Kitobni o'qish: ««Тобиас Ужасный» и другие рассказы»

Shrift:

От автора–составителя

Настоящий сборник рассказов и историй на английском языке известного американского писателя Деймона Раньона не только развлечёт вас, но и значительно расширит ваш словарный запас и поможет активизировать его, a также поможет развить навыки устной речи (при пересказе и ответах на послетекстовые вопросы). Каждый рассказ сопровождается списком трудных или непонятных слов и выражений, а также послетекстовыми вопросами и заданиями, которые можно использовать как для самостоятельной работы, так и в учебной группе (если вы преподаватель или репетитор). Под заголовком каждого рассказа рассказов в скобках указано количество слов.

Кроме этого, в книге имеется специальное приложение, в котором имеются русские переводы некоторых рассказов сборника (эти рассказы помечены значком*).

Каждый читатель может попробовать свои силы в письменном переводе любого из этих рассказов и сравнить свой перевод с приведенным в книге.

Книга адресована всем, кто желает усовершенствовать навыки чтения и перевода, расширить словарный запас или просто получить удовольствие от чтения на английском языке.

Рассказы подверглись незначительному сокращению и адаптации.

Несколько слов об авторе (из Википедии).

Альфред Дэймон Раньон (4 октября 1880 – 10 декабря 1946) американский газетчик и автор рассказов. Наиболее известен своими рассказами, прославляющими мир Бродвея в Нью–Йорке, выросшего из эпохи сухого закона Википедия.

Он сочинял юмористические и сентиментальные рассказы об игроках, дельцах, актерах и гангстерах.

Его характерный разговорный стиль известен как смесь формальной речи и красочного сленга, почти всегда в настоящем времени и всегда лишенный сокращений.

A Piece of Pie*

(4938 words)

In Boston, there is a place where you can get a nice broiled lobster. One evening a character by the name of Horse Thief and me are in there enjoying our meals.

This Horse Thief is called Horsey for short, and not because he ever steals a horse but because everyone from coast to coast knows that he may steal one if the opportunity comes.

Personally, I consider Horsey a very fine character, because anytime he is willing to share his good fortune.

Well, at a table next to us are four or five characters that all seem to be well–dressed, and stout–set, and red–faced, and prosperous–looking, and who all speak with the true Boston accent. Such characters are bound to be politicians, retired cops, or contractors, because Boston is really quite infested with characters of this nature.

I am paying no attention to them, because they are drinking local ale, and talking aloud, and I definitely know that when a Boston character is engaged in aleing himself up, it is a good idea to let him alone, because the best you can get out of him is maybe a boff on the beezer. But Horsey is very much interested in their conversation, and finally I see what is attracting his attention, when one of the characters speaks as follows:

"Well," he says, "I am willing to bet ten thousand dollars that he can outeat anybody in the United States any time."

Now at this, Horsey gets right up and steps over to the table and bows and smiles in a friendly way on one and all, and says:

"Gentlemen," he says, "pardon the intrusion, but," he says, "do I understand you are speaking of a great eater who resides in your fair city?"

Well, these Boston characters all gaze at Horsey in such a hostile manner that I am expecting any one of them to get up and request him to let them miss him, but he keeps on bowing and smiling, and they can see that he is a gentleman, and finally one of them says:

"Yes," he says, "we are speaking of a character by the name of Joel Duffle. He is without doubt the greatest eater alive. He just wins a unique wager. He bets a character from Bangor, Me., that he can eat a whole window display of oysters in this very restaurant, and he not only eats all the oysters but he then wishes to wager that he can also eat the shells, but, it seems that the character from Bangor, unfortunately taps out on the first proposition and has nothing with which to bet on the second."

"Very interesting," Horsey says. "Very interesting, if true, but," he says, "unless my ears deceive me, I hear one of you state that he is willing to wager ten thousand dollars on this eater of yours against anybody in the United States."

"Your ears are perfect," another of the Boston characters says. "I state it, although, I admit it is a sort of figure of speech. But I state it all right," he says.

"Well," Horsey says, "I do not have a tenner on me at the moment, but," he says, "I have here a thousand dollars to put up as a forfeit that I can produce a character who will outeat your party for ten thousand, and as much more as you care to put up."

