes of you. But did ye hear, miss, that Misther Desmond's nephew has come to stay with him?"

"At Coole?"

"At the Castle. Yes, miss. Faix 'twas meself was surprised to hear it. But there he is, safe enough, an' another gentleman with him; an' they do say that the old masther is as proud as Punch of him. But his blood's bad, I'll no doubt."

"No doubt," says Priscilla, severely.

Miss Penelope sighs.

CHAPTER II

How two Old Maids are made acquainted with a very Young One.

Already we have reached the afternoon. In these warm June days, when all the earth is languorous and glad with its own beauty, time slips from us unannounced, and the minutes from morn to eventide, and from the gloaming till nightfall, melt into one another, until all seem one sweet, lengthened hour.

Just now the hot sun is pouring down upon garden and gravelled walks at Moyne; except the hum of the industrious bees, not a sound can be heard; even the streamlet at the end of the long lawn is running sleepily, making sweet music as it goes, indeed, but so drowsily, so heavily, that it hardly reaches the ear; and so, too, with the lap-lapping of the waves upon the shore below, as the tide comes and goes.

Not a breath of air comes to disturb the languid grandeur of the huge elms that stand staring up to heaven just opposite the hall door. The crows swinging in their branches up above are all subdued; hardly have they energy enough to flap their great, broad wings.

Little stationary clouds lie like flecks of silver upon the pale-blue sky; far far away, in the woods of Coole, a cuckoo may be heard at long and yet longer intervals, – last remnant of a vanished spring; but all the other birds have succumbed to the power of the great god of light, and are wrapped in silence.

Certain stray little sunbeams, half wild with glee, rushing hither and thither through the roses, discover Miss Penelope Blake sitting in the drawing-room at Moyne. She is dressed in her very best lavender silk, that would stand alone, and be glad to do it if it was let, but unabashed by her splendor Apollo's saucy babies dance down upon her, and, seizing on her knitting-needles, play hide and seek among them, until the poor lady's eyes are fairly dazzled.

Fortunately, at this instant Miss Priscilla, entering the room, draws down the blind and restores order: after which she seats herself almost directly opposite her sister.

The Misses Blake are not pretty old ladies at all. I don't want to deceive you in this matter. They are, in fact, quite ugly old ladies. Their noses are all wrong, their cheeks are as wrinkled as Timothy's forehead, and their mouths out of all drawing.

Miss Priscilla's eyes are brown, – a deep startling brown, that seems to look you through and through and compels the truth. Her hair is brown, too, and soft, and silky, and pretty, though thickly sprinkled with gray. She has a great deal of this hair, and is secretly very proud of it.

Miss Penelope's eyes are pale blue, – with very little blue, – and but for her long lashes (sole remnants of goodlier days) would be oppressive. Her hair is pale, too, and sandy, and is braided back from her forehead in severe lines.

There is a pensive air about Miss Penelope that might suggest to the casual observer an early and disastrous love-affair. But all such imaginings on his part would be vain. No winged cupid ever hid in Miss Penelope's ear, or played bo-peep in her virgin bosom, or nestled in her sandy locks: she is free from all taint of such wild frivolisms.

"All is ready now," says Miss Priscilla, – who is the Martha at Moyne, while we may regard Miss Penelope as the Mary. "The rooms are prepared, nothing is wanting, and the flowers smell so sweet. I have sent the carriage to meet them, though I know the train cannot be here for quite an hour yet; but I think it wise always to be in time."

"There is nothing like it," says Miss Penelope, placidly.

"Now I shall rest here with you a little while," goes on the elder maiden, complacently, "and think of all that is likely to happen."

"Really," says Miss Penelope, lowering her work and glancing restlessly at her sister, "I feel more nervous than I can say, when I think of their coming. What on earth should we do, dear Priscilla, if they took a dislike to us?"

"I have thought of that myself," says Miss Priscilla, in an awe-struck tone. "We are not attractive, Penelope: beyond a few – a very few – insignificant touches," with an inward glance at her fine hair, "we are absolutely outside the pale of beauty. I wonder if Monica will be like her mother, or if – "

Here something happens that puts a final stop to all conversation. The door is opened, quickly, impetuously; there is a sound as of many footsteps on the threshold without.

The old ladies start in their seats, and sit upright, trembling excessively. What can have happened? Has the sedate Ryan come to loggerheads with Mrs. Reilly the cook? (a state of things often threatened); and are they now standing on the mat meditating further bloodshed?

