Kitobni o'qish: «In Silk Attire: A Novel», sahifa 2

CHAPTER III.
THE MARCHIONESS

Of what befel Lord Knottingley in England – of the influences brought to bear on him, of the acquaintances and relatives who counselled him (if he did receive any counsel but from his own inclination) – his wife never knew anything. Week after week passed, and she heard nothing from England. Again and again she wrote: there was no answer. But at length there arrived at Thun his lordship's man of business, Mr. Chetwynd, who brought with him all the news for which she had sought.

She was seated at the window overlooking the lake, oppressed and almost terrified by the strange shadows which the sunset was weaving among the mountains opposite. The sun had so far sunk that only the peaks of the splendid hills burned like tongues of fire; and in the deep valleys on the eastern side the thick purple darkness was giving birth to a cold grey mist which crept along in nebulous masses like the progress of a great army. Down at the opposite shore the mist got bluer and denser; and over all the lake the faint haze dulled the sombre glow caught from the lurid red above. Up there, high over the mountains, there were other mountains and valleys; and, as she looked, she thought she saw an angel, with streaming violet hair which floated away eastward, and he held to his mouth a trumpet, white as silver, which almost touched the peak of the Wetterhorn; and then the long, flowing robes of scarlet and gold became an island, with a fringe of yellow light that dazzled her sad eyes. When she turned rapidly to see that a servant had brought her a letter, the same cloud-visions danced before her, pictured in flames upon the darkness of the room.

"Will it please your ladyship to see Mr. Chetwynd this evening or to-morrow morning?" the servant inquired.

"Did Mr. Chetwynd bring this letter?" she asked, hurriedly.

"Yes, your ladyship," said the man.

"Tell him I will see him this evening – by-and-by – in half an hour."

Standing there, with a faint pink light streaming in upon the paper, she read these words:

"DEAR ANNIE, – Things have changed greatly since I was in England before; and my present visit seems to have brought me back again to life. It would be impossible for me to let you know how many reflections have been suggested to me since I came here; and perhaps I ought to go on at once to the main purport of my letter. You are my wife —legally married– as you know; and no one can deprive you of the privileges pertaining to your rank, any more than they can deprive you of my esteem and affection. At the same time you know how very exclusive my friends are; and I am convinced that for you to seek companionship with them would only bring you discomfort and vexation. Now your own good sense, my dear, will show you that I cannot always remain away from England and allow my property to be left in the hands of agents. I see so many alterations for the worse, and so much urgent need for improvement, that I am certain I must remain in England for several years, if not for life. Now, my dear, I have a proposal to make which you will think cruel at first; but which – I know well – you will afterwards regard as being the wisest thing you could do for all of us. Nobody here seems to know of our marriage; certainly none of my own family seem to take it for granted that I have a wife living; and if I were to bring you over I should have to introduce you, with explanations which would be awkward to both you and me – which, indeed, would be insultingto you. What I desire you to do is to remain in the house you now occupy, which shall be yours; a sufficient income – to be named by yourself – will be settled upon you; and Annie will be supplied with whatever governesses and masters she requires. I hope you will see the propriety of this arrangement; and more particularly on account of one circumstance which, unfortunately, I am compelled to explain. You know I never allowed you to become friends with any of the English people we met in Italy. The reason was simply that they, in common with my relatives, believed that you and I were not married; and could I drag you, my dear, into the ignominy of an explanation? For the same reason, I hope you will conceal your real rank in the event of your ever meeting with English people at Thun; and while I wait your answer – which I trust you will calmly consider – I am, whatever unhappy circumstances may divide us,

"Your loving husband,

"HARRY ORMOND."

She read this letter to the very end, and seemed not to understand it; she was only conscious of a dull sense of pain. Then she turned away from it – from its callous phrases, its weak reasoning, its obvious lies, all of which seemed a message from a stranger, not from Harry Ormond – and accidentally she caught a glimpse of herself in a mirror. She saw there what recalled her to herself; for the ghastly face she beheld, tinged with the faint glow of the sunset, was terror-stricken and wild. In the next second she had banished that look; she rang the bell; and then stood erect and firm, with all the fire of her old profession tingling in her.