And with this, Horsey takes out a bundle of coarse notes and tosses it on the table, and right away one of the Boston characters, whose name turns out to be Carroll, slaps his hand on the money and says: "Bet."

Well, now this is prompt action to be sure, and if there is one thing I admire more than anything else, it is action, and I can see that these are characters of true sporting instincts and I start wondering where I can raise a few dibs to take a piece of Horsey's proposition, because of course I know that he has nobody in mind to do the eating for his side but Nicely–Nicely Jones.

And knowing Nicely–Nicely Jones, I am prepared to wager all the money I can possibly raise that he can outeat anything that walks on two legs. In fact, I will take a chance on Nicely–Nicely against anything on four legs, except maybe an elephant, and at that he may give the elephant a photo finish.

I do not say that Nicely–Nicely is the greatest eater in all history, but what I do say is he belongs up there as a contender. Nicely–Nicely eats under the rules of modern civilization, which require that an eater should use a knife and fork, or anyway a knife, while in the old days eating with the hands was a popular custom and was much faster.

Well, now that the match is agreed upon, naturally Horsey and the Boston characters begin discussing where it is to take place, and one of the Boston characters suggests a neutral ground, but Horsey holds out for New York, and it seems that Boston characters are always ready to visit New York, so he does not meet with any great opposition on this point.

They all agree on a date four weeks later so as to give the principals plenty of time to get ready, although Horsey and I know that this is really unnecessary as far as Nicely–Nicely is concerned, because one thing about him is he is always in condition to eat.

This Nicely–Nicely Jones is a character who is maybe five feet eight inches tall, and about five feet nine inches wide, and when he is in good shape he weighs more than two hundred and eighty–three pounds. He is a horse player by trade, and eating is really just a hobby, but he is undoubtedly a wonderful eater even when he is not hungry.

Well, as soon as Horsey and I return to New York, we go to Mindy's restaurant on Broadway and tell about the bet Horsey makes in Boston, and right away so many citizens, including Mindy himself, wish to take a piece of the proposition that it is oversubscribed by a large sum in no time.

Then Mindy remarks that he does not see Nicely–Nicely Jones for a month, and then Willie the Worrier remembers that the last time he looks for Nicely–Nicely, he leaves a forwarding address in care of somebody by the name of Slocum.

So we go to this address, which turns out to be a five–story walk–up apartment, and a card downstairs shows that Slocum lives on the top floor. It takes Horsey and me ten minutes to walk up the five flights as we are by no means accustomed to exercise of this nature, and when we finally reach a door marked Slocum, we sit down on the top step and rest a while.

Then I ring the bell at this door marked Slocum, and who appears but a tall young Judy with black hair who is without doubt beautiful, but who is so skinny we have to look twice to see her, and when I ask her if she can give me any information about a party named Nicely–Nicely Jones, she says to me like this:

"I guess you mean Quentin," she says. "Yes," she says, "Quentin is here. Come in, gentlemen."

So we step into an apartment, and as we do so a thin, sickly looking character gets up out of a chair by the window and in a weak voice says good evening. It is a good evening, at that, so Horsey and I say good evening right back at him, very polite, and then we stand there waiting for Nicely–Nicely to appear, when the beautiful skinny young Judy says:

"Well," she says, "this is Mr. Quentin Jones."

Then Horsey and I take another swivel at the thin character, and we can see that it is nobody but Nicely–Nicely, but he looks as if he is about half what he is in his prime, and his face is pale and thin, and his eyes are away back in his head, and while we both shake hands with him it is some time before either of us is able to speak. Then Horsey finally says:

"Nicely," he says, "can we have a few words with you in private on a very important proposition?"

Well, at this, and before Nicely–Nicely can answer yes or no, the beautiful skinny young Judy goes out of the room and slams a door behind her, and Nicely–Nicely says:

"My fiancée, Miss Hilda Slocum," he says. "She is a wonderful character. We are to be married as soon as I lose twenty pounds more. It will take a couple of weeks longer," he says.

"My goodness gracious, Nicely," Horsey says. "What do you mean lose twenty pounds more? Are you just out of a sickbed, or what?"