A moment surcharged with thrilling suspense goes by, and then, not Ryan or the cook, but a much more perplexing vision comes slowly into the room.

It is a very radiant vision, though it is clothed in mourning garments, full of grace and beauty. Very shy, with parted lips, and brilliant frightened eyes, but perfect as an opening flower.

Is it a child or a woman? is the first question that strikes Miss Penelope. As for Miss Priscilla, she is too surprised for thought of any kind, too lost in admiration of the little, gracious uncertain, figure, with its deep-blue eyes glancing up at her with a half-terrified yet trusting expression, to give way to speech of any kind.

She is slight, and slim as a hazel wand. Her hair is nut-brown, with a red gold tinge running through it. Her nose is adorable, if slightly tilted; her mouth is a red, red rose, sad but sweet, and full of purpose. Her eyes are large and expressive, but touched, like her lips, with a suspicion of melancholy that renders them only a degree more sweet and earnest.

There is a spirituality about her, a calm, a peace that shines out of these dark Irish eyes, and rests upon her perfect lips, as it were a lingering breath of the heaven from whence she came.

She stands now, hesitating a little, with her hands loosely clasped, – brown little hands, but beautifully shaped. Indeed, all her skin owes more of its coloring to Phœbus Apollo than nature intended. She draws her breath somewhat quickly, and then, as though anxious to get through the troublous task assigned her, says, nervously, in a low, sweet voice, —

"I am Monica."

As she says this, she glances entreatingly from one old lady to the other, with some trouble in her great eyes, and some tears. Then all at once her lips tremble to a smile, and a soft light breaks upon her face.

"You are Aunt Priscilla," she says, turning to Miss Blake; "I know you by your dark eyes, and by your pretty hair!"

At the sound of her voice the two old ladies wake from their abstraction.

"Yes, yes, it is your aunt Priscilla," says Miss Penelope, eagerly, with a sudden pleased smile. Had the compliment been made to herself she could not possibly have appeared more delighted, and certainly would not have betrayed her satisfaction so openly. "Her hair," she says, "was always beautiful."

As for Miss Priscilla, she is smiling too, but in a shamefaced fashion, and is blushing a warm pretty crimson, such as a girl of seventeen might be guilty of, listening to a first word of love.

She takes Monica's right hand in hers and pats it softly; and Miss Penelope takes her left; and then the two old ladies stoop forward, and, one after the other, kiss the pale, girlish cheek, and with the kiss take her at once and forever into their very hearts.

"But surely, dear child, you did not come alone?" says Miss Priscilla, presently, calling to remembrance the fact that there ought to be two other Beresfords somewhere.

"No; Terence and Katherine are with me."

"But where, my dear?"

"Well, I think they are standing on the mat, just outside the door," says Monica, blushing and laughing; and then she says, rather louder, "Terry and Kit, you may come in now. It is all right."

As to what was evidently supposed not to be "all right" up to this, the Misses Blake have no time to decide upon before a fresh nephew and niece present themselves to their view. They come in quite gayly, – reassured, no doubt, by Monica's tone: Terence, a tall slim lad of about sixteen, and a little girl somewhat like Monica, but more restless in features, and even a degree more pallid.

"My dear children, why didn't you come in before?" said Miss Priscilla, aghast at the inhospitable thought that they had been shivering with needless nervousness in the hall for the last five minutes.

"They said they wouldn't come in until I paved the way for them," says Monica, with a slight shrug of her shoulders that is a trick of hers. "They always put everything upon my shoulders: a little shabby of them I call it."

"I am afraid you must have pictured us as ogres," says Miss Priscilla, which idea strikes the old ladies as such a delicious flight of fancy that they laugh outright, and look at each other with intense enjoyment of their little joke.

"Well, of course we couldn't tell what you would be like," says Monica, gravely. "You might have been people likely to impress one with awe; but, as it is– This is Terry," laying her hand upon her brother's arm; "and this is Kit. She is really Katherine, you know, but no one ever calls her by so long a name. She isn't worth it."

At this the three Beresfords laugh among themselves, as children will, at time-worn fun, knowing no fatigue; after which Katherine and Terence are embraced and made much of by their new-found relatives, and freely commented upon.

But ever and anon the eyes of both old ladies wander thoughtfully, admiringly, to where the lissome Monica stands, like a pale, pensive lily.

"But how have you managed to be here so soon?" asks Miss Priscilla, when the impromptu luncheon, improvised by the startled Timothy, has come to an end. The children were all hungry, and have eaten a great deal, and have talked more. Indeed, though Miss Priscilla has been dying to ask this question for a long time, it has been impossible for her to do so, as there has not been so much as a comma in the conversation for the last hour.