"Bid Mr. Chetwynd come here," she said to the servant.

In a minute or two the door was again opened, and there entered a tall, grey-haired man, with a grave and rather kindly expression of face.

She held out the letter, and said, in a cold, clear tone:

"Do you know the contents of this letter?"

"I do, your ladyship," said he.

"And you have been sent to see what money I should take for keeping out of the way, and not troubling Lord Knottingley? Very well – "

"I assure your ladyship – "

"You need not speak," she said, with a dignity of gesture which abashed him – which made him regard her with the half-frightened, half-admiring look she had many a time seen on the faces of the scene-shifters after one of her passionate climaxes – "I presume I am still the Marchioness of Knottingley?"

"Certainly."

"And my husband has commissioned you to receive my instructions?"

"He has, your ladyship; and if you would only allow me to explain the circumstances – "

"Mr. Chetwynd, you and I used to talk frankly with each other. I hope you will not embarrass yourself by making an apology for his lordship, when he himself has done that so admirably in this letter. Now, be good enough to attend to what I say. You will secure for me and my daughter a passage to America by the earliest vessel we can reach from here; and to-morrow morning you will accompany us on the first stage of the journey. I will take so much money from you as will land us in New York; whatever surplus there may be will be returned to Lord Knottingley."

"May I beg your ladyship to consider – to remain here until I communicate with his lordship?"

"I have considered," she said, calmly, in a tone which put an end to further remonstrance, "and I do not choose to remain in this house another day."

So Mr. Chetwynd withdrew. He saw nothing of this strangely self-possessed woman until the carriage was at the door next morning, ready to take her from the house which she had cast for ever behind her.

When he did see her he scarcely recognised her. She was haggard and white; her eyes were red and wild; she appeared to be utterly broken down. She was dressed in black, and so was the little girl she led by the hand. He did not know that she had spent the entire night in her daughter's room, and that it was not sleep which had occupied those long hours.

So it was that Annie Napier and her daughter arrived in America; and there she went again upon the stage, under the name of Annie Brunel, and earned a living for both of them. But the old fire had gone out; and there was not one who recognised in the actress her who had several years before been the idol of London. One message only she sent to her husband; and it was written, immediately on her reaching New York, in these words:

"HARRY ORMOND, – I married you for your love. When you take that from me, I do not care to have anything in its place. Nor need you try to buy my silence; I shall never trouble you.

"ANNIE NAPIER."

On the receipt of that brief note, Harry Ormond had a severe fit of compunction. The freedom of his new life was strong upon him, however; and in process of time he, like most men of his stamp, grew to have a conviction that he was not responsible for the wrong he had done. If she had wilfully relinquished the luxury he offered her, was he to blame?

Ten years afterwards, Lord Knottingley lay very sick. He was surrounded by attentive relatives, who, having affectionately interested themselves in him during his life, naturally expected to be paid for their solicitude at his death. But at the last moment remorse struck him. As the drowning man is said to be confronted by a ghastly panorama of his whole life, so he, in these last hours, recalled the old tenderness and love of his youth, which he had so cruelly outraged. He would have sent for her then; he would have braved the ridicule and indignation which he had once so feared; but it was too late. One act of reparation was alone possible. When Harry Ormond Marquis of Knottingley died, it was found that he had left, by a will dated only a few days before his death, his whole property to his wife, of whom nobody knew anything, accompanying the bequest with such expressions of affection and penitence as sorely puzzled his lady relatives.

Not for several months did the lawyers who acted for the trustees discover where the missing wife had taken up her abode in America; and then an elderly gentleman waited upon the actress to break the news of her husband's death, and to invite her to become the mistress of a large property and the wearer of a proud title.

"How pleased she will be!" he had said to himself, before seeing her.

Once in her presence, however, he did not so tastily judge the tender-eyed, beautiful, melancholy woman; and it was with all the delicacy he could command that he told his story, and watched its effect upon her handsome, sad face.

