Kitobni o'qish: «The Vagrant Duke», sahifa 22

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CHAPTER XXIII
A VISITOR

The two minutes permitted by the doctor had come and gone. There had been much to say with too little time to say it in. For Beth, admonished that the patient must be kept quiet, and torn between joy at Peter's promised recovery and pity for his pale face, could only look at him and murmur soothing phrases, while Peter merely smiled and held her hand. But that, it seemed, was enough, for Beth read in his eyes that what had happened had merely set an enduring seal upon the affection of both of them.

With the promise that she could see him again on the morrow, Beth went back to her room. She had wanted to return to the village, but McGuire had insisted upon her staying where she was under the care of the doctor until what they were pleased to call the shock to her system had yielded to medical treatment. Beth said nothing. She was already herself and quite able to take up her life just where she had left it, but she agreed to stay in McGuire's house. It seemed to make him happier when she acquiesced in his wishes. Besides, it was nice to be waited on and to be next to the room where the convalescent was.

But the revelation as to Peter's identity could not be long delayed. Brierly had brought the tale back from the lumber camp, and the village was all agog with excitement. But Beth had seen no one but Mr. McGuire and Aunt Tillie, and Peter had requested that no one should tell her but himself. And so in a day or so when Beth went into Peter's room she found him with a color in his cheeks, and wearing a quizzical smile.

"I thought you were never coming, Beth," he said.

"I came as soon as they'd let me, Peter. Do you feel stronger?"

"Every hour. Better when you're here. And you?"

"Oh, I'm all right."

He looked at her with his head on one side.

"Do you think you could stand hearing something very terrible about me, Beth?"

She glanced at him anxiously and then a smile of perfect faith responded to his. She knew that he was getting well now, because this was a touch of his old humor.

"H-m. I guess so. I don't believe it can be so very terrible, Peter."

"It is —very terrible, Beth."

But the pressure of his fingers was reassuring.

"I'm listenin'," she said.

"Well, you know, you told me once that you'd marry me no matter what I'd been – "

"Yes. I meant that, Peter. I mean it now. It's what you are – "

Peter Nichols chuckled. It was his last chuckle as Peter Nichols.

"Well, I'm not what you thought I was. I've been acting under false colors – under false pretenses. My name isn't Peter Nichols. It's Peter Nicholaevitch – "

"Then you are all Russian!" she said.

Peter shook his head.

"No. Only half of me. But I used to live in Russia – at a place called Zukovo. The thing I wanted to tell you was that they fired me out because they didn't want me there."

"You! How dared they! I'd like to give them a piece of my mind," said Beth indignantly.

"It wouldn't have done any good. I tried to do that."

"And wouldn't they listen?"

"No. They burned my – my house and tried to shoot me."

"Oh! How could they!" And then, gently, "Oh, Peter. You have had troubles, haven't you?"

"I don't mind. If I hadn't had them, I wouldn't have come here and I wouldn't have found you."

"So after all, I ought to be glad they did fire you out," she said gently.

"But aren't you curious to know why they did?"

"I am, if you want to tell me, but even if it was bad, I don't care what you did, Peter."

He took her fingers to his lips.

"It wasn't so very bad after all, Beth. It wasn't so much what I did as what my – er – my family had done that made them angry."

"Well, you weren't responsible for what your kin-folks did."

Peter laughed softly.

"They seemed to think so. My – er – my kin-folks were mixed up in politics in Russia and one of my cousins had a pretty big job – too big a job for him and that's the truth." A cloud passed for a moment over Peter's face and he looked away.

"But what did his job have to do with you?" she asked.

"Well, you see, we were all mixed up with him, just by being related – at least that's what the people thought. And so when my cousin did a lot of things the people thought he oughtn't to do and didn't do a lot of other things that they thought he ought to have done, they believed that I was just the same sort of man that he was."

"How unjust, Peter!"

He smiled at the ceiling.

"I thought so. I told them what I thought. I did what I could to straighten things out and to help them, but they wouldn't listen. Instead they burned my – my house down and I had to run away."

"How terrible for you!" And then, after a pause, "Was it a pretty house, Peter?"