"Why," Nicely–Nicely says, "certainly I am not out of a sickbed. I am never healthier in my life. I am on a diet. I lose eighty–three pounds in two months, and am now down to two hundred. I feel great," he says. "It is all because of my fiancée, Miss Hilda Slocum. She rescues me from gluttony and obesity, or anyway," Nicely–Nicely says, "this is what Miss Hilda Slocum calls it. My, I feel good. I love Miss Hilda Slocum very much," Nicely–Nicely says. "It is a case of love at first sight on both sides the day we meet in the subway. I am wedged in one of the turnstile gates, and she kindly pushes on me from behind until I wiggle through. I can see she has a kind heart, so I date her up for a movie that night and propose to her while the newsreel is on. But," Nicely–Nicely says, "Hilda tells me at once that she will never marry a fat slob. She says I must put myself in her hands and she will reduce me by scientific methods and then she will become my ever–loving wife, but not before.

"So," Nicely–Nicely says, "I come to live here with Miss Hilda Slocum and her mother, so she can supervise my diet.

"My goodness gracious," Horsey says. "What do you eat, Nicely?"

"Well," Nicely–Nicely says, "I eat anything that does not contain starch, but," he says, "of course everything worth eating contains starch, so I really do not eat much of anything whatever. My fiancée, Miss Hilda Slocum, arranges my diet. She is an expert dietician and runs a widely known department in a diet magazine by the name of Let's Keep House."

Then Horsey tells Nicely–Nicely of how he is matched to eat against this Joel Duffle, and at first Nicely–Nicely listens with great interest, and his eyes are shining, but then he becomes very sad, and says:

"It is no use, gentlemen," he says. "My fiancée, Miss Hilda Slocum, will never hear of me going off my diet even for a little while. However," he says, "let us call Miss Hilda Slocum in and see what her reactions to your proposition are."

So we call Miss Hilda Slocum in, and her reactions are to order Horsey and me out of the joint with instructions never to darken her door again, and when we are a block away we can still hear her voice speaking very firmly to Nicely–Nicely.

Well, personally, I figure this ends the matter, if Horsey does not happen to get a wonderful break.

He is at Belmont Park one afternoon, and he has a real good tip in a race, and when a brisk young character in a hard straw hat and eyeglasses comes along and asks him what he likes, Horsey mentions the tip.

Well, everything comes out all right, and the brisk young character is very grateful to Horsey for his information, and then the brisk young character mentions that he is nobody but Mr. McBurgle, the editor of the Let's Keep House magazine, and tells Horsey to drop in and see him any time.

Naturally, Horsey remembers what Nicely–Nicely says about Miss Hilda Slocum working for this Let's Keep House magazine, and he relates the story of the eating contest to Mr. McBurgle and asks him to influence Miss Hilda Slocum to get her to release Nicely–Nicely from his diet long enough for the contest. Then Horsey gives Mr. McBurgle a tip on another winner, and Mr. McBurgle must use plenty of influence on Miss Hilda Slocum at once, as the next day she calls Horsey up at his hotel before he is out of bed, and speaks to him as follows:

""I will never change my attitude about Quentin, but," she says, "I can appreciate that he feels very bad about you gentlemen relying on him and having to disappoint you. He feels that he lets you down, which is by no means true, but it is interfering with his diet.

"Now," Miss Hilda Slocum says, "I do not approve of your contest, but I have a friend by the name of Miss Violette Shumberger who may answer your purpose. She is my dearest friend from childhood, but it is only because I love her dearly that this friendship endures. She is extremely fond of eating," Miss Hilda Slocum says. "In spite of my pleadings, and my warnings, and my own example, she persists in food. It is disgusting to me but I finally learn that it is no use arguing with her.

"She remains my dearest friend," Miss Hilda Slocum says, "though she continues her practice of eating, and I am informed that she is phenomenal in this respect," she says, "Violette Shumberger can perform the eating. Goodbye. You cannot have Nicely–Nicely."

Well, nobody cares much about this idea and especially about a Judy that no one ever hears of before, and many citizens are in favor of pulling out of the contest altogether. But Horsey has his thousand–dollar forfeit to think of, and as no one can suggest anyone else, he finally arranges a personal meet with the Judy suggested by Miss Hilda Slocum.