But these ten years of labour had not quite broken Annie Napier's spirit. Out of her grief and her tears – for she was a woman, and could not help still loving the lover of her youth – she rose with her old grandeur of manner, and refused the offer. Not theatrically, nor angrily, but simply and definitely, so that the messenger from England, perplexed and astonished, could only beg of her to think, not of herself, but of her daughter.

"My daughter," she said, perhaps rather bitterly, "will never seek, any more than myself, to go amongst those people. God knows that it is she alone whom I consider in everything I do. I have taught her to earn her own bread; and I will teach her that her only chance of happiness is to marry, if she does marry, in her own profession. You appear to be surprised, sir; but what I say to you is not the result of any hasty impulse. Have you seen her?" she added, with a touch of pride. "Have you seen her since you came over? Some years hence you may find her in England, and she will reap my old triumphs again."

"If you will only consider what you are taking from her – the position she would hold – the – "

For an instant the large dark eyes of the actress were filled with a strange, wistful look; was she striving – as we often do strive – to anticipate the current of years, and look over the long future lying in wait for this girl of hers?

"I have considered, sir, many a year ago. She has been brought up in perfect ignorance of her birth and name; and there is no one of her associates who knows our secret. So she will remain."

This unlooked-for termination to his mission so astounded the lawyer, that he could not at first comprehend the decision of her tone.

"You will understand, madam," he said, "that professionally I have no resource but to return to England with your message. But may I not beg you to reflect? Is it not possible that you have been moved to this decision by a – what shall I say? – a view of things which may appear natural to you in your professional life, but which is looked upon otherwise by the outside world? – "

"You think I am led astray by theatrical notions of life?" she said, with a smile. "It was my experience of your 'outside world' which made me resolve that my girl should never suffer that which I have suffered. The resolution is a very old one, sir. But supposing that I should die, would she then have this property – would it belong to her?"

"Undoubtedly, if she chooses to accept it."

After a few moments' silence, the prudent and tender mother having calculated every possibility which might affect her daughter's happiness, she said to him:

"In that case, sir, I can always provide against her suffering want. I will give her to-day your address in England, and tell her that if at any future time I am taken from her, and if she should ever be in need, she can go to you; and then, sir, you will remember who Annie Brunel is."

"And you absolutely condemn your daughter to be an actress, when a word from you could make her an English lady – "

The woman before him drew herself up.

"When my daughter ceases to believe that an actress may be a lady, it will be time for her to apply to you for the rank she has lost."

CHAPTER IV.
THE ACTRESS

It was near midnight when an unusually notable and brilliant little party sate down to supper in the largest hall of an hotel in the neighbourhood of Charing Cross. Brilliant the meeting was, for beneath the strong lights shone the long white table with its gleaming crystal, and silver, and flowers; and notable it was in that the persons sitting there were, every one of them, marked by an obvious individualism of face and dress. They wore no mere company of cultivated nothings, as like each other in brain, costume, and manner, as the wine-glasses before them; scarcely a man or woman of them had not his or her own special character rendered apparent by this or that peculiarity of facial line or intentional adornment.

But there was one woman there – or girl, rather, for she was clearly not over twenty – whose character you could not easily catch. You might watch the expression of her eyes, listen to her bright, rapid, cheerful talk, and study her bearing towards her associates; and then confess that there was something elusive about her – she had not exhibited her real nature to you – you knew nothing of her but those superficial characteristics which were no index to the spirit underneath.

Slight in figure, and somewhat pale and dark, there was nevertheless a certain dignity about her features, and a stateliness in her gestures, which gave an almost massive grandeur to her appearance. Then her magnificent black hair lay around the clear, calm face, which was rendered the more intensely spiritual by large eyes of a deep and tender grey. They were eyes, under these long eyelashes, capable of a great sadness, and yet they were not sad. There seemed to play around the beautiful, intellectual face a bright, superficial, unconscious vivacity; and she herself appeared to take a quite infantine interest in the cheerful trivialities around her. For the rest, she was dressed in a gleaming white moiré, with tight sleeves which came down to her tiny wrists, and there ended in a faint line of blue; and through the great braided masses of her black hair there was wound a thick cord of twisted silver, which also had a thread of blue cunningly interwoven with it. The artistic possibilities of her fine face and complexion were made the most of; for she was an artist, one of the few true artists who have been seen upon our modern stage.