"Yes," he replied slowly, "it was. A very pretty house – in the midst of a forest, with great pines all about it. I wish they hadn't burned that house, Beth, because I loved it."

"Poor dear! I'm so sorry."

"I thought you would be, because it was a big house, with pictures, books, music – "

"All burned! Land's sakes alive!"

"And a wonderful grand piano."

"Oh, Peter!" And then with a flash of joy, "But you're goin' to have another grand piano just like it soon."

"Am I? Who's going to give it to me?"

"I am," said Beth quietly. "And another house and pictures and books and music."

He read her expression eagerly.

"Mr. McGuire has told you?" he asked.

She nodded. "You knew?"

"Yes," he replied. "He told me yesterday."

"Isn't it wonderful?" she whispered. And then went on rapidly, "So you see, Peter, maybe I can be some good to you after all."

He pressed her fingers, enjoying her happiness.

"I can hardly believe it's true," she gasped, "but it must be, because Mr. McGuire had his lawyer here yesterday talkin' about it – "

"Yes. It's true. I think he's pretty happy to get all that off his conscience. You're a rich girl, Beth." And then, with a slow smile, "That was one of the reasons why I wanted to talk with you about who I was. You see, I thought that now that you're going to have all this money, you might want to change your mind about marrying a forester chap who – who just wants to try to show the trees how to grow."

"Peter! Don't make fun of me. Please. And you hurt me so!" she reproached him. "You know I'll never want to change my mind ever, ever– even if I had all the money in the world."

He laughed, drew her face down to his and whispered, "Beth, dear. I knew you wouldn't want to – but I just wanted to hear you say it."

"Well, I have said it. And I don't want you ever to say such a thing again. As if I cared for anythin' – anythin' but you."

He kissed her on the lips and she straightened.

"I wanted to hear you say that too," he said with a laugh.

And then, after a silence which they both improved by gazing at each other mutely, "But you don't seem very curious about who I am."

Beth pressed his fingers confidently. What he was to her mattered a great deal – and she realized that nothing else did. But she knew that something was required of her. And so, "Oh, yes. Indeed I am, Peter, – awfully curious," she said politely.

"Well, you know, Beth, I'm not really so poor as I seem to be. I've got a lot of securities in a bank in Russia, because nobody knew where they were and so they couldn't take them."

"And they would have taken your money too?"

"Yes. When this cousin of mine – his name was Nicholas – when Nicholas was killed – "

"They killed him! Who?"

"The Bolsheviki – they killed Nicholas and his whole family – his wife, son and four daughters – "

"Peter!" Beth started up and stared at him in startled bewilderment, as she remembered the talks she had had with him about the Russian Revolution. "Nicholas – !" she gasped. "His wife – son – daughters. He had the same name as – as the Czar – !" And as her gaze met his again she seemed to guess… "Peter!" she gasped. "What – what do you mean?"

"I mean that it was the Little Father – the Czar – who was my cousin, Beth."

She stared at Peter in awe and a kind of fear of this new element in their relations.

"And – and you – ? You're – ?"

"I'm just Peter Nichols – ," he said with a laugh.

"But over there – "

"I'm nothing. They chucked us all out, the Bolsheviki – every last one of us that had a handle to his name."

"A handle – ?"

"Yes. I used to be Grand Duke Peter Nicholaevitch of Zukovo and Galitzin – "

"G-Grand Duke Peter!" she whispered in a daze. And then, "Oh – how – how could you?" she gasped.

Peter laughed.

"I couldn't help it, Beth. I was born that – way. But you will forgive me, won't you?"

"Forgive – ? Oh – it – it makes such a difference to find – you're not you– but somebody else – "

"No. I amme. I'm not anybody else. But I had to tell you – sometime. You don't think any the less of me, do you, Beth?"

"I – I don't know what to think. I'm so – you're so – "

"What?"

"Grand – and I'm – "

Peter caught her hands and made her look at him.

"You're the only woman in the world I've ever wanted – the only one – and you've promised me you'd marry me – you've promised, Beth."

Her fingers moved gently in his and her gaze, wide-eyed, sought his.

"And it won't make any difference – ?"

"No, Beth. Why should you think that?"

"I – I was afraid – it might," she gasped. And then for a while Peter held her hands, whispering, while Beth, still abashed, answered in monosyllables, nodding from time to time.