He comes into Mindy's one evening with a female character who is so fat it is necessary to push three tables together to give her room for her lap, and it seems that this character is Miss Violette Shumberger. She weighs maybe two hundred and fifty pounds, but she is by no means bad–looking. She has a face the size of a town clock and enough chins for a fire escape, but she has a nice smile and pretty teeth, and a laugh that is so hearty it knocks the whipped cream off an order of strawberry shortcake on a table fifty feet away.

Well, Horsey's idea in bringing her into Mindy's is to get some kind of line on her eating form, and she is clocked by many experts when she starts putting on the hot meat, and by the time she gets through, even Mindy admits she has plenty of class, and the upshot of it all is Miss Violette Shumberger is chosen to eat against Joel Duffle.

Maybe you hear something of this great eating contest that comes off in New York one night in the early summer of 1937. Of course eating contests are by no means anything new, and in fact they are quite an old–fashioned pastime in some sections of this country, such as the South and East, but this is the first big public contest of the kind in years, and it creates no little comment along Broadway.

In fact, there is some mention of it in the blats, and it is not a frivolous proposition in any respect, and more dough is wagered on it than any other eating contest in history, with Joel Duffle a 6 to 5 favorite over Miss Violette Shumberger all the way through.

This Joel Duffle comes to New York several days before the contest with the character by the name of Conway, and requests a meet with Miss Violette Shumberger to agree on the final details and who shows up with Miss Violette Shumberger as her coach and adviser but Nicely–Nicely Jones. He is even thinner than when Horsey and I see him last, but he says he feels great, and that he is within six pounds of his marriage to Miss Hilda Slocum.

We learn that Mr. McBurgle gets greatly interested in the contest, and when he discovers that in spite of his influence, Miss Hilda Slocum declines to permit Nicely–Nicely to personally compete, but puts in Violette, he is quite indignant and insists on her letting Nicely–Nicely school Violette.

Well, this Joel Duffle is a tall character with stooped shoulders, and a sad expression, and he does not look as if he can eat his way out of a tea shop, but as soon as he begins to discuss the details of the contest, anybody can see that he knows what time it is in situations such as this. In fact, Nicely–Nicely says he can tell at once from the way Joel Duffle talks that he is a dangerous opponent.

This Joel Duffle suggests that the contest consist of twelve courses of strictly American food, each side to be allowed to pick six dishes, doing the picking in rotation, and specifying the weight and quantity of the course selected to any amount the contestant making the pick desires, and each course is to be divided for eating exactly in half, and after Miss Violette Shumberger and Nicely–Nicely whisper together awhile, they say the terms are quite satisfactory.

Then Horsey tosses a coin for the first pick, and Joel Duffle says heads, and it is heads, and he chooses, as the first course, two quarts of ripe olives, twelve bunches of celery, and four pounds of shelled nuts, all this to be split fifty–fifty between them. Miss Violette Shumberger names twelve dozen cherry–stone clams as the second course, and Joel Duffle says two gallons of Philadelphia pepper–pot soup as the third.

Well, Miss Violette Shumberger and Nicely–Nicely whisper together again, and Violette puts in two five–pound striped bass, the heads and tails not to count in the eating, and Joel Duffle names a twenty–two–pound roast turkey. Each vegetable is rated as one course, and Miss Violette Shumberger asks for twelve pounds of mashed potatoes with brown gravy. Joel Duffle says two dozen ears of corn on the cob, and Violette replies with two quarts of lima beans. Joel Duffle calls for twelve bunches of asparagus cooked in butter, and Violette mentions ten pounds of stewed new peas.

This gets them down to the salad, and it is Joel Duffle's play, so he says six pounds of mixed green salad with vinegar and oil dressing, and now Miss Violette Shumberger has the final selection, which is the dessert. She says it is a pumpkin pie, two feet across, and not less than three inches deep.