This was Miss Annie Brunel, who in three months from the date of her arrival in this country had won the heart of London. The young American actress, with her slight and nervous physique, her beautiful head, and the dark lustre of her eyes, was photographed, lithographed, and written about everywhere: people went and wept covertly beneath the spell of her voice; for once unanimity prevailed among all the critics who were worth attention, and they said that the new actress was a woman of genius. Who could doubt it that had witnessed the utter self-abandonment of her impersonations? She did not come upon the stage with a thought about her jewellery, a consciousness of her splendid hair, and an eye to the critical corner of the stalls. On the stage she was no longer mistress of herself. Her eyes deepened until they were almost black; her face was stirred with the white light of passion; and her words were instinct with the tenderness which thrills a theatre to its core. When the sudden intensity died down, when she resumed her ordinary speech and dress, she seemed to have come out of a trance. Not a trace remained of that fire and those intonations, which were the result of unconscious creation; her eyes resumed their serene, happy indifference, her face its pleased, childlike expression. Swift, active, dexterous she was, full of all sorts of genial and merry activities; that kindling of the eye and tremor of the voice belonged to the dream-life she led elsewhere.

The supper was rather a nondescript affair, resembling the little entertainment sometimes given by an author on the production of his new piece. As the play, however, in which Miss Brunel had just appeared was "Romeo and Juliet," there was a little difficulty about the author's being present to perform the ordinary duties; and so the manager's very good friend, the Graf von Schönstein, had stepped in and offered to play the part of host on the occasion.

The Graf, indeed, occupied the chair – a large and corpulent man, with a broad, fair face, small blue eyes, red hands, a frilled shirt, flowered waistcoat, and much jewellery. He had made the acquaintance of Miss Brunel during the previous year in America, and lost no time in renewing it now that she had so suddenly become famous in England. Of the Graf, who it may be mentioned was once a respectable tea-broker in Thames Street, E.C., we shall hear more.

On the left of the chairman sate the manager, a middle-aged man, with grey hair and a melancholy face; on the right Miss Brunel, and next to her a young man of the name of Will Anerley, a friend of Count Schönstein. Then followed several members of the company, an elderly little woman who officiated as Miss Brunel's guardian, two or three critics, and a young man who spoke to nobody, but kept his eyes intently fixed upon a charming soubrette (with whom he had quarrelled some days before) who was wickedly flirting with Mercutio. There was no lack of jest and talk down both sides of the table, for the wine-glasses were kept well filled; and occasionally there rang out, clear and full, the mellifluous laughter of the Nurse – a stout, big, red-faced woman, who had a habit of using her pocket handkerchief where a table-napkin might have been more appropriate – as she cracked her small jokes with Benvolio, who sate opposite to her. Then Friar Lawrence, who had thrown aside his robe and become comic, happened to jolt a little champagne into Lady Capulet's lap; and the angrier she grew over his carelessness, the more did the people laugh, until she herself burst out with a big, good-natured guffaw.

Meanwhile the small clique at the upper end of the table was engaged in a conversation by itself, Count Schönstein appealing to the manager vehemently:

"Was I not right in begging you to give the public Miss Brunel's 'Juliet?' There never was such a triumph, Miss Brunel; I assure you, you have taken London by storm. And with the public satisfied, will the critics object? You will not see a dissentient voice in the papers on Monday morning. What do you say to that, Mr. Helstone?"

The man whom he addressed had forsaken the cluster of his brother critics, and was busily engaged in amusing the pretty soubrette, whom he had entirely drawn away from poor Mercutio.

"Why," he said, with a faint smile, apparently bent upon puzzling the gorgeous-looking gentleman who had imprudently interrupted him, "I should be sorry to see such unanimity, for Miss Brunel's sake. Conscientious journalism, like every conscientious journalist, knows that there are two sides to every question, and will do its best to write on both. The odds will be the truth."