Later the nurse entered, her glance on her wrist-watch.

"Time's up," she said. And Beth rose as one in a dream and moved slowly around the foot of the bed to the door.

Jonathan K. McGuire had been as much astonished as Beth at the revelation of Peter's identity, and the service that Peter had rendered him made him more than anxious to show his appreciation by doing everything he could for the wounded man's comfort and happiness. He visited the bedside daily and told Peter of his conversation with Beth, and of the plans that he was making for her future – which now, it seemed, was Peter's future also. Peter told him something of his own history and how he had met Jim Coast on the Bermudian. Then McGuire related the story of the suppression of the outbreak at the lumber camp by the Sheriff and men from May's Landing, and the arrest of Flynn and Jacobi on charges of assault and incendiarism. Some of the men were to be deported as dangerous "Reds." Brierly had been temporarily put in charge at the Mills and Jesse Brown, now much chastened, was helping McGuire to restore order. Shad Wells was technically under arrest, for the coroner had "viewed" the body of the Russian Committeeman before it had been removed by his friends and buried, and taken the testimony. But McGuire had given bail and arranged for a hearing both as to the shooting of and the death of Hawk Kennedy, when Peter was well enough to go to May's Landing.

The death of Hawk had produced a remarkable change in the character and personality of the owner of the Black Rock Reserve. His back was straighter, his look more direct, and he entered with avidity into the business of bringing order out of the chaos that had resulted from the riot. His word carried some weight, his money more, and with the completion of his arrangements with Beth Cameron, he drew again the breath of a free man.

But of all this he had said nothing to Peggy, his daughter. He had neither written to her nor telephoned, for he had no desire that she should know more than the obvious facts as to the death of Hawk Kennedy, for conflicting reports would lead to questions. Since she had suspected nothing, it was needless to bring that horror to her notice, now that the threat had passed. McGuire was a little afraid of his colorful daughter. She talked too much and it had been decided that nobody, except the lawyer, Peter, Beth and Mrs. Bergen should know the source of Beth's sudden and unexpected inheritance. The girl had merely fallen heir to the estate of her father, who had died many years before, not leaving any record of this daughter, who had at last been found. All of which was the truth, so far as it went, and was enough of a story to tell Peggy when he should see her.

But Jonathan McGuire found himself somewhat disturbed when he learned one morning over the telephone that Peggy McGuire and a guest were on their way to Black Rock House for the week-end. The message came from the clerk of the hotel, and since Peggy and her friend had already started from New York, he knew of no way to intercept them. There was nothing to do but make the best of the situation. Peter had the best guest room, but Beth had decided the day before to return to the cottage, which was greatly in need of her attention. And so McGuire informed Mrs. Bergen of the impending visit and gave orders that Miss Peggy's room and a room in the wing should be prepared for the newcomers.

Beth had no wish to meet Peggy McGuire in this house after the scene with Peter in the Cabin, when the young lady had last visited Black Rock, for that encounter had given Beth glimpses of the kind of thoughts beneath the pretty toques and cerise veils that had once been the apple of her admiring eyes. But as luck would have it, as Beth finished her afternoon's visit to Peter's bedside and hurried down to get away to the village before the visitors arrived, Miss Peggy's low runabout roared up to the portico. Beth's first impulse was to draw back and go out through the kitchen, but the glances of the two girls met, Peggy's in instant recognition. And so Beth tilted her chin and walked down the steps just beside the machine, aware of an elegantly attired lady with a doll-like prettiness who sat beside Peggy, oblivious of the sharp invisible daggers which shot from eye to eye.

"You here!" said Peggy, with an insulting shrug.

Beth merely went her way. But no feminine adept of the art of give and take could have showed a more perfect example of studied indifference than Beth did. It was quite true that her cheeks burned as she went down the drive and that she wished that Peter were well out of the house so long as Peggy was in it.

But Peggy McGuire could know nothing of Beth's feelings and cared not at all what she thought or felt. Peggy McGuire was too much concerned with the importance of the visitor that she had brought with her, the first live princess that she had succeeded in bringing into captivity. But Anastasie Galitzin had not missed the little by-play and inquired with some amusement as to the very pretty girl who had come out of the house.