It is agreed that they must eat with knife, fork or spoon, but speed is not to count, and there is to be no time limit, except they cannot pause more than two consecutive minutes at any stage, except in case of hiccoughs. They can drink anything, and as much as they please, but liquids are not to count in the scoring. The decision is to be strictly on the amount of food consumed, and the judges are to take account of anything left on the plates after a course, but not of loose chewings on bosom or vest up to an ounce. The losing side is to pay for the food, and in case of a tie they are to eat it off immediately on ham and eggs only.

Well, the scene of this contest is the second–floor dining room of Mindy's restaurant, which is closed to the general public for the occasion, and only parties immediately concerned in the contest are admitted. The contestants are seated on either side of a big table in the center of the room, and each contestant has three waiters.

No talking and no rooting from the spectators is permitted, but of course in any eating contest the principals may speak to each other if they wish, though smart eaters never wish to do this, as talking only wastes energy, and about all they ever say to each other is please pass the mustard.

About fifty characters from Boston and the same number of citizens of New York are admitted, and among them is Mr. McBurgle.

Nicely–Nicely arrives on the scene quite early, and his appearance is really most distressing to his old friends and admirers, but he tells Horsey and me that he thinks Miss Violette Shumberger has a good chance.

"Of course," he says, "she is green. She does not know how to pace herself in competition. But," he says, "she has a wonderful style. She likes the same things I do in the days when I am eating. She is a wonderful character, too. Do you ever notice her smile?" Nicely–Nicely says.

Well, Nicely–Nicely takes a chair about ten feet behind Miss Violette Shumberger, which is as close as the judges will allow him, and he is warned by them that no coaching from the corners will be permitted, but of course Nicely–Nicely knows this rule as well as they do. There are three judges, and they are all from neutral territory.

Well, Mindy is the official starter, and at 8:30 P.M. sharp, he outs with his watch, and says like this:

"Are you ready, Boston? Are you ready, New York?"

Miss Violette Shumberger and Joel Duffle both nod their heads, and Mindy says start, and the contest is on, with Joel Duffle getting the jump at once on the celery and olives and nuts.

It is apparent that this Joel Duffle is one of these rough–and–tumble eaters that you can hear quite a distance off, especially on clams and soups. He is also an eyebrow eater, an eater whose eyebrows go up as high as the part in his hair as he eats, and this type of eater is undoubtedly very efficient.

In fact, the way Joel Duffle goes through the groceries down to the turkey causes among the Broadway spectators some uneasiness and they are whispering to each other that they only wish the old Nicely–Nicely is in there. But personally, I like the way Miss Violette Shumberger eats without undue excitement, and with great zest. She cannot keep close to Joel Duffle in the matter of speed in the early stages of the contest, as she seems to enjoy chewing her food, but I observe that as it goes along she pulls up on him, and I figure this is not because she is stepping up her pace, but because he is slowing down.

When the turkey finally comes on, and is split in two halves right down the middle, Miss Violette Shumberger looks greatly disappointed, and she speaks for the first time as follows:

"Why," she says, "where is the stuffing?"

Well, it seems that nobody mentions any stuffing for the turkey to the chef, so he does not make any stuffing, and Miss Violette Shumberger's disappointment is so plain to be seen that the confidence of the Boston characters is somewhat shaken. They can see that Miss Violette Shumberger is really quite an eater.

In fact, Joel Duffle looks quite startled when he observes Miss Violette Shumberger's disappointment, and he gazes at her with great respect as she disposes of her share of the turkey, and the mashed potatoes, and one thing and another in such a manner that she moves up on the pumpkin pie on dead even terms with him. In fact, there is little to choose between them at this point, although the judge from Baltimore is calling the attention of the other judges to a turkey leg that he claims Miss Violette Shumberger does not clean as neatly as Joel Duffle does his, but the other judges dismiss this as a technicality. Then the waiters bring on the pumpkin pie, and it is without doubt quite a large pie, and I can see that Joel Duffle is observing this pie with a strange expression on his face.

Well, the pie is cut in two dead center, and one half is placed before Miss Violette Shumberger and the other half before Joel Duffle, and he does not take more than two bites before I see him loosen his waistband and take a big swig of water, and I think to myself, he is now down to a slow walk, and the pie will decide the whole heat, and I am only wishing I am able to wager a little more dough on Miss Violette Shumberger. But about this moment, and before she as much as touches her pie, all of a sudden Violette turns her head and motions to Nicely–Nicely to approach her, and as he approaches, she whispers in his ear.