"Do you mean to tell me," asked the Count, somewhat pompously, "that you have no more conscience than to advocate different things in different papers?"

"If I write what I know on one side of a subject in one paper, and write up the other side in another paper, I free myself from a charge of suppressing truth; and I – "

Whereupon the soubrette, with the brown curls and the wicked blue eyes, pulled his sleeve and made him upset a claret glass.

"What a clumsy creature you are," she whispered. "And what is the use of talking to that ridiculous old fool? Tell me, do you think Miss Brunel handsome?"

"I think she has the face of a woman of genius," he said, with a glance of genuine admiration.

"Bah! that means nothing. Don't you think she shows her teeth on purpose when she laughs; and then those big, soft eyes make her look affectedly sentimental. Why do you grin so? I suppose I am not as handsome as she is; but I wonder if she could put on my gloves and boots?"

"You have adorable hands and feet, Miss Featherstone; everybody allows that."

"Thank you. They say that every ugly woman has pretty hands and feet."

"Nature leaves no creature absolutely unprotected, my dear. Let me give you some vanilla cream."

"You are a brute. I hate you."

"I have generally found that when a young lady says she hates you, she means she loves you – if you have a good income."

"I have generally found that when a young lady rejects her suitor because of his want of brain, he instantly says she cast him off because of his want of money. But I wish you'd keep quiet, and let me hear what Mr. Melton is saying about next week. If he thinks I'll play the people in with a farce, as well as play in the burlesque, he is mistaken. However, since you people have taken to write up Miss Brunel, she will order everything; and if the poor dear thinks seven too soon for her nerves after tea, I suppose she will get played whatever she wants."

"Spiteful thing! You're thinking of her handsome face and eyes and hair: why don't you look in the mirror and calm yourself?"

The little group at the head of the table had now split itself into two sections; and while Count Schönstein talked almost exclusively to Mr. Melton, Miss Brunel was engaged in what was apparently an interesting conversation with Will Anerley, who sate next her. But a patient observer would have noticed that the stout and pompous Count kept his eyes pretty well fixed upon the pair on his right; and that he did not seem wholly pleased by the amused look which was on Miss Brunel's face as she spoke, in rather a low tone, to her companion:

"You confess you are disappointed with me. That is quite natural; but tell me how I differ from what you expected me to be."

She turned her large, lustrous eyes upon him; and there was a faint smile on her face.

"Well," he said, "on the stage you are so unlike any one I ever saw that I did not expect to find you in private life like – like any one else, in fact."

"Do you mean that I am like the young ladies you would expect to find in your friends' house, if you were asked to go and meet some strangers?"

"Precisely."

"You are too kind," she said, looking down. "I have always been taught, and I know, that private people and professional people are separated by the greatest differences of character and habits; and that if I went amongst those young ladies of whom you speak, I should feel like some dreadfully wicked person who had got into heaven by mistake and was very uncomfortable. Have you any sisters?"

"One. Well, she is not my sister, but a distant relation who has been brought up in my father's house as if she were my sister."

"Am I like her?"

"No. I mean, you are not like her in appearance; but in manner, and in what you think, and so forth, you would find her as like yourself as possible. I cannot understand your strange notion that some unaccountable barrier exists between you and other people."

"That is because you have never lived a professional life," she said. "I know, myself, that there is the greatest difference between me now and when I am in one of my parts. Then I am almost unconscious of myself – I scarcely know what I'm doing; and now I should like to go on sitting like this, making fun with you or with anybody, or amusing myself in any way. Do you know, I fancy nothing would give me so much delight as battledore and shuttlecock if I might have it in my own house; but I am afraid to propose such a thing to my guardian, Mrs. Christmas, or she would think I was mad. Did you never wish you were only ten years old again, that you might get some fun without being laughed at?"

"I used constantly to go bird's-nesting in Russia, when we were too lazy to go on a regular shooting-party, and never enjoyed anything half so much. And you know cricket has been made a manly game in order to let men think themselves boys for an hour or two."