"Oh – the housekeeper's niece," replied Peggy, in her boarding school French. "I don't like her. I thought she'd gone. She's been having a petite affaire with our new forester and superintendent."

Anastasie Galitzin, who was in the act of descending from the machine, remained poised for a moment, as it were, in midair, staring at her hostess.

"Ah!" she said. "Vraiment!"

By this time the noise of the motor had brought Stryker and the downstairs maid from the house, and in the confusion of carrying the luggage indoors, the conversation terminated. It was not until Peggy's noisy greetings to her father in the hallway were concluded and the introduction of her new guest accomplished that Jonathan McGuire was permitted to tell her in a few words the history of the past week, and of the injury to the superintendent, who lay upstairs in the room of the guest of honor.

"H-m," sniffed Peggy, "I don't see why you had to bring him here!"

"It's a long story, Peg," said McGuire calmly. "I'll tell you presently. Of course the Princess is very welcome, but I couldn't let him be taken anywhere but here, after he'd behaved so fine all through the rioting."

"Well, it seems to me," Peggy began, when the voice of her guest cut in rather sharply.

"Pierre!" gasped Anastasie sharply, and then, in her pretty broken English, "You say, Monsieur, it is he – Pe-ter Nichols – who 'as been badly 'urt?"

"Yes, ma'am, pretty bad – shot through the breast – "

"Sainte Vierge!"

"But he's getting on all right now. He'll be sitting up in a day or so, the doctor says. Did you know him, ma'am?"

Anastasie Galitzin made no reply, and only stared at her host, breathing with some difficulty. Peggy, who had been watching her startled face, found herself intensely curious. But as she would have questioned, the Princess recovered herself with an effort.

"No – yes, Monsieur. It – it is nothing. But if you please – I should like to go at once to my room."

And Peggy and her father, both of them much mystified, led the way up the stairs and to the room that had been prepared in the wing of the house, Stryker following with the bag and dressing case.

At the door of the room the Princess begged Peggy to excuse her, pleading weariness, and so the astonished and curious hostess was forced to relinquish her latest social conquest and seek her own room, there to meditate upon the extraordinary thing that had happened. Why was Anastasie Galitzin so perturbed at learning of the wounds of Peter Nichols? What did it all mean? Had she known him somewhere in the past – in England – in Russia? What was he to her?

But in a moment Jonathan McGuire joined her and revealed the identity of his mysterious forester and superintendent. At first Peggy was incredulous, then listened while her father told a story, half true, half fictitious, which had been carefully planned to answer all the requirements of the situation. And unaware of the cyclonic disturbances he was causing in the breast of his only child, he told her of Beth and Peter, and of the evidences of their devotion each to the other in spite of their difference in station. Peggy's small soul squirmed during the recital, but she only listened and said nothing. She realized that in a situation such as this mere words on her part would be superfluous. The Grand Duke Peter Nicholaevitch! Here at Black Rock! Her pop's superintendent! And she had not known. She had even insulted him. It was hideous!

And the Princess? The deep emotion that she had shown on hearing of the dangerous wound of the convalescent was now explained. But only partly so. The look that Peggy had surprised in Anastasie Galitzin's face meant something more than mere solicitude for the safety of one of Russia's banished Grand Dukes. It was the Princess who had been shocked at the information, but it was the woman who had showed pain. Was there – had there ever been – anything between Anastasie Galitzin and this – this Peter Nichols?

Facts about the early stages of her acquaintanceship with Anastasie Galitzin now loomed up with an unpleasant definiteness. She had been much flattered that so important a personage had shown her such distinguished marks of favor and had rejoiced in the celerity with which the intimacy had been established. The thought that the Princess Galitzin had known all the while that the Grand Duke was living incognito at Black Rock and had merely used Peggy as a means to bring about this visit was not a pleasant one to Peggy. But the fact was now quite obvious. She had been making a convenience of her. And what was now to be the result of this visit? The Princess did not yet know of the engagement of His Highness to the scullery maid. Who was to tell her?