Now at this, the Boston character by the name of Conway jumps up and claims a foul and several other Boston characters join him in this claim, and so does Joel Duffle, although afterwards even the Boston characters admit that Joel Duffle is no gentleman to make such a claim against a lady.

Well, there is some confusion over this, and the judges hold a conference, and they rule that there is certainly no foul in the actual eating that they can see, because Miss Violette Shumberger does not touch her pie so far.

But they say that whether it is a foul otherwise all depends on whether Miss Violette Shumberger is requesting advice on the contest from Nicely–Nicely and they wish to know if Nicely–Nicely will kindly relate what passes between him and Violette so they may make a decision.

"Why," Nicely–Nicely says, "all she asks me is can I get her another piece of pie when she finishes the one in front of her."

Now at this, Joel Duffle throws down his knife, and pushes back his plate with all but two bites of his pie left on it, and says to the Boston characters like this:

"Gentlemen," he says, "I am licked. I cannot eat another mouthful. You must admit I put up a game battle, but," he says, "it is useless for me to go on against this lady who is asking for more pie before she even starts on what is before her. I am almost dying as it is, and I do not wish to destroy myself in a hopeless effort. Gentlemen," he says, "she is not human."

Well, of course this amounts to throwing in the old napkin and Nicely–Nicely stands up on his chair, and says:

"Three cheers for Miss Violette Shumberger!"

Then Nicely–Nicely gives the first cheer in person, but the effort overtaxes his strength, and he falls off the chair in a faint just as Joel Duffle collapses under the table, and the doctors at the Clinic Hospital are greatly baffled to receive, from the same address at the same time, one patient who is suffering from undernourishment, and another patient who is unconscious from overeating.

Well, in the meantime, after the excitement subsides, and wagers are settled, we take Miss Violette Shumberger to the main floor in Mindy's for a midnight snack, and when she speaks of her wonderful triumph, she is disposed to give much credit to Nicely–Nicely Jones.

"You see," Violette says, "what I really whisper to him is that I am a goner. I whisper to him that I cannot possibly take one bite of the pie if my life depends on it.

"I fear," she says, "that Nicely–Nicely will be greatly disappointed in my showing, but I have a confession to make to him when he gets out of the hospital. I forget about the contest," Violette says, "and eat my regular dinner of pig's knuckles and sauerkraut an hour before the contest starts and," she says, "I have no doubt this tends to affect my form somewhat. So," she says, "I owe everything to Nicely–Nicely's quick thinking."

It is several weeks after the great eating contest that I run into Miss Hilda Slocum on Broadway and it seems to me that she looks much better nourished than the last time I see her, and when I mention this she says:

"Yes," she says, "I stopped dieting. I learn my lesson," she says. "I learn that male characters do not appreciate anybody who tries to ward off surplus tissue. What male characters wish is substance. Why," she says, "only a week ago my editor, Mr. McBurgle, tells me he will love to take me dancing if only I get something on me for him to take hold of. I am very fond of dancing," she says.

"But," I say, "what of Nicely–Nicely Jones? I do not see him around lately."

"Why," Miss Hilda Slocum says, "do you not hear what this cad does? Why, as soon as he is strong enough to leave the hospital, he elopes with my dearest friend, Miss Violette Shumberger, leaving me a note saying something about two souls with but a single thought. They are down in Florida running a barbecue stand."

"Miss Slocum," I say, "can I interest you in a portion of Mindy's chicken fricassee?"

"With dumplings?" Miss Hilda Slocum says. "Yes," she says, "Of course you can. And afterwards I have a dancing date with Mr. McBurgle. I am crazy about dancing," she says.

СЛОВАРИК

contractor подрядчик

aleing himself up здесь накачиваться элем

beezer здесь нос

boff здесь удар

outeat переесть (съесть больше, чем оппонент)

one and all все

request him to let them miss him здесь попросить его исчезнуть

greatest eater alive самый сильный едок из ныне живущих

wager ставка (у букмекеров)

taps out здесь потратил всю наличность

forfeit здесь безвозвратный залог в случае нарушения условий