"I should like you to become acquainted with my dear old Christmas – do you see her down there? – and then you would know how a professional life alters one. It was she, not my dear mother, who taught me all the gestures, positions, and elocution which are the raw material we actresses use to deceive you. How she scolds me when I do anything that differs from her prescriptions! And indeed she cannot understand how one, in the hurry of a part, should abandon one's-self to chance, and forget the ordinary 'business.' Now the poor old creature has to content herself with a little delicate compliment or two instead of the applause of the pit; and I am sometimes put to my wits' end to say something kind to her, being her only audience. Won't you come and help me some afternoon?"

The unconscious audacity of the proposal, so quietly and so simply expressed, staggered the young man; and he could only manage to mention something about the very great pleasure it would give him to do so.

He was very much charmed with his companion; but he was forced to confess to himself that she did, after all, differ a good deal from the gentlewomen whom he was in the habit of meeting. Nor was it wonderful that she should: the daughter of an actress, brought up from her childhood among stage-traditions, driven at an early period, by her mother's death, to earn her own living, and having encountered for several years all the vicissitudes and experience of a half-vagrant life, it would have been a miracle had she not caught up some angular peculiarities from this rough-and-ready education. Anerley was amazed to find that easy audacity and frankness of speech, her waywardness and occasional eccentricity of behaviour, conjoined with an almost ridiculous simplicity. The very attitude her Bohemianism led her to adopt towards the respectable in life, was in itself the result of a profound childlike ignorance; and, as he afterwards discovered, was chiefly the result of the tuition of a tender and anxious mother, who was afraid of her daughter ever straying from the folds of a profession which is so generous and kindly to the destitute and unprotected. All this, and much more, he was afterwards to learn of the young girl who had so interested him. In the meantime she seemed to him to be a spoilt child, who had something of the sensitiveness and sagacity of a woman.

"Look how he blushes," said the charming soubretteto her companion.

"Who?"

"The gentleman beside Miss Brunel."

"Are you jealous, that you watch these two so closely?"

"I'm not; but I do consider him handsome – handsomer than any man I know. He is not smooth, and fat, and polished, like most gentlemen who do nothing. He looks like an engine-driver cleaned – and then his great brown moustache and his thick hair – no, I'll tell you what he's like; he is precisely the Ancient Briton you see in bronzes, with the thin face and the matted hair – "

"And the scanty dress. I suppose the ancient Britons, like Scotchmen nowadays, wore an indelicate costume, in order to save cloth."

"I do consider him handsome; but her! And as for her being a great actress, and a genius, and all that, I don't consider her to be a bit better than any of us."

"If that is the case, I can quite understand and approve your depreciation of her."

"I will box your ears."

"Don't. They might tell tales; and you know I'm married."

"Tant pis pour toi."

The Ancient Briton had meanwhile recovered his equanimity; and both he and Miss Brunel had joined in an argument Mr. Melton was setting forth about the deliciousness of being without restraint. The grave manager, under the influence of a little champagne, invariably rose into the realm of abstract propositions; and indeed his three companions, all of them in a merry mood, helped him out with a dozen suggestions and confirmations.

"And worst of all," said Miss Brunel, "I dislike being bound down by time. Why must I go home just now, merely because it is late? I should like at this very moment to go straight out into the country, without any object, and without any prospect of return."

"And why not do so?" cried Count Schönstein. "My brougham can be brought round in a few minutes; let us four get in and drive straight away out of London – anywhere."

"A capital idea," said Melton. "What do you say, Miss Brunel?"

"I will go with pleasure," she replied, with bright childish fun in her eyes. "But we must take Mrs. Christmas with us. And that will be five?"

"Then let me go outside and smoke," said Will Anerley.

The supper party now broke up; and the ladies went off to get their bonnets, wrappers, and cloaks. In a few minutes Count Schönstein's brougham was at the door; and Miss Brunel, having explained to Mrs. Christmas the position of affairs, introduced her to Will Anerley. She had come forward to the door of the brougham, and Anerley saw a very small bright-eyed woman, with remarkably white hair, who was in an extreme nervous flutter. He was about to go outside, as he had promised, when Count Schönstein made the offer, which his position demanded, to go instead.