The Beresfords are like so many clocks wound up, and bound to go for a certain time whether they like it or not; and, apparently, they do like it. Now they have run down a little, Terence being exhausted after his last laughing attack, and Kit wrapped in contemplation of an old-fashioned hair brooch that is fastening an equally old-fashioned piece of priceless lace that adorns Miss Penelope's throat.

"Well, I can't think how they do it!" she says, lost in admiration of a little slim hair lady bending over a miniature hair urn in the most lachrymose attitude conceivable. "But they have put her eye in wrongly: she looks as if she is dying with laughter."

Here Miss Priscilla edges in her question, as to how they have contrived to be at Moyne at so early an hour.

"We came by the wrong train," says Terry. "We generally do. Ever since we left the South of France – where we were staying with the Bohuns, you know, on our way here – we have been missing our trains right and left, and turning up at all sorts of unexpected places. Haven't we, Kit?"

"You have," says Kit, with suspicious emphasis. "You have such a pretty trick of rushing into the first train you see, without ever asking any one where it is going. No wonder we always turned up at the wrong end."

"You've a pretty trick of putting everything down on other people's shoulders," says Terence, with open disgust. "Whose fault was it we were always so late at the stations that we hadn't time to make inquiries, I'd like to know? Could you," with fine irony, "tell us?"

"Certainly; it was nurse," replies Kit, with dignity.

"Dear me! and where is your nurse now?" asks Miss Priscilla, anxiously. The query is a fortunate one, in that it turns the conversation into a different channel, and checks the eloquence of Kit and Terry, who are plainly on the brink of an open war.

"When last I saw her," says Terence, "she was sitting on the top of our biggest box, with everything else strewn around her, and her feet resting on two brown-paper parcels. – I wonder," says Mr. Beresford, addressing Monica, "what on earth she had in those brown paper parcels. She has been hugging them night and day ever since she left Jerusalem."

"Dynamite," suggested Monica, lightly; whereupon the two Misses Blake turn pale.

"At that rate, Aunt Priscilla, we needn't trouble about her," says Terence, pleasantly, "as she must be blown up by this. None of those clock-work affairs could be arranged to go on much longer. Poor thing! when in the flesh she wasn't half bad. I forgive her everything, – even her undying hatred to myself."

"If she is in fragments, so are our things," says Kit. "I think she needn't have elected to sit on them at the supreme moment."

"You don't really think," says Miss Penelope, in a somewhat troubled tone, remembering how an innocent baker in Rossmoyne had had some of the explosive matter in question thrown into his kitchen the night before last, – "you don't really think that these parcels you speak of contain infernal machines? – Yes, that is what they call them, my dear Priscilla," turning to her sister, as though anxious to apologize for having used a word calculated to lead the mind to the lower regions.

By this time both Kit and Terence are convulsed with delight at the sensation they have created, and would probably have gone on to declare the innocent Mrs. Mitchell an advanced Nihilist of the most dangerous type, but for Monica's coming to the rescue and explaining matters satisfactorily.

"Still, I cannot understand how you got up here so quickly," says Miss Penelope. "You know Moyne – home I hope you will call it for the future, my dears – " with a little fond pat on Monica's hand, "is quite three miles from the station."

"We should have thought nothing of that," says Terence, "but for Kit; she has had a fever, you know," pointing to the child's closely-cropped, dark little head; "so we said we would just stroll on a little and see what the country was like."

"And lovely it is," puts in Kit, enthusiastically. "We got up on a high hill, and saw the sea lying like a great quiet lake beneath us. There was scarcely a ripple on it, and only a soft sound like a sob." Her eyes, that are almost too big for her small face, glow brilliantly.

"And then there came by a man with a cart filled with hay, and he nodded to us and said, 'Good-morning, sir;' and so I nodded back, and said, 'How d'ye do?' to him and asked him was it far to Moyne House. 'A good step,' he said; 'three miles at the very least.'"

"He didn't; he said laste," says Kit, who is plainly in a litigious mood.

"At that," says Monica, breaking in eagerly, feeling, no doubt, she has been left too long out in the cold, and that it is time her voice were heard, "I suppose I looked rather forlorn, because he said, quite nicely 'Maybe ye'd not be too proud, miss, to get into me cart, an I'll dhrive the lot of ye up to the House, where as luck has it, I'm goin' meself.'" She mimicks the soft Southern brogue very prettily.