The snobbish little heart of Peggy McGuire later gained some consolation, for Anastasie Galitzin emerged from her room refreshed and invigorated, and lent much grace to the dinner table, telling father and daughter something of the early life of the convalescent, exhibiting a warm friendship which could be satisfied with nothing less than a visit on the morrow to the sick-room. And His Highness now very much on the mend, sent word, with the doctor's permission, that he would be charmed to receive the Princess Galitzin at ten in the morning.

What happened in the room of the convalescent was never related to Peggy McGuire. But Anastasie emerged with her head erect, her pretty face wearing the fixed smile of the eternally bored. And then she told Peggy that she had decided to return to New York. So after packing her belongings, she got into Peggy's car and was driven much against the will of her hostess to the Bergen cottage. Peggy wouldn't get out of the car but Anastasie went to the door and knocked. Beth came out with her sleeves rolled above her elbows, her fingers covered with flour. The Princess Galitzin vanished inside and the door was closed. Her call lasted ten minutes while Peggy cooled her heels. But whether the visit had been prompted by goodness of heart or whether by a curiosity to study the lady of Peter's choice at close range, no one will ever know. Beth was very polite to her and though she identified her without difficulty as the heliotrope-envelope lady, she offered her some of the "cookies" that she had made for Peter, and expressed the warmest thanks for her kind wishes. She saw Anastasie Galitzin to the door, marking her heightened color and wondering what her fur coat had cost. Beth couldn't help thinking, whatever her motive in coming, that the Princess Galitzin was a very beautiful lady and that her manners had been lovely. But it was with a sigh of relief that she saw the red car vanish down the road in a cloud of dust.

His convalescence begun, Peter recovered rapidly and in three weeks more he was himself again. In those three weeks many interesting things had happened.

Jonathan K. McGuire had held a series of important conferences with Peter and Mrs. Bergen who seemed to have grown ten years younger. And one fine day after a protracted visit to New York with Mrs. Bergen, he returned laden with mysterious packages and boxes, and stopped at the door of the cottage, where Peter was taking a lunch of Beth's cooking.

It was a beautiful surprise. Mrs. Bergen whispered in Beth's ear and Beth followed her into the kitchen, where the contents of one or two of the boxes were exposed to Beth's astonished gaze. Peter, of course, being in the secret, kept aloof, awaiting the result of Mrs. Bergen's disclosures. But when Beth came back into the plush-covered parlor, he revealed his share in the conspiracy by producing, with the skill of a conjurer taking a rabbit from a silk hat, a minister and a marriage license, the former having been hidden in the house of a neighbor. And Jonathan K. McGuire, with something of an air, fully justified by the difficulties he had been at to secure it, produced a pasteboard box, which contained another box of beautiful white velvet, which he opened with pride, exhibiting its contents. On the soft satin lining was a brooch, containing a ruby as large as Beth's thumbnail.

With a gasp of joy, she gazed at it, for she knew just what it was, the family jewel that had been sold to the purser of the Bermudian. And then she threw her arms around McGuire's neck and kissed him.

Some weeks later Beth and Peter sat at dusk in the drawing-room of Black Rock House, for McGuire had turned the whole place over to them for the honeymoon. The night was chilly, a few flakes of snow had fallen during the afternoon, so a log fire burned in the fireplace. Peter sat at the piano playing the "Romance" of Sibelius, for which Beth had asked, but when it was finished, his fingers, impelled by a thought beyond his own control, began the opening rumble of the "Revolutionary Étude." The music was familiar to Beth and it stirred her always because it was this gorgeous plaint of hope and despair that had at the very first sounded depths in her own self the existence of which she had never even dreamed. But to-night Peter played it as she had never heard him play it before, with all his soul at his finger tips. And she watched his downcast profile as he stared at vacancy while he played. It was in moments like these that Beth felt herself groping in the dark after him, he was so far away. And yet she was not afraid, for she knew that out of the dreams and mysticism of the half of him that was Russian he would come back to her, – just Peter Nichols.

He did presently, when his hands fell upon the last chords and he sat with head still bowed until the last tremor had died. Then he rose and turned to her. She smiled at him and he joined her on the divan. Their fingers intertwined and they sat for a long moment looking into the fire. But Beth knew of what he was thinking and Peter knew that she knew. Their honeymoon was over. There was work to do in the world.